The show has ended, but stopped by our friend's wine bar, Hotel Biron, and grabbed a few photos from this Oakland based artist's solo show...
Hotel Biron is a great wine bar around the corner from FFDG. A perfect coozy wine bar with a really great cheese plate. Bonus: Perfect date spot.
Took us a little time to get this great show on Valencia street. Megan, living and working in LA, was in our 10 year show and we've been enjoying and following her work for sometime. This great solo show is her first in San Francisco. We visited her and Souther Salazar LA studios a couple years back.
Philly's Ben Woodward and Jim Houser are showing at Denver's new Black Book Gallery with an opening tonight, Friday, Nov 5th @7pm.
About Black Book Gallery The definition and accessibility of art is constantly expanding. Black Book Gallery is committed to building bridges between the art community and the public, as well as artists and collectors. By featuring a balance of emerging artists and those recognized and established worldwide, we work to make Denver a leader in the art community by pushing the conventional boundaries of art and art exhibits.
An Unexpected Guest, oil on panel, 18" x 24", 2010
How would you describe your work to someone?
Detailed, slightly absurd, bizarre narratives.
I spent a lot of time at the Chicago Art Museum when I was younger. I found the works
of the 17th century Dutch masters particularly interesting; I would try to dissect the
paintings layer by layer in my mind. I figured that magicians must have made them. I
wanted to be a magician too.
Friday, 05 November 2010 11:02 Written by Jesse Pollock
Robert "Budd" Dwyer served in the Pennsylvania State Senate in the 80s and was caught up in a bribery scandal that ended with Dwyer taking his own life in front of television cameras during a press conference at his office in Harrisburg, the state capital of Pennsylvania. The film tells the complete story of the scandal and suicide. Jesse Pollock reviews the film which premieres this Saturday @The Red Vic here in SF.
Before the days of internet video you had to watch your snuff films on VHS
and let me tell you, they were not easy to come by. I didn’t happen upon the
1970 Faces of Death series until I was well into my mid-teens and even then I
had to sneak around to watch the endless compilation of live autopsies, crime
scenes and suicides. When a person is subjected to countless hours of murder
and mutilation, the senses become numb and after a while it’s hard to summon
up any empathy at all - much like the famous eyeball scene depicted in A
Clockwork Orange. There was one scene in the series however, that made me
snap back to reality and proceeded to sear itself into my mind. In this scene,
a man calls together a press conference where he then reads for a short time
reaching into an envelope, pulling out a gun and shooting himself in the
This part in the movie halted me so suddenly because it seemed to come
from a place I could empathize with. The intensity and starkness that these
images conveyed had connected with me on a more personal and intimate level.
I remember, as I’m sure many others have done as well, that I instantly wanted
to know who this man was. I wanted to know more about what happened on the
day a group of journalists crowded around a successful politician to watch him
end his life.
It would be many years before I would come to know this man as State Treasurer
R. Budd Dwyer of Pennsylvania, and finally read his story for the first time. Now
that video is so casually splashed around the internet at every turn, it’s not hard
to find and watch this scene within five minutes of searching for it... ~continue reading
The inspiration for these paintings came from an old alchemists engraving from around the 16th century. The engraving consists of multiple images that illustrate a personified narrative of the chemical transformation of metals moving from one solid to disintegration and reconfiguration. The iconographic device used in this engraving is that of the archetypal king whose power is shifts between tyranny and freedom.
Thursday, 04 November 2010 13:38 Written by Trippe
An old friend of Fecal Face, Eric Wollam has been the art director for Almost Skateboards for many years now. Besides being quite the ripper himself, Wollam is a talent with design and with the art workings. Last Saturday he opened a show of boards he designed as well as a few drawings, collages and prints @Sunken City Skates in San Pedro. It was also the release party for Cooper Wilt's new shoes on Duffs.
Got some photos from the current Kill Pixie show running down there in LA. Kill Pixie (originally from Sydney) works and lives down in LA... I think this might be the first opening we've seen where there's a celebrity host. If you don't know, Tim Roth played Mr.Orange in Reservoir Dogs.
I draw people from direct observation. The conversation I have with them during the portrait sitting along with the different expressions and emotions they convey inform how the portraits look. I depict an array of attitudes that will give the viewer insight as to the true nature of the sitter thereby creating an image that holds significance beyond their name and identity alone. They are essentially about how we get to ‘know’ someone, how we connect and what we honestly see when we look at a person. People are fluid creatures that do not sit still and their faces act as a window into a constantly changing stew of thoughts and emotions. What I see in a few hours can say so much about a person’s entire life. They capture so much more than a photograph.
Right now I am super interested in the animation work of Chuck Jones and Max Fleisher.
In a wacky mixture of classical Japanese woodblock style and contemporary Hello Kitty kitsch, Japanese illustrator Toshio Saeki challenges just about every taboo you can think of, and a few you probably never even considered. Some might call Saeki's potpourri of extreme sexuality warped, but this skilled and inventive artist has the kind of following in Japan that comic-book genius R. Crumb inspired in this country during the seventies.
Mark McCloud has a huge collection of blotter art... Yes, sheets of acid will be on display at Ever Gold adjorned with Jesus on a cross, Beavis and Butthead, Felix the cat, and many others. This Argentinian-born 44 year old ex-professor of art, is an old SF fixture of sorts having done drugs with notorious SF drug addled rock stars and thinkers.
Could the FBI be close on his heals? Actually, says McCloud, there is little if any legal risk in possessing these papers. Exposure to sunlight and heat has destroyed the illegal drug in every one of the blotters that he displays, reducing the LSD to an inert and legal compound. -read on.
I'm not sure how many people are lucky enough to have The San Francisco Giants 3 World Series trophies put on display at their work for the company's employees to enjoy during their lunch break, but that's what happened the other day at Deluxe. So great.
SF skateboarding icons Jake Phelps, Mickey Reyes, and Tommy Guerrero with the 3 SF Giants World Series Trophies
When works of art become commodities and nothing else, when every endeavor becomes “creative” and everybody “a creative,” then art sinks back to craft and artists back to artisans—a word that, in its adjectival form, at least, is newly popular again. Artisanal pickles, artisanal poems: what’s the difference, after all? So “art” itself may disappear: art as Art, that old high thing. Which—unless, like me, you think we need a vessel for our inner life—is nothing much to mourn.
Hard-working artisan, solitary genius, credentialed professional—the image of the artist has changed radically over the centuries. What if the latest model to emerge means the end of art as we have known it? --continue reading
"Six Degrees" opens tonight, Friday Jan 16th (7-10pm) at FFDG in San Francisco. ~Group show featuring: Brett Amory, John Felix Arnold III, Mario Ayala, Mariel Bayona, Ryan Beavers, Jud Bergeron, Chris Burch, Ryan De La Hoz, Martin Machado, Jess Mudgett, Meryl Pataky, Lucien Shapiro, Mike Shine, Minka Sicklinger, Nicomi Nix Turner, and Alex Ziv.
"[Satire] is important because it brings out the flaws we all have and throws them up on the screen of another person," said Turner. “How they react sort of shows how important that really is.” Later, he added, "Charlie took a hit for everybody." -read on
Jacob Magraw will be showing embroidery pieces on cloth along with painted, gouache works on paper --- Rachell Sumpter paints scenes of colored splendor dropped into scenes of desolate wilderness. ~show details
NYC --- A new graffiti abatement program put forth by the police commissioner has beat cops carrying cans of spray paint to fill in and cover graffiti artists work in an effort to clean up the city --> Many cops are thinking it's a waste of resources, but we're waiting to see someone make a project of it. Maybe instructions for the cops on where to fill-in?
The NYPD is arming its cops with cans of spray paint and giving them art-class-style lessons to tackle the scourge of urban graffiti, The Post has learned.
Shootings are on the rise across the city, but the directive from Police Headquarters is to hunt down street art and cover it with black, red and white spray paint, sources said... READ ON
SAN FRANCISCO --- The Headlands Center for the Arts is preparing for their largest fundraiser of the year set to go down on June 4th at SOMArts here in the city. Art auction, food, drinks, live music, etc and all for helping to support a great institution up in the Marin Headlands. ~details
ABOUT HEADLANDS Headlands Center for the Arts provides an unparalleled environment for the creative process and the development of new work and ideas. Through a range of programs for artists and the public, we offer opportunities for reflection, dialogue, and exchange that build understanding and appreciation for the role of art in society.
We haven't been featuring many interviews as of late. Let's change that up as we check in with a few local San Francisco artists like Kevin Earl Taylor here whom we studio visited back in 2009 (PHOTOS & VIDEO). It's been awhile, Kevin...
If you like guns and boobs, head on over to the Shooting Gallery; just don't expect the work to be all cheap ploys and hot chicks. With Make Stuff by Peter Gronquist (Portland) in the main space and Morgan Slade's Snake in the Eagle's Shadow in the project space, there is plenty spectacle to be had, but if you look just beyond it, you might actually get something out of the shows.
Fifty24SF opened Street Anatomy, a new solo show by Austrian artist Nychos a week ago last Friday night. He's been steadily filling our city with murals over the last year, with one downtown on Geary St. last summer, and new ones both in the Haight and in Oakland within the last few weeks, but it was really great to see his work up close and in such detail.
Congrats on our buddies at Needles and Pens on being open and rad for 11 years now. Mission Local did this little short video featuring Breezy giving a little heads up on what Needles and Pens is all about.
Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.
Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.
San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.
Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.
Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.
The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.
With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding
I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle
Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.
Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.
For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.
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