Wednesday, 12 January 2011 18:51 Written by Trippe
Wasn't familiar with emerging Brooklyn based artist Anthony Michael Sneed's work until we checked some out after getting an email the other day letting us know about his pop-up show Thursday at NYC's ARTJAIL.
After spending some time checking out his work, we wanted to show you a sampling. Looks good. Check out Thursday's opening, NYC people.
Wednesday, 12 January 2011 15:32 Written by Trippe
Our buddy and long time Fecal Pal, Dan Wolfe, traveled to Brazil w/ Adidas to film and then edit this short. If you don't skate or haven't skated or don't care about skateboarding, this may not be for you... All others, please enjoy.
My work is a dark, twisted reflection of self, each individual piece mirrors a part of me. My emotions and deep subconscious are cosmically distorted resulting in an inter-dimensional glimpse at who I am through pen and paper. My creations also narrate the words I know not to exist, to describe how I feel, my interactions with other people and often questioning perception, morality, fear and death. Recently I've been exploring themes of emotional connection, isolation and dependence. My past artwork intends to make commentaries on various issues in the world, such as government and religion. I aim to revert to these ideas in the future as right now my work is fueled by the inner-self, rather than my perception of humanity.
Painful nostalgia towards old school Console and PC games like Doom, Abes Odyssee and Full Throttle, childhood memories I can only slightly remember and seem more amazing than they really were, Basquiat, paint stained train-lines, Lady Gaga, rainy days, Yesir, Calma, Moonassi, Skinner, Alex Pardee, Panok, underground Hip-Hop and my puppy, Stella.
Cheese burgers or tofu burgers?
The 3 B's; Bread, Butter, Black caviar. Other than that I guess I'll indulge the cheese variety.
Wednesday, 12 January 2011 10:00 Written by Trippe
941Geary in San Francisco is pleased to present The Belle of the Brawl, a solo exhibition of new work from Oakland-based artist, Jesse Hazelip.
In The Belle of the Brawl, the artist continues his ongoing examination of the sociopolitical patterns of repetitive historical mistakes. As the dust settles from the war in Iraq, the anxiety of crisis looms large over Afghanistan. The artist seeks to address the pending inevitability of violence and destruction through a visual examination which will include iconographic imagery from the artist’s earlier work: herons, buffalo and WWII weaponry, while introducing a new assembly of symbols and motifs. The exhibition will feature over 20 mixed media works on found wood as well as a transformational approach to 941Geary’s 3,000 square foot space with a 16’ x 46’ ft installation piece and a second clandestine installation to be unveiled at the opening reception.
The opening reception The Belle of the Brawl, will be held at 941Geary on Saturday, January 15, 2011 from 7-11 PM. The exhibit will be on display through February 26, 2010 and is free and open to the public.
A love triangle between God, the Earth and Mankind. - Progeny of the 2010 Animator in Residence program - Thanks to the students at the University of Wales for animation assistance. - Also Charlie Piper for a perfect score and Roger Wooster for his unrivalled gravelly pipes.
By Tony Comley who also made the short below entitled Abigail
As the gap between the ground and a burning airplane gets smaller, one passenger has other things on his mind...
Created at the Royal College of Art, Abigail has screened at 80 festivals worldwide and won recognition from Annecy 2006, Creative Review and The Animation Show.
Directed by Ralph Arlyck in 1970... This kid was only 4 & 1/2 years old at the time and lived with his parents in the Haight-Ashbury district of San Francisco...
Filmmaker Ralph Arlyck interviews his neighbor, Sean Farrell, a 4-year-old living on San Francisco's Haight Street in 1969. Sean gives his thoughts on life in his home, a hippie crash pad, and casually mentions that he smokes pot, which caused this short film to become a national sensation.
Friday, 07 January 2011 15:45 Written by Daniel Rolnik
Anthony Ausgang is one of the original godfathers of Low Brow art. Most of you
will recognize his recent painting for MGMT’s record cover Congratulations. He is a
master of painting psychedelic cats, and was a trailblazer in artistic method - he was
doing improved art (painting over already famous paintings) well before Banksy and
his reworking of Monet.
Interview by Daniel Rolnik
In life do you prefer to own cats or dogs?
I prefer to own cats since they use a litter box, unlike dogs that need to go out
on “walks”, a process that should be more accurately termed “shits”… Nevertheless, I
appreciate dogs and enjoy their idiotic enthusiasms.
Who is your favorite dub artist to listen to while you paint?
I mostly listen to different online stations so the mixes are always different. These days I
have been listening to Sir Coxson Sound, Twilight Circus, BLOOD, Alien Dread, Yabby
You, Sound Ministry, Mentor Kolectiv, Dublab, just a whole mess of weird stuff. There
are a few strange stations that play “Ethnodub”, a hybrid dub from India and other off
beat places featuring Jahtari Riddum Force, ah Seal, Zomby, Jah Batta & Bullwackies All
Stars, Ustad Sultan Khan & Sunidhi Ch, Kid Gusto, Sanchez Dub and Phat Boy Singh.
You use photoshop to manipulate your sketches before you paint them. Once you
finish your process in photoshop how do you transfer that image onto your canvass?
Are you working with Photoshop CS 5?
First off I just wanna say that I seldom try out color combinations on the computer, I
prefer to work with “real” colors in “real” light. Anyway, I print out the line drawing
then project it onto the canvas with a large opaque projector. I use Photoshop CS5 or CS2
depending on what computer I’m using.
Fecal Face Dot Gallery is pleased to present an exhibition of new work by San Francisco-based artist Paul Urich from January 7 – February 6, 2011. This will be Urich’s second solo show at the gallery.
For his new body of work, ink drawings and gouache paintings, Urich was inspired by tattoo "old timers" and prison based artists. The artist explains, “some pieces would have a few designs on them. Others would have the whole piece of paper packed with as much as would fit. Some of the designs in my work are directly copied from those guys, some are altered, and some are my own... all influenced by the "old timers". While the pieces on hankerchiefs were inspired from watching a prison documentary. The men were making incredible drawings with ball point pen on hankercheifs and trading them for Cinabuns, ramen noodles, and other shit like that. So I hooked a ballpoint pen up to a tattoo machine and started drawing.”
Paul Urich’s selected exhibitions include Fecal Face Dot Gallery, San Francisco; Space 1026, Philadelphia; Yerba Buena Center for the Arts, San Francisco; Headlands Center for the Arts, Marin Headlands; Eleanor Harwood Gallery, San Francisco; 96 Gillespie Gallery, London. Uirch was the 2005 Bell Foundation for Cultural Development, Individual Grant Recipient. COLLECTIONS include Museum of Modern Art, NY (Library Archives - Hot and Cold complete publications)
FECAL FACE DOT GALLERY is the physical destination for Fecalface.com; the content-rich, comprehensive, multidisciplinary art and culture website supporting the art scene in San Francisco and beyond since 2000.
I'm not sure how many people are lucky enough to have The San Francisco Giants 3 World Series trophies put on display at their work for the company's employees to enjoy during their lunch break, but that's what happened the other day at Deluxe. So great.
SF skateboarding icons Jake Phelps, Mickey Reyes, and Tommy Guerrero with the 3 SF Giants World Series Trophies
When works of art become commodities and nothing else, when every endeavor becomes “creative” and everybody “a creative,” then art sinks back to craft and artists back to artisans—a word that, in its adjectival form, at least, is newly popular again. Artisanal pickles, artisanal poems: what’s the difference, after all? So “art” itself may disappear: art as Art, that old high thing. Which—unless, like me, you think we need a vessel for our inner life—is nothing much to mourn.
Hard-working artisan, solitary genius, credentialed professional—the image of the artist has changed radically over the centuries. What if the latest model to emerge means the end of art as we have known it? --continue reading
"Six Degrees" opens tonight, Friday Jan 16th (7-10pm) at FFDG in San Francisco. ~Group show featuring: Brett Amory, John Felix Arnold III, Mario Ayala, Mariel Bayona, Ryan Beavers, Jud Bergeron, Chris Burch, Ryan De La Hoz, Martin Machado, Jess Mudgett, Meryl Pataky, Lucien Shapiro, Mike Shine, Minka Sicklinger, Nicomi Nix Turner, and Alex Ziv.
"[Satire] is important because it brings out the flaws we all have and throws them up on the screen of another person," said Turner. “How they react sort of shows how important that really is.” Later, he added, "Charlie took a hit for everybody." -read on
Jacob Magraw will be showing embroidery pieces on cloth along with painted, gouache works on paper --- Rachell Sumpter paints scenes of colored splendor dropped into scenes of desolate wilderness. ~show details
NYC --- A new graffiti abatement program put forth by the police commissioner has beat cops carrying cans of spray paint to fill in and cover graffiti artists work in an effort to clean up the city --> Many cops are thinking it's a waste of resources, but we're waiting to see someone make a project of it. Maybe instructions for the cops on where to fill-in?
The NYPD is arming its cops with cans of spray paint and giving them art-class-style lessons to tackle the scourge of urban graffiti, The Post has learned.
Shootings are on the rise across the city, but the directive from Police Headquarters is to hunt down street art and cover it with black, red and white spray paint, sources said... READ ON
SAN FRANCISCO --- The Headlands Center for the Arts is preparing for their largest fundraiser of the year set to go down on June 4th at SOMArts here in the city. Art auction, food, drinks, live music, etc and all for helping to support a great institution up in the Marin Headlands. ~details
ABOUT HEADLANDS Headlands Center for the Arts provides an unparalleled environment for the creative process and the development of new work and ideas. Through a range of programs for artists and the public, we offer opportunities for reflection, dialogue, and exchange that build understanding and appreciation for the role of art in society.
We haven't been featuring many interviews as of late. Let's change that up as we check in with a few local San Francisco artists like Kevin Earl Taylor here whom we studio visited back in 2009 (PHOTOS & VIDEO). It's been awhile, Kevin...
If you like guns and boobs, head on over to the Shooting Gallery; just don't expect the work to be all cheap ploys and hot chicks. With Make Stuff by Peter Gronquist (Portland) in the main space and Morgan Slade's Snake in the Eagle's Shadow in the project space, there is plenty spectacle to be had, but if you look just beyond it, you might actually get something out of the shows.
Fifty24SF opened Street Anatomy, a new solo show by Austrian artist Nychos a week ago last Friday night. He's been steadily filling our city with murals over the last year, with one downtown on Geary St. last summer, and new ones both in the Haight and in Oakland within the last few weeks, but it was really great to see his work up close and in such detail.
Congrats on our buddies at Needles and Pens on being open and rad for 11 years now. Mission Local did this little short video featuring Breezy giving a little heads up on what Needles and Pens is all about.
Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.
Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.
San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.
Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.
Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.
The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.
With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding
I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle
Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.
Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.
For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.
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