Tuesday, 13 September 2011 08:30 Written by Trippe
We got an email featuring new works from the Italian duo Sten & Lex who create massive murals by using a technique called "hole school" and consists of stencils with many holes of different sizes that all together provide a highly photographic image.
The little builtding is in Foligno and we did it for a festival called Attack, involved artists (108, Achille, Carlito Dalceggio, Dem, Ericailcane,
Geo Poulidis, Graffiti Barbecue, Hitnes, Kindergarten, Ozmo).
VIDEO by Kintergarden.
The second wall is in Rome, in Via delle Conce on the wall of a club called Rising Love.
Friday, 09 September 2011 18:00 Written by Flavio Samelo
Our friend in Sao Paulo, Flavio Samelo, brings us a sampling of artists/ shows/ music/ etc he's feeling in his native Brazil. This time he introduces us to the work of Rio De Janeiro artist Marcelo Macedo (MACK) whose artistic life began through skateboarding and graffiti. A lot of his sculptural work is created from skateboard pieces, wood found on Rio's many beaches or from late night trash runs... Say hello to Marcelo. -Trippe
Words from Flavio Samelo -- Most of the artists known abroad from the Brazilian street scene come from São Paulo, a massive city with almost 20 million inhabitants. In other large cities around Brazil, far from the watchful eyes abroad, there are a lot of unknown artists that have amazing work, of shocking quality, like Marcelo Macedo a.k.a. MACK from Rio de Janeiro.
Rio is a world famous tourist city, Copacabana, Ipanema, The Christ, etc etc etc. The city is fantastic, with all of its nature, history, and colonial and modern Brazilian architecture mixed together. Their is a large socio-economic gap in Rio, a gap between the rich and the poor, making a lot of young people express themselves via street art.
MACK began painting on the street after his first visit to the skatepark Arpoador Bowl; “We went there to skate one day, and there was a guy called Binho painting inside of the bowl, so we couldn’t skate, but we sat on the curb and watch the guy work. That amused me a lot, and made me start to think about making graffiti!”
His background connects with the nature elements, some religious influence, skateboarding, and street art, making his work really unique. The graffiti pieces depict fish, and other ocean dwelling, along side the names of saints, and phrases that support being calm, and conscious with nature and in everything else.
Friday, 09 September 2011 13:27 Written by Georgia Frances King
Young & Free is the biggest Aussie street art exhibition outside Australia, ever, and it is exactly as chaotic as you'd imagine it to be. It features new artwork by Anthony Lister, Kid Zoom, Dabs Myla, Dmote, New2, Ben Frost, Meggs, Ha-Ha, Reka, Rone, Sofles and Vexta.
Having thirteen of not only Australia but the world's best street artists compressed into one city space is the artistic equivalent of a paint-splattered war zone. Tiny multi-coloured flecks of stencil cut outs adorn the floor like creative confetti, half painted canvases are stacked up against walls, dozens and dozens of boxes of spray paint are pilled in corners and the sounds of circle saws and dubstep are floating into the alleys of downtown Tenderloin in San Francisco.
The show opens this Saturday at 941 Geary and will be accompanied by a series of local walls painted by the artists. In-progress shots below. - By Georgia Frances King
The warehouse space as it looks on Day 1.
Meggs adding his own throw-up to the ‘laneway' with the iconic San Franciscan buildings reflecting in the front window of Geary 941.
Around half of the aerosol ordered to paint over five walls in San Francisco.
Young & Free: Class of 2011.
Dabs Myla getting started on their mural.
Some The Shining-esque drip down effects by Vexta.
Being exhuasted last night, we didn't stay too long at Kelly Tunstall's latest solo show Secret State at 111 Minna. We did though get some photos of her newest paintings.
We'll let some of her PR describe the works. The simplicity of the messages are enhanced by the underlying vitality and complex layering within the work. In her portraits, Tunstall renders stylized female figures and their pets, prey, powers, dreams and whims in symbolic environments: nests built of painted boards held together by drawn nails or far off planets. The physical form and its accompanying exterior become a mirror for internal thought processes and turmoil.
Kent Uyehara, owner of the skateboarding institution, FTC.
Thursday, 08 September 2011 15:04 Written by Trippe
Cooper Union student (a recent SFAI student) recently completed this mural in his hometown of Buffalo during his summer break for an organization entitled PUSH which advocates the community and its residents to strengthen their neighborhood with affordable housing. We really like it. Thanks for emailing it over, Charles.
Wednesday, 07 September 2011 15:00 Written by Trippe
Anthony Lister (recent SF work below) is here in San Francisco. He's not the only Australian street artist in SF right now. There are a grip as the show Young and Free opens this Saturday at 941 Geary.
Wednesday, 07 September 2011 12:00 Written by Trippe
Decades before the term street art was being uttered from ad executives' mouths, Blek Le Rat was bouncing about Paris throwing up political, thoughtful and humorous stencils... Banksy was quoted as saying, "Every time I think I've painted something slightly original, I find out that Blek Le Rat has done it as well. Only twenty years earlier..."
A new book on Blek Le Rat is due out this winter along with the solo show 60/30 at 941 Geary here in San Francisco to celebrate the 30 years that Blek has been creating works in the street. We emailed him a few questions below to see what he's been up to since we last spoke with him in '08. -Trippe
Where did the name Blek Le Rat come from?
In the 1960s children used to read a lot of comic strips; I took on the name of Blek le Rat in reference to an Italian comic strip called Blek le Roc. I changed it into Rat, because I painted rats and the word "rat" is the anagram of the word "art" (something Banksy hadn't thought of!).
How do you create your stencils? Are they xeroxed photo copies that you enlarge or do you draw them out yourself? Please explain.
In the 1980s I drew all of my stencils, nowadays it depends on the stencil. Often I still draw the stencils because I am inspired by photographs that are not of a quality that lends itself to the stencil making process. I also use xeroxed copies on occasion, but not very often. I like the "handmade" aspect of the stencil, in both the preparation and the final image. Stenciling, though an antiquated medium, also has a very modern look and is ideal for street art, which is why so many street artists employ it. I also prefer black and white—I do not like colorful stencils much.
Your forth coming book explains that it will feature half street art and half fine art. We're familiar with your stencil works. What kind of "fine art" do you do?
Street art is ephemeral and it is very important to keep a memory of what has been done in the street. It is important to me that my fine art reflects the street or urban/public landscape in some way. I try to reproduce the ambience of the street where I often work at night when shades of black and white are dominant. I use the same characters in the street as well as in the work I produce intended for the gallery.
Are you producing much work on the streets in Paris these days?
No. I don't work in the streets of Paris anymore because I know each and every inch of Paris. I love to work in places I don't know because these locations allow me to get in touch with a new atmosphere, new lights, and new people. If I continued to work in Paris I would have the instinct to do the same thing over and over again, without making any progress.
To me, the most interesting aspect of street art is the constant opportunities to be surprised and/or amazed. I lose interest when something becomes routine.
I don't think at this point it needs to be written since the last update to Fecal Face was a long time ago, but...
I, John Trippe, have put this baby Fecal Face to bed. I'm now focusing my efforts on running ECommerce at DLX which I'm very excited about... I guess you can't take skateboarding out of a skateboarder.
It was a great 15 years, and most of that effort can still be found within the site. Click around. There's a lot of content to explore.
I'm not sure how many people are lucky enough to have The San Francisco Giants 3 World Series trophies put on display at their work for the company's employees to enjoy during their lunch break, but that's what happened the other day at Deluxe. So great.
SF skateboarding icons Jake Phelps, Mickey Reyes, and Tommy Guerrero with the 3 SF Giants World Series Trophies
When works of art become commodities and nothing else, when every endeavor becomes “creative” and everybody “a creative,” then art sinks back to craft and artists back to artisans—a word that, in its adjectival form, at least, is newly popular again. Artisanal pickles, artisanal poems: what’s the difference, after all? So “art” itself may disappear: art as Art, that old high thing. Which—unless, like me, you think we need a vessel for our inner life—is nothing much to mourn.
Hard-working artisan, solitary genius, credentialed professional—the image of the artist has changed radically over the centuries. What if the latest model to emerge means the end of art as we have known it? --continue reading
"Six Degrees" opens tonight, Friday Jan 16th (7-10pm) at FFDG in San Francisco. ~Group show featuring: Brett Amory, John Felix Arnold III, Mario Ayala, Mariel Bayona, Ryan Beavers, Jud Bergeron, Chris Burch, Ryan De La Hoz, Martin Machado, Jess Mudgett, Meryl Pataky, Lucien Shapiro, Mike Shine, Minka Sicklinger, Nicomi Nix Turner, and Alex Ziv.
"[Satire] is important because it brings out the flaws we all have and throws them up on the screen of another person," said Turner. “How they react sort of shows how important that really is.” Later, he added, "Charlie took a hit for everybody." -read on
Jacob Magraw will be showing embroidery pieces on cloth along with painted, gouache works on paper --- Rachell Sumpter paints scenes of colored splendor dropped into scenes of desolate wilderness. ~show details
NYC --- A new graffiti abatement program put forth by the police commissioner has beat cops carrying cans of spray paint to fill in and cover graffiti artists work in an effort to clean up the city --> Many cops are thinking it's a waste of resources, but we're waiting to see someone make a project of it. Maybe instructions for the cops on where to fill-in?
The NYPD is arming its cops with cans of spray paint and giving them art-class-style lessons to tackle the scourge of urban graffiti, The Post has learned.
Shootings are on the rise across the city, but the directive from Police Headquarters is to hunt down street art and cover it with black, red and white spray paint, sources said... READ ON
We haven't been featuring many interviews as of late. Let's change that up as we check in with a few local San Francisco artists like Kevin Earl Taylor here whom we studio visited back in 2009 (PHOTOS & VIDEO). It's been awhile, Kevin...
If you like guns and boobs, head on over to the Shooting Gallery; just don't expect the work to be all cheap ploys and hot chicks. With Make Stuff by Peter Gronquist (Portland) in the main space and Morgan Slade's Snake in the Eagle's Shadow in the project space, there is plenty spectacle to be had, but if you look just beyond it, you might actually get something out of the shows.
Fifty24SF opened Street Anatomy, a new solo show by Austrian artist Nychos a week ago last Friday night. He's been steadily filling our city with murals over the last year, with one downtown on Geary St. last summer, and new ones both in the Haight and in Oakland within the last few weeks, but it was really great to see his work up close and in such detail.
Congrats on our buddies at Needles and Pens on being open and rad for 11 years now. Mission Local did this little short video featuring Breezy giving a little heads up on what Needles and Pens is all about.
Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.
Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.
San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.
Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.
Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.
The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.
With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding
I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle
Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.
Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.
For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.
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