The show has ended, but stopped by our friend's wine bar, Hotel Biron, and grabbed a few photos from this Oakland based artist's solo show...
Hotel Biron is a great wine bar around the corner from FFDG. A perfect coozy wine bar with a really great cheese plate. Bonus: Perfect date spot.
Took us a little time to get this great show on Valencia street. Megan, living and working in LA, was in our 10 year show and we've been enjoying and following her work for sometime. This great solo show is her first in San Francisco. We visited her and Souther Salazar LA studios a couple years back.
Philly's Ben Woodward and Jim Houser are showing at Denver's new Black Book Gallery with an opening tonight, Friday, Nov 5th @7pm.
About Black Book Gallery The definition and accessibility of art is constantly expanding. Black Book Gallery is committed to building bridges between the art community and the public, as well as artists and collectors. By featuring a balance of emerging artists and those recognized and established worldwide, we work to make Denver a leader in the art community by pushing the conventional boundaries of art and art exhibits.
An Unexpected Guest, oil on panel, 18" x 24", 2010
How would you describe your work to someone?
Detailed, slightly absurd, bizarre narratives.
I spent a lot of time at the Chicago Art Museum when I was younger. I found the works
of the 17th century Dutch masters particularly interesting; I would try to dissect the
paintings layer by layer in my mind. I figured that magicians must have made them. I
wanted to be a magician too.
Friday, 05 November 2010 10:02 Written by Jesse Pollock
Robert "Budd" Dwyer served in the Pennsylvania State Senate in the 80s and was caught up in a bribery scandal that ended with Dwyer taking his own life in front of television cameras during a press conference at his office in Harrisburg, the state capital of Pennsylvania. The film tells the complete story of the scandal and suicide. Jesse Pollock reviews the film which premieres this Saturday @The Red Vic here in SF.
Before the days of internet video you had to watch your snuff films on VHS
and let me tell you, they were not easy to come by. I didn’t happen upon the
1970 Faces of Death series until I was well into my mid-teens and even then I
had to sneak around to watch the endless compilation of live autopsies, crime
scenes and suicides. When a person is subjected to countless hours of murder
and mutilation, the senses become numb and after a while it’s hard to summon
up any empathy at all - much like the famous eyeball scene depicted in A
Clockwork Orange. There was one scene in the series however, that made me
snap back to reality and proceeded to sear itself into my mind. In this scene,
a man calls together a press conference where he then reads for a short time
reaching into an envelope, pulling out a gun and shooting himself in the
This part in the movie halted me so suddenly because it seemed to come
from a place I could empathize with. The intensity and starkness that these
images conveyed had connected with me on a more personal and intimate level.
I remember, as I’m sure many others have done as well, that I instantly wanted
to know who this man was. I wanted to know more about what happened on the
day a group of journalists crowded around a successful politician to watch him
end his life.
It would be many years before I would come to know this man as State Treasurer
R. Budd Dwyer of Pennsylvania, and finally read his story for the first time. Now
that video is so casually splashed around the internet at every turn, it’s not hard
to find and watch this scene within five minutes of searching for it... ~continue reading
The inspiration for these paintings came from an old alchemists engraving from around the 16th century. The engraving consists of multiple images that illustrate a personified narrative of the chemical transformation of metals moving from one solid to disintegration and reconfiguration. The iconographic device used in this engraving is that of the archetypal king whose power is shifts between tyranny and freedom.
Thursday, 04 November 2010 12:38 Written by Trippe
An old friend of Fecal Face, Eric Wollam has been the art director for Almost Skateboards for many years now. Besides being quite the ripper himself, Wollam is a talent with design and with the art workings. Last Saturday he opened a show of boards he designed as well as a few drawings, collages and prints @Sunken City Skates in San Pedro. It was also the release party for Cooper Wilt's new shoes on Duffs.
Got some photos from the current Kill Pixie show running down there in LA. Kill Pixie (originally from Sydney) works and lives down in LA... I think this might be the first opening we've seen where there's a celebrity host. If you don't know, Tim Roth played Mr.Orange in Reservoir Dogs.
I draw people from direct observation. The conversation I have with them during the portrait sitting along with the different expressions and emotions they convey inform how the portraits look. I depict an array of attitudes that will give the viewer insight as to the true nature of the sitter thereby creating an image that holds significance beyond their name and identity alone. They are essentially about how we get to ‘know’ someone, how we connect and what we honestly see when we look at a person. People are fluid creatures that do not sit still and their faces act as a window into a constantly changing stew of thoughts and emotions. What I see in a few hours can say so much about a person’s entire life. They capture so much more than a photograph.
Right now I am super interested in the animation work of Chuck Jones and Max Fleisher.
In a wacky mixture of classical Japanese woodblock style and contemporary Hello Kitty kitsch, Japanese illustrator Toshio Saeki challenges just about every taboo you can think of, and a few you probably never even considered. Some might call Saeki's potpourri of extreme sexuality warped, but this skilled and inventive artist has the kind of following in Japan that comic-book genius R. Crumb inspired in this country during the seventies.
Mark McCloud has a huge collection of blotter art... Yes, sheets of acid will be on display at Ever Gold adjorned with Jesus on a cross, Beavis and Butthead, Felix the cat, and many others. This Argentinian-born 44 year old ex-professor of art, is an old SF fixture of sorts having done drugs with notorious SF drug addled rock stars and thinkers.
Could the FBI be close on his heals? Actually, says McCloud, there is little if any legal risk in possessing these papers. Exposure to sunlight and heat has destroyed the illegal drug in every one of the blotters that he displays, reducing the LSD to an inert and legal compound. -read on.
SEATTLE --- San Francisco based Ryan De La Hoz opens a show of new works at Flat Color on May 1st. We love Ryan's work and have shown it many times throughout the years. Ryan will be also showing at LA - Juxtapoz Psychedelic Show, The Well, LA, CA April 26th 2014 - SF - Paper Cuts, Spoke Art, SF, CA May 3rd 2014
Working in unconventional mediums such as woven blankets, puzzles, and faux marble, De La Hoz has pioneered an innovative style in a class of its own. Collages of white noise, flowers and tie-dye are all hand cut and assembled to create mystic portals of intrigue. Heavily influenced by themes of death and rebirth, past and present, and the collision of modern culture with antiquity; Form and Void is mysterious look into the odyssey of creation, destruction, and an examination of society at large. -show details
This morning we take a closer look at this beautiful painting by San Francisco based Michelle Fleck now showing at FFDG.
Arrangement measures 24"x30", acrylic and aerosol on panel - inquires: info(at)ffdg.net
Michelle Fleck is a painter living in San Francisco. Her work focuses on the relationship between man and the landscape, and the marks we leave on it. Influenced by everyday life in the city, her paintings serve as snapshots of an ongoing intersection of the natural and man-made world. She strives to make work that has a sense of relevancy in a culture driven by a need for change and newness.
Met up with Jeremy Fish last night to catch up and discuss his upcoming solo show opening this August at San Francisco's FFDG. Don't want to give too much away, but the guy is very busy these days. You know the giant pink bronze statue will be built and installed at the corner of Haight and Laguna welcoming those to the Haight (check) in 2015? Going to be incredible.
Check photos from his last San Francisco solo show in 2012, and mark your calendar for August as his next solo show opens at FFDG.
Beering with Fish at his favorite watering hole, Zeitgeist
Sculpture of Jesus as homeless and sleeping on a park bench is "freaking out" the neighbors of this wealthy NC suburb. The sculptor, who has an affinity for street art, created it to remind us that "We believe that that's the kind of life Jesus had," Buck says. "He was, in essence, a homeless person." ~READ ON
I attached a cradle with a spray paint can and other hardware to the drone. I created a series of paintings that are larger, about maybe 3 feet by 3 feet all the way up to 25 feet by 15 feet … And basically, I achieved the perfect air pressure, the perfect weight of the paint and the perfect materials so that the drone didn’t freak out when I attached these mechanisms to it, Katsu said. --continue reading
Speaking of Ocean Beach, if you know, you know, but if you don't... it's not what the average american thinks of when thinking of a California Beach (missing 14 yr. old yesterday). Can't believe we used to drunk naked swim at 3am in the dead if winter... being surfers probably helped us not dying.
Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.
Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.
San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.
Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.
Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.
The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.
With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding
I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle
Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.
Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.
For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.
Our buddy Flavio Samelo down there in Brazil does all kinds of great work including this recent mural project in downtown Sao Paulo in front of one of the most important modern buildings of Oscar Niemeyer from the 60's, THE COPAN.
John Trippe, founder, owner and curator of FecalFace.com and the Mission District art gallery FFDG, announced today that he will stepping down from daily operations of the two ventures to seek new career opportunities.
Last year we posted photos from another one of Simon Hjermind Jensen's Fire Shelters he's made in Copenhagen. This time around the Copenhagen based artist/ designer created one for the Papay Gyro Nights 2014 way up in on the Orkney Islands in Northern Scotland.
"Salt the Skies" opened on the 21st at FFDG and features this great piece by Mexico City based Curiot (Favio Martinez) whose sold out 2013 show Age of Omuktlans ran at FFDG. His forthcoming solo show is slated for March 2015.
Material published on FECAL FACE DOT COM online service is copyrighted by Fecal Face or its licensors, including the originating wire services. Such material is protected by U.S. and international copyright laws and treaties. All rights reserved.
Users of the Fecal Face online service may not reproduce, republish or redistribute material found on the web site in any form without the express written consent of the copyright holder.