Street artist and Brooklyn based Dan Witz opens his show What The %$#@? Saturday at White Walls. Be on the look out around San Francisco as Dan's been going to town leaving his work round the streets of our grand city --> PHOTOS.
White Walls is pleased to present What The %$#@? (WTF), an exhibition by prolific Brooklyn-based artist, Dan Witz. The WTF exhibition will be showcasing the artist’s Dark Doings series, both inside the gallery as well as on the streets of San Francisco. Witz is known for using his mastery of the visual deception of trompe-l'oeil and photorealistic painting techniques to create conceptual visual pranks, producing a definitive and unparalleled street art practice. The artist’s debut San Francisco solo show will be comprised of approximately 30 mixed and digital media works in custom framing hand-created by the artist. The opening reception for What The %$#@? (WTF) will be held at White Walls on January 08, 2010 from 7-11 PM. The exhibit will be on display through February 05, 2011 and is free and open to the public.
Some recent San Francisco activity. Click the image or here to view more.
Wednesday, 05 January 2011 18:25 Written by Trippe
We've added the Paul Urich interview we did last week to our podcast as well as a Mix he put together for you. You can find a link to the podcast on ITunes if you search "Fecal Face" and also at fecalface.com/podcasts/ --> or listen below. Mix on the right and interview on the left.
Paul's show "Take Me Back to Paradise" opens Friday @FFDG.
I never leave the house without at least one camera at my side. None of my shots are staged so I try to always have a loaded camera and an extra roll of film or two on my hip for when that one scene pops out at me. I develop at whatever chain drug store is in the area, then run home to start scanning. This is the stage when music kicks in.
Fecal Face Dot Gallery is pleased to present an exhibition of new work by San Francisco-based artist Paul Urich from January 7 – February 6, 2011. This will be Urich’s second solo show at the gallery.
For his new body of work, ink drawings and gouache paintings, Urich was inspired by tattoo "old timers" and prison based artists. The artist explains, “some pieces would have a few designs on them. Others would have the whole piece of paper packed with as much as would fit. Some of the designs in my work are directly copied from those guys, some are altered, and some are my own... all influenced by the "old timers". While the pieces on hankerchiefs were inspired from watching a prison documentary. The men were making incredible drawings with ball point pen on hankercheifs and trading them for Cinabuns, ramen noodles, and other shit like that. So I hooked a ballpoint pen up to a tattoo machine and started drawing.”
Paul Urich’s selected exhibitions include Fecal Face Dot Gallery, San Francisco; Space 1026, Philadelphia; Yerba Buena Center for the Arts, San Francisco; Headlands Center for the Arts, Marin Headlands; Eleanor Harwood Gallery, San Francisco; 96 Gillespie Gallery, London. Uirch was the 2005 Bell Foundation for Cultural Development, Individual Grant Recipient. COLLECTIONS include Museum of Modern Art, NY (Library Archives - Hot and Cold complete publications)
FECAL FACE DOT GALLERY is the physical destination for Fecalface.com; the content-rich, comprehensive, multidisciplinary art and culture website supporting the art scene in San Francisco and beyond since 2000.
Tuesday, 04 January 2011 12:00 Written by Corey Arnold & Marty Machado
Corey Arnold and Martin Machado are both artists who met through Fecal Face and through their love of fishing in the wilds of Alaska. This joint blog illustrates last summer's salmon fishing trip to Bristol Bay, Alaska with hard labor working 12 hour days avoiding grizzly bears and total exhaustion. --> check it.
Marty opens a show of his paintings w/ Todd Freeman and Aleksandra Zee this Saturday, January 8th at Gallery Hijinks
Bonfire, Booze, and giant hand guns. -photo: Corey Arnold
Ben Thomas with 30 pound King Salmon -photo: Corey Arnold
Conor Kelly and Pat Weber human powering the operation. -photo: Corey Arnold
Got some photos emailed over of a brand new radical mural by our buddy Henry Gunderson now adjourned on a Divisadero street wall at Hayes as part of Gallery Heist's new mural project. Check some photos. Tin foil up in there, and we spy some Gavin Heslet getting some footage as well. Creative Lives?
Alright friends and fans, 2011 is almost upon us and so too is the second season of The Creative Lives. To celebrate the new year and the new season we have decided to give away a beautiful Kelsey Brookes print to the first person to correctly guess the artists featured in this short teaser trailer for Season 2. Here’s how it works:
Watch the trailer above, you will see two shots of each artists’ hands as they create, also you will hear sound bites of people we interviewed last season for the show. The first person to email firstname.lastname@example.org with all the names of the artists featured in all soundbites and all video clips (hint there are 11 artists soundbites, and 10 artists hands featured) will win this incredible Pictures on Walls Print by Kelsey Brookes, valued at over $300.
If no one has a perfect score by Jan 10th 2011 we will award the print to the contestant who has the most correct answers. On Jan 17th 2011 we will announce the winner and premiere a proper trailer for our exciting new season. Thanks so much for an incredible year, I’m looking forward to sharing some beautiful footage with you all starting next spring. - G. Lewis Heslet
Monday, 03 January 2011 11:13 Written by Jessica Trippe
No computer used in the making of her collage; pure scissors, glue and a lot of patience. Intense work from this Glasgow based artist. We love it, and Jessica emailed her a few questions to get some insight into this talent whose works takes on avergage 25 hours to produce... She's also available for commissions. Wink wink.
Tell us a little bit about yourself, Age? Location? Hometown?
Name: Lola Dupre, Age : 28, Location, between several locations in Scotland, my main studio is in Glasgow and I also work and live in two remote studios in the far north of the country.
I consider Glasgow my home town, but I was born in Algeria. And spent my childhood in Paris France and London England.
Have you always created collage-based works? What was your early work like?
I have always created collage, since I was 9 or 10. But I spent most of my teenage years experimenting with papier-mache and this was my real initiation into photomontage. With papier-mache I made 3D forms, the surface of which was composed of many pieces of paper stuck down upon paper. I was always very interested in this accidental photomontage and it led me to my first experiments towards the photomontage style that I do today.
I’m so curious about your process - it looks like you must use multiple prints of the same image. Can you tell us about your process, how long it takes?
Indeed, I use multiple prints of the same image, printed on (typically) A4 and A3 paper. And I also generally print a few different crops of the same image, so that when they are combined in one piece you have several sizes which can be manipulated together.
The process itself of mapping out, and sticking down each individual piece does take a long time, I guess my average working time would be between 20 and 30 hours per image.
Using the right glue, brushes and scissors you can get pretty quick, and with a bit of practice you dont smudge any glue.
If you think of some of Jean-Paul Goude's work with Grace Jones, this is what I do, just with more pieces.
This morning we take a closer look at this beautiful painting by San Francisco based Michelle Fleck now showing at FFDG.
Arrangement measures 24"x30", acrylic and aerosol on panel - inquires: info(at)ffdg.net
Michelle Fleck is a painter living in San Francisco. Her work focuses on the relationship between man and the landscape, and the marks we leave on it. Influenced by everyday life in the city, her paintings serve as snapshots of an ongoing intersection of the natural and man-made world. She strives to make work that has a sense of relevancy in a culture driven by a need for change and newness.
Met up with Jeremy Fish last night to catch up and discuss his upcoming solo show opening this August at San Francisco's FFDG. Don't want to give too much away, but the guy is very busy these days. You know the giant pink bronze statue will be built and installed at the corner of Haight and Laguna welcoming those to the Haight (check) in 2015? Going to be incredible.
Check photos from his last San Francisco solo show in 2012, and mark your calendar for August as his next solo show opens at FFDG.
Beering with Fish at his favorite watering hole, Zeitgeist
Sculpture of Jesus as homeless and sleeping on a park bench is "freaking out" the neighbors of this wealthy NC suburb. The sculptor, who has an affinity for street art, created it to remind us that "We believe that that's the kind of life Jesus had," Buck says. "He was, in essence, a homeless person." ~READ ON
I attached a cradle with a spray paint can and other hardware to the drone. I created a series of paintings that are larger, about maybe 3 feet by 3 feet all the way up to 25 feet by 15 feet … And basically, I achieved the perfect air pressure, the perfect weight of the paint and the perfect materials so that the drone didn’t freak out when I attached these mechanisms to it, Katsu said. --continue reading
Speaking of Ocean Beach, if you know, you know, but if you don't... it's not what the average american thinks of when thinking of a California Beach (missing 14 yr. old yesterday). Can't believe we used to drunk naked swim at 3am in the dead if winter... being surfers probably helped us not dying.
Located in the beautiful ocean-side Golden Gate National Recreation Area, the Headlands artists programs support artists of all disciplines—from visual artists to performers, musicians, writers, and videographers—and provide opportunities for independent and collaborative creative work.
We all know that San Francisco is going through aches and (growing?)/ shrinking artist pains these days as San Francisco property values sky rocket due to the tech infestation going on around the entire Bay Area. Maybe you work in tech and love it, but since this is an art website, we're interested to how this is affecting artists trying to make ends meet.
Some galleries have been forced to close due to 300% rent hikes. Many artists have fled to Oakland, LA and NYC in search of affordable housing and a more vibrant art scene... But we wanna know what you think of how it's going here in San Francisco. How are you making it work? What's your take on the art scene or lack there of? Do you think things are on the up and up or down and out here in San Francisco? Are artists a bunch of complainers and every thing looks great or is it curtains for San Francisco's artistic community? Thoughts
The Rena Bransten Gallery is packing up their 77 Geary space to make way for tech company MuleSoft
Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.
San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.
Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.
Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.
The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.
With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding
I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle
Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.
Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.
For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.
Our buddy Flavio Samelo down there in Brazil does all kinds of great work including this recent mural project in downtown Sao Paulo in front of one of the most important modern buildings of Oscar Niemeyer from the 60's, THE COPAN.
John Trippe, founder, owner and curator of FecalFace.com and the Mission District art gallery FFDG, announced today that he will stepping down from daily operations of the two ventures to seek new career opportunities.
Last year we posted photos from another one of Simon Hjermind Jensen's Fire Shelters he's made in Copenhagen. This time around the Copenhagen based artist/ designer created one for the Papay Gyro Nights 2014 way up in on the Orkney Islands in Northern Scotland.
"Salt the Skies" opened on the 21st at FFDG and features this great piece by Mexico City based Curiot (Favio Martinez) whose sold out 2013 show Age of Omuktlans ran at FFDG. His forthcoming solo show is slated for March 2015.
BERLIN --- Project M is a temporary art project with the objective to improve the neighborhood, to push creativity and to connect people. At regular intervals Urban Nation with director Yasha Young invites a group of internationally reclaimed contemporary urban artists to re-design the facade and shop windows of a prominent residential building in Berlin, while it is being reconstructed.
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