Yeah, like the title of show suggests, David Young V has made an effort as every wall of the large gallery was covered in works featuring millitant, Mad Max, B/W, machine guns, tanks, punk-rock and a post-apocalyptic San Francisco. To hear what the show is about and to get some insight into what makes David Young tick, check our interview with him.
Friday, 08 July 2011 14:32 Written by Daniel Rolnik
The Shooting Gallery here in San Francisco opens Grand Illusion, work by Anthony Michael Sneed Saturday, July 9th 7-11pm and runs through July 30th. In addition to paintings and handmade wooden object installations, Sneed will be releasing a print with a portion of the proceeds being donated to the San Francisco LGBT Community Center. Daniel Rolnik interviews Sneed covering his process, his musical past and how he was once part of a Christian cult. Featured here in this interview is some recent work and previous works.
Do you sketch everything out before you paint it?
I do it all in the computer.
The print with a portion of the proceeds being donated to the San Francisco LGBT Community Center
What program do you use?
Photoshop. I could probably do it in illustrator way better, but illustrator and I don’t get along.
How do you transfer the sketches from the computer onto canvass?
I don’t mean to sound like a geek, but it involves a series of math that I have to do. There’s a tool in Photoshop under the analysis menu called record measurements, where you can record each pixel. I lasso one row of pixels and it tells me how many pixels it is. Let’s say it measures 256px across in Photoshop and my actual canvass is 55.5 inches wide. I’d divide the two numbers; find out how big each pixel is, and then make custom rulers out of tape that equal those measurements. I make an x/y axis and cover the piece in tape - I don’t grid it out in pencil. I use an x-acto to cut the lines out on the x/y axis, pull it out, and paint it in. Eventually, I got to the point where I was making them like a manual screen-print, I would see where the color would be and paint huge blotches to save me a lot of time. It’s all math.
Wouldn’t it be easier to use a projector?
The lines wouldn’t be perfect because all types of weird shit can happen to lenses since they can get bumped or curved.
Is it true that you found out about the horror film you were in, Bad Biology, from craigslist?
That’s a lie. This girl I was hooking up with at the time had this TV show on the style network and was friends with the rapper R.A. Thornurn who was the produer and co-writer of Bad Biology and I knew of him since I was doing hip-hop music at the time, believe it or not. Anyways she asked me if I wanted to audition and I thought I’d give it a try even though I didn’t really think I’d get it, but I ended up getting the role which was cool.
What was your rapper name?
Chief Sneed. I’ve had like 7 different names and they’re all bad.
Did you take all of your rap offline?
Hell yeah. You can actually find some beats I produced for a record that we put Jay Z vocals over - which everyone and their mother has already done. Rob Swift from the X-ecutioners did all the cuts on it, which is cool. It’s called Native American Gangster because the vocals were taken from the American Gangster record that Jay Z did and the fact that I’m a quarter Cherokee Indian. My family lives on a reservation in North Carolina.
Friday, 08 July 2011 10:28 Written by Shaun Roberts
David Young V is on a mission. Shuttling between two studio spaces in the Tenderloin district of San Francisco— frequently in the dead of night—he engages in the business of recovering fragments from a future world. To hear him speak about the tomorrow he foresees; a world of zealots, martyrs, psychotic orphans and armed bike couriers, one is reminded of Mad-Max… if it had more military training and dabbled in cryptography and linguistics. The hard edged, high contrast, near religious iconography of David’s new work is an encrypted enigma, gnashing it’s teeth at you, challenging you to decipher it. It wants you to look hard. Maybe it will tell you…if you make an effort. — Shaun Roberts
D Young V, Are you actually the fifth David in your family?
Yeah, my father is David and it goes back five generations, but it got restarted, so it really goes back about
eight people. The original David Young III got killed so his brother named his son after this guy. So the son became the first in my line.
Were there a lot of creative people in the Young family line?
No, there wasn’t a lot of artistic people in my family.
Then how did you get involved in art?
It’s all I really know, I’ve been doing art for so long...I’ve always wanted to do it. I’ve been doing it my whole life and I never want to stop. I was always drawing on the backs of my papers and on tests during class. I loved free drawing sessions, I always had fun in art class. I never really liked art projects, I always just liked drawing whatever I wanted to draw. Honestly I don’t think I was ever that good at it, but I just enjoyed it.
I didn’t decide to take it seriously until I was in college, I didn’t even know what a fine artist was but if it let me do anything I wanted to do, then I’ll try to be a fucking fine artist.
What was your work like back then?
Well when I was 18 I was doing these Micron pen drawings but they were totally different in nature, they were much more intricate than the work I do now, and they were more fantasy based. After that, I really got into abstract art using charcoals as well as murals. I was really into de Kooning, Pollock, Basquiat, Picasso, Braque, Kandinsky and other 20th Century Abstract art. I was obsessed with that for a number of years and I was just continually making abstract work.
It could be our age and how we grew up with the space shuttle. It could be that we're major nerds over here... Whatever it is, it sure was sad watching the last shuttle launch this morning. It also seems slightly symbolic of the future of the United States. Funny that now, decades after the cold war, US astronauts have to take rides to the space station on Russian spacecraft.
Spanish artists San & Escif's See You in Croatan exhibition at FIFTY24SF Gallery opened last week here in San Francisco. The pair took a road trip around the West Coast of the USA thinking about and creating this show.
Wednesday, 06 July 2011 10:59 Written by Van Edwards
Youth of Today
Paintings by Shawn Barber
Opening: Friday, July 8th (7-10pm)
We're taking limited number of emails to be added to the preview list going live on Wed., July 6th 3pm Pacific. To inquire, email: info(at)ffdg.net
On display will be 11 beautifully crafted oil paintings which are the next chapter of Los Angeles based Shawn Barber's "Doll Series". The "Doll Series" is Barber's response to living in a world consumed by popular culture. To Barber, it's been abundantly clear what motivates many young people in America especially since Barber has moved to Los Angeles two years ago to focus not only on his painting but to also open Memoir Tattoo with girlfriend Kim Saigh. With "Youth of Today", the "individual" personalities are saturated with a common ground- repetitive sadness fueled by the projected facade of synthetic surreality.
Shawn Barber's body of work focuses primarily on painting, portraiture, and documenting contemporary tattoo culture. Barber's intimate renditions of tattooed individuals balance both meticulous brush strokes and loose energy. Figurative in nature, these large paintings take on abstractions with explosive colors, meandering lines and paint dripping down the canvas.
Shawn earned his B.F.A from Ringling College of Art in 1999 and has paintings held in private collections throughout the United States, Canada, Asia, Europe and Australia. His paintings have been exhibited in diverse solo and group venues including: The Joshua Liner Gallery, NYC, NY; Billy Shire Fine Arts, Los Angeles, CA; The Shooting Gallery, San Francisco, CA; Mesa Contemporary Arts Center, Mesa, AZ; University of Houston, Houston, TX. His first published book of art titled 'Tattooed Portraits' was published by 9mm Books in 2006, followed by his second tome, 'Forever and Ever', a 256 page hardcover book dedicated to the Tattooed Portraits Series. Shawn is currently working on a third book in the Tattooed Portraits Series with Last Gasp Books, to be released in July 2012. Among his extensive achievements, he has taught drawing, painting and the business of art for 10 years at various art schools throughout the country. After years of documenting the art of tattoo, it was a logical progression to pick up the tattoo machine and add tattooist to his resume.
Wednesday, 06 July 2011 09:09 Written by Ryan De La Hoz
Ryan De La Hoz interviews Nick Mann aka Doodles. His show Astral Rise is running now at Gallery Heist here in San Francisco through July 23rd. Travel, train hoping, spiritualism, murals, paintings, and this summer he'll be traveling across the US on an artistic and spiritual project under the title Crystal Eyes.
I'm Nick Mann, I live and work in Oakland, CA when I'm not traveling. I'm
currently 23 years old.
RD: Can you describe your path to being an artist? When did you really get
I got into visual art through playing music and growing up in the Pacific
Northwest. I've been playing guitars since I was 10. Painting has
channeled some of the same creative visions/moods that I previously
expressed through music. After I had slowed down my post-high school
musical output, I wanted to change my creative process. Painting and
drawing both indoors and outdoors gave me room to breathe artistically. I
really got into making visual artwork probably around the age of 19.
RD: Describe your ideals and how they manifest in your work.
My ideals are to live a balanced, well-traveled life in harmony with our
universe and mother earth. I think that it's important to let our creative
visions grow and be open to change. When we put a block on these visions or
translate them into symbols of what's hip and safe, problems arise within
our souls. My work is made through a process of intuition and mistakes.
Through this intuitive process, each piece has potential to develop and grow
on its own. Once I finish a piece, I look at it as a manifested symbol of
my subconciousness at any specific moment or phase in my life. Upon the
completion of a piece, I am also able to rationalize its meaning and
relevance to our universe. The best art speaks a universal language that
communicates to beings of every culture in and out of this world. A
balanced, holistic life is contingent on listening to our subconscious side
while coupling it with rational insight. This dichotomy is illustrated
universally with Lunar (female) and Solar (male) energies.
RD: Is music a part of your studio time? What do you listen to?
Recently: Big Blood, Michael Gira, Thou, John Fahey, Michael Hurley, Des
Ark, Godspeed, Diane Cluck, Sun Ra, Blind Blake, American primitivist guitar
music, world music. I play guitar on breaks from painting.
This morning we take a closer look at this beautiful painting by San Francisco based Michelle Fleck now showing at FFDG.
Arrangement measures 24"x30", acrylic and aerosol on panel - inquires: info(at)ffdg.net
Michelle Fleck is a painter living in San Francisco. Her work focuses on the relationship between man and the landscape, and the marks we leave on it. Influenced by everyday life in the city, her paintings serve as snapshots of an ongoing intersection of the natural and man-made world. She strives to make work that has a sense of relevancy in a culture driven by a need for change and newness.
Met up with Jeremy Fish last night to catch up and discuss his upcoming solo show opening this August at San Francisco's FFDG. Don't want to give too much away, but the guy is very busy these days. You know the giant pink bronze statue will be built and installed at the corner of Haight and Laguna welcoming those to the Haight (check) in 2015? Going to be incredible.
Check photos from his last San Francisco solo show in 2012, and mark your calendar for August as his next solo show opens at FFDG.
Beering with Fish at his favorite watering hole, Zeitgeist
Sculpture of Jesus as homeless and sleeping on a park bench is "freaking out" the neighbors of this wealthy NC suburb. The sculptor, who has an affinity for street art, created it to remind us that "We believe that that's the kind of life Jesus had," Buck says. "He was, in essence, a homeless person." ~READ ON
I attached a cradle with a spray paint can and other hardware to the drone. I created a series of paintings that are larger, about maybe 3 feet by 3 feet all the way up to 25 feet by 15 feet … And basically, I achieved the perfect air pressure, the perfect weight of the paint and the perfect materials so that the drone didn’t freak out when I attached these mechanisms to it, Katsu said. --continue reading
Speaking of Ocean Beach, if you know, you know, but if you don't... it's not what the average american thinks of when thinking of a California Beach (missing 14 yr. old yesterday). Can't believe we used to drunk naked swim at 3am in the dead if winter... being surfers probably helped us not dying.
Located in the beautiful ocean-side Golden Gate National Recreation Area, the Headlands artists programs support artists of all disciplines—from visual artists to performers, musicians, writers, and videographers—and provide opportunities for independent and collaborative creative work.
We all know that San Francisco is going through aches and (growing?)/ shrinking artist pains these days as San Francisco property values sky rocket due to the tech infestation going on around the entire Bay Area. Maybe you work in tech and love it, but since this is an art website, we're interested to how this is affecting artists trying to make ends meet.
Some galleries have been forced to close due to 300% rent hikes. Many artists have fled to Oakland, LA and NYC in search of affordable housing and a more vibrant art scene... But we wanna know what you think of how it's going here in San Francisco. How are you making it work? What's your take on the art scene or lack there of? Do you think things are on the up and up or down and out here in San Francisco? Are artists a bunch of complainers and every thing looks great or is it curtains for San Francisco's artistic community? Thoughts
The Rena Bransten Gallery is packing up their 77 Geary space to make way for tech company MuleSoft
Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.
San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.
Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.
Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.
The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.
With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding
I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle
Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.
Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.
For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.
Our buddy Flavio Samelo down there in Brazil does all kinds of great work including this recent mural project in downtown Sao Paulo in front of one of the most important modern buildings of Oscar Niemeyer from the 60's, THE COPAN.
John Trippe, founder, owner and curator of FecalFace.com and the Mission District art gallery FFDG, announced today that he will stepping down from daily operations of the two ventures to seek new career opportunities.
Last year we posted photos from another one of Simon Hjermind Jensen's Fire Shelters he's made in Copenhagen. This time around the Copenhagen based artist/ designer created one for the Papay Gyro Nights 2014 way up in on the Orkney Islands in Northern Scotland.
"Salt the Skies" opened on the 21st at FFDG and features this great piece by Mexico City based Curiot (Favio Martinez) whose sold out 2013 show Age of Omuktlans ran at FFDG. His forthcoming solo show is slated for March 2015.
BERLIN --- Project M is a temporary art project with the objective to improve the neighborhood, to push creativity and to connect people. At regular intervals Urban Nation with director Yasha Young invites a group of internationally reclaimed contemporary urban artists to re-design the facade and shop windows of a prominent residential building in Berlin, while it is being reconstructed.
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