Heavily influenced by Japanese woodblocks of the Edo period, Plock will show 20-25 new character portraits featuring imagery of knights with neighborhood-specific armor and flags, all painted with acrylic, house paint, gouache and gold leaf on panel.
Back in August 2013, we were fortunate enough to be invited to check out FAILE'S studio and Patrick was kind enough to give us a quick tour and speak about their new art and the preparation for their upcoming show at the Dallas Contemporary thru Dec 22nd.
FAILE is a collaboration between Brooklyn-based artists, Patrick McNeil and Patrick Miller. The two first met 20 years ago and, since 1999, have worked together as FAILE, constructing multimedia installations, large-scale paintings and sculptures that have helped to change the perception of the Street Art genre.
Although FAILE initially operated outside of the mainstream contemporary art world, they quickly garnered awareness on a public level thanks to their ground-breaking use of materials, images and technology. McNeil and Miller’s culture-driven iconography and visual imagery blends high and low culture in a symbiotic way. Their practice continues to be informed by simultaneously creating works in studio and on the street.
Following his solo exhibition "The Collected" at Gallery Wendi Norris, painter Amir H. Fallah is in the throes of developing more new works for upcoming international exhibits. We spent some time in his studio in Highland Park, Los Angeles recently, discussing his process and inspiration.
Amir H. Fallah admits that he's in the studio seven days a week, which is part of the reason he's chosen to build his studio into his home in Los Angeles. Fallah is an incredibly prolific visual artist showing nationally and internationally, and is also the founder and owner of Beautiful Decay, juggling both with incredible dexterity. On the tail end of his very successful and highly reviewed solo exhibition "The Collected" at Gallery Wendi Norris in San Francisco, immediately followed by the opening of "Desaturated Rainbow," a group exhibition he co-curated which opened in NYC at Field Projects, Fallah is back to work without missing a beat. I visited him at his studio on a beautiful sunny day recently to get a behind the scenes view of his process and inspiration.
Fallah is currently working on a number of pieces for a group exhibition at The Third Line in Dubai and several works on paper for another group exhibit in Rotterdam. The exhibition in Dubai is called Arrangement, and he is developing painted and collaged works on paper-mounted-canvas for it that deconstruct and reconfigure flower arrangement. Fallah found himself making these pieces after creating a painting he titled "The Ultimate Mom Painting" in 2009.
He says, "my mom called me up one day and said, 'Can't you just paint me something pretty? Like some flowers or a pond?' She wanted mom art... I made the 7'x5' painting as a joke and halfway through the painting I realized I liked it."
Seeing his work during its developing stages, the dance between abstraction and realism and the spatial tension that Fallah is playing with become clearer. Balancing references to abstract painting, Persian Miniature paintings, Dutch and Flemish still life and graphic design, the works are multidimensional and increasingly textural the closer one looks. --continuing reading
Last Thursday we visited the studio of SFAI graduate painting student Alex Ziv located out in San Francisco's Dog Patch. Inside an old warehouse is SFAI's graduate studios, and within the massive building is Alex's studio space sandwiched between dozens of other students' studios.
Speaking of Jud Bergeron, who has been blogging his Miami trip for Fecal Face the last few days... we thought now would be a good time to feature our studio visit with him we did a couple weeks ago.
On the outskirts of the Mission, amongst motorcycle chop shops and other miscellaneous industrial buildings, Jud occupies a 1000 square foot studio where he casts his sculptures and works on his art projects. With enough room for his welding equipment and hardware, Jud is currently using the space to complete a show which he hopes to open sometime the next year- most likely to be shown in NYC.
We spent about an hour chatting with Jud and picking his brain to learn more about sculpting in metals and how the casting process works. It's a painstakingly slow process at times, but Jud's highly efficient having been working with a blowtorch for over a decade.
Jud in his outter Mission studio space.
Love the tall ceilings, roll up door and inexpensive rent.
Let's start with a few samples of Jud's sculptural work.
San Francisco based painter Kevin Earl Taylor opened a new show of paintings in Hamburg last week at Circle Culture Gallery. He created all the work for the show while staying in Berlin. He emailed over a few pics of his studio while he was creating the show.
We swung through the home and studio of San Francisco based artists Kelly Tunstall and Ferris Plock. The married couple are putting the finishing touches on the work for their upcoming food-centric show Edible Complex opening at FFDG on Friday, June 22nd (7-10pm). We spoke of San Francisco's love affair with food, got into their working practices, saw what makes them tick and how they keep up with their lively 2 year old son, Brixton while enjoying a couple Coronas.
Edible Complex Kelly Tunstall & Ferris Plock
June 22 - July 14, 2012
Opening reception: Friday, June 22nd, 7–10 pm
Your upcoming show at FFDG, opening on June 22nd, focuses a lot on San Francisco's intense food culture. How do you guys, as a family, fit in? Do you eat out a lot?
Ferris: Well... we order a lot of food in... Having a 2 year old with an attention span of 10 seconds means that when we eat out, we often eat
in shifts... We eat a lot in Japantown because our son Brixton really loves to run around there and he loves to eat sushi.
Kelly: We also have a very unique place that we're coming from- being kind of insiders and outsiders of the food bit at this point in our lives. I love so many places, and we've been lucky to be tangentially and directly involved in many efforts.
It's truly a special occasion that we're out for dinner together- and frankly, we're more often grabbing food from a truck at events and
stuff, but yeah- a little more out of the loop than I used to be, so it's interesting to see how eating in the Bay Area has shifted in focus and intensity in just the last five years or so.
Do you think San Franciscans are too focused on food?
Ferris: I think everybody is focused on food because we all die if we don't eat.
However, I feel like I have seen enough photoblogs of peoples' food to last me a life time.
Sometimes I feel like our food culture renaissance is a bit like couture... It is based more on concept and pushing the outrageous and less on consumption. Isn't weird there is a cupcake store downtown that puts cupcakes in its windows to show their outrageous culinary inventions... but no one ever eats them? They all get thrown out?
I first met Evan when I moved to San Francisco's Mission district from New York City in 2001. Evan, whose work I was not only familiar with but also loved, welcomed me to his home where I got to know him, his family and his studio. I ended up photographing him shortly before he and his wife Shawn moved to Denver Colorado in 2003.
Several years had passed until I took a trip out in both 2009 and 2011 to spend some extended time with Evan and his family, photographing him working in his studio, his home and throughout Denver. I have always loved being a bit of a fly on the wall watching him so methodically make art. There's are real sense of technique and pride in everything he does. These photographs represent my most recent trip to Denver, in Autumn of 2011, where I was fortunate enough to stay in their new guest home on their property, which shares a wall with his studio. It's lovely. I hope you enjoy these photographs of Evan and his world. -Andrew Paynter
So your most recent show in November was at London's Stolen Space where you created works based on buildings and scenes you saw in London. Can you tell us a little bit about the show?
The show in London started with a trip there in June when I wandered all over the city for several days just making observations, shooting photos and trying to get a feel for London. When I make a body of work about a specific place it's important to be there myself, not only to take photos but just to have the experience of what it's like there, the overall feeling of a place. For the rest of the summer and fall I worked on about twenty new pieces based on my trip. The work ranges from pieces that are nearly photorealistic, to other pieces that are a combination of abstract, geometric forms combined with people and elements pulled from the urban environment.
Trying to comprehensively capture London would be nearly impossible, my goal with the show was to offer a glimpse of what London felt like to me as an outsider.
I wanted to avoid showing the most typical, tourist attractions of course. I found myself drawn to the more traditionally working class parts of east and south London that have remnants of post-war industrial buildings, factories, canals, old pubs and such.
Do you travel much? Big fan of London?
I travel out of the country about two or three times a year, and domestically a few times a year. I have a family so I can't be traveling all the time, but I do get out and see a lot of the world. Since I live in Colorado I think it's good for me to travel frequently, I like living in a quiet, easy place but I like to experience things and get inspired. London is pretty fascinating. I love traveling in any really old city. The sense of history, traversing streets where people have been for centuries. In London there is the feeling of all the difficulties that city has had to endure over time and yet it's still there, stronger than ever, it feels important and weighty.
Mario's show "Everything Under the Sun" opens up at FFDG Friday, Nov 11th (6-9pm) at our temporary gallery space at 248 Clement St @4th Ave in the Inner Richmond. FREE Tacos from El Tonayense - * Music from BLKTOP Project featuring Tommy Guerrero, Ray Barbee, Chuck Treece and Matt Rodriguez - * Vodka from Blue Angel.
Damon Soule's third solo show Then What Happened opens @FFDG in San Francisco Saturday, August 20th (7-10pm). Gerald Anekwe swung by his studio a couple weeks back to see what he has brewing for his show.
San Francisco Art Institute graduate, Damon Soule's newest paintings take what he's been doing for years further into a mind bending reality. Beautiful.
You've had two solo shows with FFDG in the past, what are some of the things you are taking into consideration while working on this one?
FFDG is a small space, so it's a great place to put together a cohesive experience. That's all you really have to worry about.
How would you describe your work to someone?
Aw man, that's always hard. I usually just describe it as crazy paintings. If I was painting things that I could describe in a simple sound bite, I would be disappointed with myself.
All At Once - 66" x 74"
In addition to SF, you've lived in Portland and NYC. What are some of the things you've enjoyed about living and working in these cities?
NYC is great because you can always get something to eat nearby anytime of day. Portland is cool because people are relaxed and know how to have fun. No one'ss really trying very hard there which I find refreshing.
What brought you back to SF?
I love the community vibe in the Bay Area. It feels like things are really happening which I didn't get in NYC. That may be just my perception but since that's how I feel, I had to come back here. As far as I'm concerned SF rules! However, I like to keep it fresh and that means not getting too comfortable.
Second String - 24" x 36"
You've been exhibiting for over a decade, what would you say is the most important thing you've learned along the way?
Keep it personal and challenge yourself. If you get bored, flip it upside down. Life is short, so don't get stuck in a rut.
I visited Erik Otto at his studio mid-April, right before he had a group show at the Mallick Williams Gallery (Robin Williams’ Daughter). I was stoked to have the opportunity to check out his studio, learn about his process, and maybe get inspired to paint more myself.
I first met Erik when I was covering a show of his at White Walls for FF and he seemed like a cool dude. Indeed he is cool, and was open to share his artistic practice, thoughts, and philosophies with me. It turns out he went to San Jose State and was involved with the animation department (which my brother is in). He was taught and influenced by Barron Story, and from fellow classmates who went on to have successful careers in the animation industry. Erik deviated away from illustration, choosing to focus on paintings and installations with reclaimed paint and wood as his medium. In our conversation we talked about working with companies, how not to get girls, tree hugging, Barron Story, and why school is cool. I hope you enjoy!
So what’s up with this NY thing, have you shown there before?
I haven't. They’re new, they've only been open since this last fall. It's Robin Williams' first-born daughter I think, along with her husband. The Williams family, little known fact, owns 6 pieces of mine. Since the divorce of his wife he's slowed down buying art and his kids are kinda steppin' in. Hopefully I get to meet him out of this.
Like Miss Doubt Fire, hey!?
Yea! But more like Toys. I used to have Toys and then pause it and sketch everything. It's kinda cool how it has come full circle, someone that influences you, probably more than you know it, and then he likes your work.
Do you do that a lot, stop and sketch from movies? Movies have great compositions.
When I was young, yea. Certain movies it's good compositions all the way through, just pause it anywhere.
Are you pretty busy these days?
After this show I hit the ground running as soon as I return, I'm doing this big commission for RedBull, on top of this piece (the house project installation) which will go live, that’s going to the dump basically (Recology), there's a sculpture garden down there. They do private tours, it's the dump over by Bayshore. I was there almost everyday.
And there is one more, a grant through the SF Arts Commission. Which is cool, all this outdoor alternative exposure stuff right after a super traditional style show. Me being the SF street artist, sort of lowbrow comin' in, who knows how it's gunna be responded to. They were like go easy on the reclaimed wood material, and I'm like that's my whole thing, I don't know how to go easy. You tell that to me and it makes me want to do it even more.
Last night we swung through Jeremy Fish's North Beach studio to have ourselves a look see at his current show before it's crated and shipped out to NYC for the June 23rd opening at Joshua Liner Gallery.
Instead of creating works on what's clicking around in Fish's own head, he gathered a list of artists, skateboarders, rappers, athletes, a stripper, a cop, and a historian whose funny, heartfelt, insanely interesting stories he would record and then illustrate.
The stories run from murder, fights, embarrassing situations, and one focused on a drugged out Keith Haring and some mural drama at a South of Market gay club in the 80s. 30 pieces of work and 30 stories to be heard. The gallery show will feature headphones next to each work where you can hear people like Snoop Dog recount a crazy childhood story involving him pulling a worm out of his pants. Or maybe you wanna hear from Ron English tell a tale from the early Billboard Liberation days.
We'll have more videos next week. In the meantime, let's figure out what's in a hard working artist's fridge... It may surprise you.
Los Angeles based artist Derek Albeck’s recent solo show at POVevolving Gallery in LA’s Chinatown entitled, “Mysterious Strangers” is that of nostalgia and personal history. Known for his photorealistic graphite drawings and flannel mask installations, Albeck’s representations are flawless. His use of mirrors, both broken and whole, are there to add an entirely different world of color, and a sense of identity, to his otherwise black and white pieces. The stories behind them add even more.
Several of the characters displayed in “Mysterious Strangers” are just that, relatives in Albeck’s life that he barely knew. “The narrative aspect of the work is romantic, in a sense, because I’m trying to re-appropriate these things that happened in my life. For me, it’s all about forming an identity, recreating these pasts to make sense of the present,” says Albeck.
I stopped by Rob Minervini's studio in SOMA this week to see where all the magic happens, and I was not let down! His studio is filled with beautiful work. Rob has a show opening up this Saturday, Sunken Dreams, at Gallery Hijinks and in July he will be a part of The Bay Area Now 6 exhibition at YBCA. Below you'll see past works and works in progress for the YBCA show. Can't wait to see the finished pieces! -Ashley Taylor
Tell us a little bit about your personal and artistic background?
I have a mix of a fine art as well as a public art and mural painting background. I’m from the Philadelphia area and recently became a dual Italian / American citizen which I am excited about.
SF based Henry Lewis invited a few friends over to his studio last weekend before he shipped his paintings down to Los Angeles for his solo show “The Absence of Light” @Corey Helford Gallery opening this Saturday, March 19th.
Here's a taste of his recent work and say howdy to a few of the fine folks who stopped by.
I'm not sure how many people are lucky enough to have The San Francisco Giants 3 World Series trophies put on display at their work for the company's employees to enjoy during their lunch break, but that's what happened the other day at Deluxe. So great.
SF skateboarding icons Jake Phelps, Mickey Reyes, and Tommy Guerrero with the 3 SF Giants World Series Trophies
When works of art become commodities and nothing else, when every endeavor becomes “creative” and everybody “a creative,” then art sinks back to craft and artists back to artisans—a word that, in its adjectival form, at least, is newly popular again. Artisanal pickles, artisanal poems: what’s the difference, after all? So “art” itself may disappear: art as Art, that old high thing. Which—unless, like me, you think we need a vessel for our inner life—is nothing much to mourn.
Hard-working artisan, solitary genius, credentialed professional—the image of the artist has changed radically over the centuries. What if the latest model to emerge means the end of art as we have known it? --continue reading
"Six Degrees" opens tonight, Friday Jan 16th (7-10pm) at FFDG in San Francisco. ~Group show featuring: Brett Amory, John Felix Arnold III, Mario Ayala, Mariel Bayona, Ryan Beavers, Jud Bergeron, Chris Burch, Ryan De La Hoz, Martin Machado, Jess Mudgett, Meryl Pataky, Lucien Shapiro, Mike Shine, Minka Sicklinger, Nicomi Nix Turner, and Alex Ziv.
"[Satire] is important because it brings out the flaws we all have and throws them up on the screen of another person," said Turner. “How they react sort of shows how important that really is.” Later, he added, "Charlie took a hit for everybody." -read on
Jacob Magraw will be showing embroidery pieces on cloth along with painted, gouache works on paper --- Rachell Sumpter paints scenes of colored splendor dropped into scenes of desolate wilderness. ~show details
NYC --- A new graffiti abatement program put forth by the police commissioner has beat cops carrying cans of spray paint to fill in and cover graffiti artists work in an effort to clean up the city --> Many cops are thinking it's a waste of resources, but we're waiting to see someone make a project of it. Maybe instructions for the cops on where to fill-in?
The NYPD is arming its cops with cans of spray paint and giving them art-class-style lessons to tackle the scourge of urban graffiti, The Post has learned.
Shootings are on the rise across the city, but the directive from Police Headquarters is to hunt down street art and cover it with black, red and white spray paint, sources said... READ ON
SAN FRANCISCO --- The Headlands Center for the Arts is preparing for their largest fundraiser of the year set to go down on June 4th at SOMArts here in the city. Art auction, food, drinks, live music, etc and all for helping to support a great institution up in the Marin Headlands. ~details
ABOUT HEADLANDS Headlands Center for the Arts provides an unparalleled environment for the creative process and the development of new work and ideas. Through a range of programs for artists and the public, we offer opportunities for reflection, dialogue, and exchange that build understanding and appreciation for the role of art in society.
We haven't been featuring many interviews as of late. Let's change that up as we check in with a few local San Francisco artists like Kevin Earl Taylor here whom we studio visited back in 2009 (PHOTOS & VIDEO). It's been awhile, Kevin...
If you like guns and boobs, head on over to the Shooting Gallery; just don't expect the work to be all cheap ploys and hot chicks. With Make Stuff by Peter Gronquist (Portland) in the main space and Morgan Slade's Snake in the Eagle's Shadow in the project space, there is plenty spectacle to be had, but if you look just beyond it, you might actually get something out of the shows.
Fifty24SF opened Street Anatomy, a new solo show by Austrian artist Nychos a week ago last Friday night. He's been steadily filling our city with murals over the last year, with one downtown on Geary St. last summer, and new ones both in the Haight and in Oakland within the last few weeks, but it was really great to see his work up close and in such detail.
Congrats on our buddies at Needles and Pens on being open and rad for 11 years now. Mission Local did this little short video featuring Breezy giving a little heads up on what Needles and Pens is all about.
Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.
Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.
San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.
Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.
Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.
The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.
With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding
I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle
Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.
Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.
For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.
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