Well the last time I wrote in to Fecalface I was approaching Dubai on the last of my three fifty-seven day trips from New York to Singapore and back. In typical shipping industry fashion, there was a drastic change of plans at the last minute. The head honcho’s at APL decided to start sending this fleet of ships through the dry-docks in Singapore and we were to be the first. So unfortunately I was not going to be home for the holidays as planned and my stay on board would now exceed six months. However, I was going to get to spend two full weeks in Singapore, after which our ship would start a Pacific run, hitting several new Asian ports and eventually sailing back under that beautiful Golden Gate into my home port of San Francisco.
The Dry-Docks in Singapore
So after leaving our pals in Dubai, we sailed straight to Singapore and unloaded all of our containers at our normal dock. We then sailed completely empty, and very high in the water, to the shipyard in an industrial area on the west side called Tuas.
It was quite an operation getting everything in place. Huge overhead cranes assisted us with many mooring lines, making sure the we were in perfect position so that the keel would rest upon pre-positioned blocks and the ship would not tip over when the water was pumped out. Almost instantly we are flooded with hundreds of workers from the shipyard. Welders, pipe fitters, electricians, and specialists of all kinds, climb aboard as the ever-looming cranes drop their massive amounts of tools onto the hatch covers. Most of the laborers are on two-year contracts from their homes in India. While friendly and good workers, they immediately steal anything that we have not locked away: spare line, flashlights, shackles, life-rings, etc. They make so little that we don’t blame them and nobody puts up much of a fuss, but we are careful to lock our cabin doors. The heat is sweltering, it rains insanely hard every afternoon, and the noise is constant and unbearable without earplugs. There are hundreds of projects being worked on, but the main objective is stripping/painting the hull and inspecting/cleaning the prop.
In the deck gang, for the first few days we work very hard, stripping the hatches of thousands of heavy steel lashing rods, turnbuckles, and container cones. We become day workers, meaning we get to work regular 8-5 hours and even have the option of taking weekends! I take advantage of the opportunity to see more of Singapore as much as possible. There is a great subway system around the island and finding new areas to wander becomes my favorite pastime: Little India, Club Street, Boat Quay, Arab Street, the standing wave on Santosa Island, the Night Safari, Chinatown. It feels great to call a place home for a while but in the dusty shipyard it doesn’t take long for everyone to get a bit antsy. A couple of crewmates have spent nearly their entire paychecks ashore on tattoos, booze, and women. There seems to be a unanimous desire to get back to sea, sailors weren’t meant to be onshore this long.
Finally the necessary work is done. We have a bright new paint job, a shiny prop, and although the decks are a complete mess, they fill the dry dock with water, open the gate, and we get underway. After several engine failures and a quick stop to pick up a full load of empty containers, we are happily back at sea, en route to China.
Asian Ports
As we wind between oil rigs of the South China sea we begin getting the ship back in shape. Scrap metal on deck and other garbage is thrown overboard. It still seems a little weird doing it, but at a certain distance offshore it is legal, and pretty necessary at times, to throw basically anything but plastics overboard. Inside the house the ship is a total mess from all the shipyard traffic. Decks are mopped, bulkheads are sooged, and I go back to my crazy hours as a 12-4 watch stander. In a matter of days the temperature drops dramatically as we get closer to China. Huge fleets of fishing vessels become more prominent and we must keep a sharp eye out for the incandescent flashing of their buoys at night. At times they are so thick that we must cut between small fishing boats and we usually get a sort of “F.U.” from the fishermen in the form of a bright spotlight in our eyes on the bridge.
Unfortunately our Chinese visas did not arrive in time in Singapore so we were not allowed ashore in Qingdao. I wish I could say more, but I really didn’t see much, a thick layer of smog/mist filled the air so that I could barely see the landscape. The local longshoremen were rosy cheeked and smiling, wearing black Russian looking hats with ear-flaps. We left China quickly and in a day we were in Pusan Korea, where I spent Christmas Eve wandering the winding European looking streets of downtown. I was really impressed with Pusan, super nice people, delicious street food, and cheap shopping. Christmas was spent en route to Japan. The cooks made us a big feast and even broke out some boxed wine for the crew. I made a Christmas tree out of an old green tarp and my pal Charlie helped me decorate it with paper ornaments. We pulled into Yokohama the next night and were in and out of port way too fast. I ran ashore with my crewmate who was appropriately named by his parents “Rowdy”. As usual the cab driver automatically brought us to a sort of red light district. Brothels advertised their services with Anime women in various poses with prices next to them. We met some friendly locals who helped us order dinner in a pint sized restaurant. We shared some Sake, said goodbye and headed back to the ship, unsatisfied with our short exploration of Japan but so happy to finally be heading home.
The Pacific and Finally Home
The Pacific was surprisingly mellow. I really wanted to get some kick ass storms so I could brag about how the Pacific should be re-named El Diablo compared to all the other wuss oceans, but aside from the cold drizzly weather, we managed to avoid any really bad systems. We took another “Great Circle” north up under the Aleutian Chain. Working on deck was very cold, but we had some nice clear nights with bright stars out. On New Years Eve we crossed the international dateline, so as we counted down, the calendar switched back and it was New Years Eve all over again, a little anti-climactic. With the swell behind us we cruised steadily toward Los Angeles. On the day of our arrival I woke up to Santa Rosa Island, my old crab/lobster fishing grounds, on one of those crisp and clear Southern California winter mornings with Santa Barbara looming bright in the background. It was pretty ridiculous: the sun shining, dolphins all over, some literally leaping high out of the water, like Walt Disney himself had set up a slightly creepy welcome into LA. The port stay in LA seemed like it would never end. Luckily some old friends came down to see the ship and bring me some beers and In-N-Out burger. After three days and several engine issues later, we were finally heading north along the coast towards home. I happily volunteered for bow lookout at dawn, I didn’t care how cold it was, I was too excited to be home. The fog seemed to split as the wind sucked us under the Golden Gate. The green starboard light of a small fishing boat eased past us, and an awakening San Francisco was a sight for sore eyes. The sun came up over Oakland as we pulled in near Jack London Square. We had gone the long way from New York Harbor to the San Francisco Bay. Not a full circum-navigation, but pretty dang close. I’m very happy to be home now. Time to catch up with family and friends and start painting full time again. Thanks for reading, hope you enjoyed my stories. I’ll leave you with a few inspirational posters from the ship and some recent paintings.
thanks- martin
Last week we did our first themed Photo of the Day asking you to email in your quintessential San Francisco photos. We got so many great entries and couldn't squeeze them all in. So, here's a bit of overflow from the images emailed in.
Hey there, I just got back from a short residency down in a small town two hours north of Mexico City called Tequisquiapan. I was asked to come down there to meet some of the crew of the Clipperton Project, which basically is going to be a crazy boat trip in March with scientists and artists going out to a very remote atoll in the Pacific called Clipperton Island. Anyways, I thought you might like to see some photos of the town and the graffiti that I was surprised to find there.
We can finally shut up about FFDG's fire, about FFDG's temp space, about all the transitions, because we signed a 2 year lease on a new space in the heart of the Mission District last night!
Real Ethereal embraces our mysterious relationship with life. It blends the physical with the metaphysical on a journey through an ever-transitioning space where common interactions become extraordinary and perception ventures into the otherworldly. Real Ethereal examines possibilities of unseen realities and metaphorically represents the winding path that reveals before us and conceals behind us; the future remains a mystery while the past fades quickly into the recesses of our mind. We are left with the present: the mysterious reality of our existence; the hair of time difficult to grasp.
Recent UC Santa Cruz photography graduate Sean Vranizan emailed over this series of images he creates by using a scanner as a camera, upon which found and collected objects, both two-dimensional and three, were used in collage format.
SF based artists Alex Ziv & Quinn Arneson are in their final year at the San Francisco Art Institute and open the two person show UNIBROW: BRIDGING THE GAP Thursday, Dec 8th at Gallery Heist.
Great new video by Philadelphia based director Tobias Stretch whose videos feature his puppet work - If you have some time, browse his other great bizarre dreamlike videos.
A few November weekends back, I headed down with Travis Millard and Jim Dirschberger for o Breaks, a group show curated by Jay Howell and Louis Schmidt, which opened 11.11.11 at Double Break store and gallery in San Diego, CA.
Before the show it was pretty much just me and Pacolli painting the whole gallery and doing all the instalations and hanging all the work. lots of shit to be done. I also painted the front of Choque the week after the opening. And we had a little concert at Choque in which I played keyboard and two other folks played guitar and sang. Ephameron went there the day before the opening and did a tape installation as well. During the month we also had a zine/print/shirt sale at Choque as well. It all went very well and we had a blast! -Mildred
I am dealing with a new series called "Pseudo-Advertising", where I focus upon the relationship between todays muralism and the contemporary outdoor advertising.
Last week, after swinging by Rebel 8 clothing's HQ in San Francisco, we swung by the HQ of Strange Bird Distribution distributors of Low Card, Think Skateboards, Hubba Wheels, etc...
Stopped through Rebel 8 clothing HQ last week to see what their up to. We've known Joshy D. 10 plus years back when he was doing the SF graffiti site, HiFiArt.com in the early days of the internet when Fecal Face was just getting its start. Nice to see Mike Giant, whose designs adjorn many of Rebel 8's clothing, and Josh doing so well.
Say hi to Fecal Face & FFDG's new intern, Alexander Uhrich, who's in his last year at SFAI. He has to put in 90 hours of work, so you'll be seeing a lot of him.
Check his site to check his photography... Mucho eye entertainment to be viewed.
Hey, if you're a Tumblr fan, Fecal Face is on there as well. We'll be posting a taste of what you see here on the site... Tumblr was nice enough to give us fecalface.tumblr.com since someone had it but never made a post on it... You know what? Wonder if we claimed it years back and forgot about it. Hum.
Ryan Wallace & Chris Duncan open Transmission Lines in Toronto at Cooper Cole Gallery Friday, Feb 3rd.
Wallace and Duncan's linear variations of shape explore the margins of time and space while echoing the unstable tension between vision, perception, and reflection. Both artists explore a variety of materials to great visual effect. ~complete show details.
Ever Gold in SF opens a month long residency with Josh Short'sBomb Shelter Radio and Tenderloin Self- Defense Club tonight, Thurs (6-10pm). Check the video for a complete picture of what to expect.
Over the course of his residency at Ever Gold Gallery, Josh Short will build "Bomb Shelter Radio" and host several live sonic events that will include experimental noise transmissions, live metal and hardcore bands, and subversive FM radio interventions. This will also be aided by guerrilla public installations of radios installed around the Tenderloin bringing his interventions directly to the street as a form of audio graffiti. During the day the gallery will become the "Tenderloin Self-Defense Club", where Short will offer martial arts instruction to the neighborhood inhabitants, artists, and musicians. ~show details
In the days following the Fukushima nuclear disaster, I was asked to make a poster for the Devo show at the Warfield Theatre in San Francisco. The image was a Japanese girl, wearing a nuclear t shirt, with the kanji character for earth tattooed on her shoulder. She was dead. I called her Sue Nami, and much to my surprise, the band liked it. ~keep reading Zolton's story of Sue.
The rain came down hard on the 20th but people came through to view the massive show featuring works from Albert Reyes, Aiyana Udesen, and Matt Furie. The show runs through Feb 11th.
LA based artist/ designer Tony Larson updates his portfolio site with loads of eye candy... We've known Tony for years. You may know him through the many years he designed boards for Girl Skateboards. --> Want to get to know him? Check this interview for a taste of Tony.
The Eames Office - Producer and Editor Daniel Ostroff, talks about two Girl Skateboard decks in the Collecting Eames.
I designed the Modern Chair Series for Girl in 2001. They have, by far, been the most asked about boards I've ever done. Pretty funny to see how they've survived. -Tony Larson
University of Georgia, Athens teacher and past Headlands Center for the Arts resident, Adriane Colburn, opens Of Darkness (drawings, sculpture, video, photographs and large scale cut paper in an installation) at The Luggage Store on Feb 3rd (6-9pm) here in SF. ~show details
Of Darkness combines drawings, sculpture, video, photographs and large scale cut paper in an installation that looks at the tension and complex beauty born out of the collision of wilderness and human industry.
Last week we did our first themed Photo of the Day asking you to email in your quintessential San Francisco photos. We got so many great entries and couldn't squeeze them all in. So, here's a bit of overflow from the images emailed in.
Hey there, I just got back from a short residency down in a small town two hours north of Mexico City called Tequisquiapan. I was asked to come down there to meet some of the crew of the Clipperton Project, which basically is going to be a crazy boat trip in March with scientists and artists going out to a very remote atoll in the Pacific called Clipperton Island. Anyways, I thought you might like to see some photos of the town and the graffiti that I was surprised to find there.
We can finally shut up about FFDG's fire, about FFDG's temp space, about all the transitions, because we signed a 2 year lease on a new space in the heart of the Mission District last night!
Real Ethereal embraces our mysterious relationship with life. It blends the physical with the metaphysical on a journey through an ever-transitioning space where common interactions become extraordinary and perception ventures into the otherworldly. Real Ethereal examines possibilities of unseen realities and metaphorically represents the winding path that reveals before us and conceals behind us; the future remains a mystery while the past fades quickly into the recesses of our mind. We are left with the present: the mysterious reality of our existence; the hair of time difficult to grasp.
Recent UC Santa Cruz photography graduate Sean Vranizan emailed over this series of images he creates by using a scanner as a camera, upon which found and collected objects, both two-dimensional and three, were used in collage format.
SF based artists Alex Ziv & Quinn Arneson are in their final year at the San Francisco Art Institute and open the two person show UNIBROW: BRIDGING THE GAP Thursday, Dec 8th at Gallery Heist.
Great new video by Philadelphia based director Tobias Stretch whose videos feature his puppet work - If you have some time, browse his other great bizarre dreamlike videos.
A few November weekends back, I headed down with Travis Millard and Jim Dirschberger for o Breaks, a group show curated by Jay Howell and Louis Schmidt, which opened 11.11.11 at Double Break store and gallery in San Diego, CA.
Before the show it was pretty much just me and Pacolli painting the whole gallery and doing all the instalations and hanging all the work. lots of shit to be done. I also painted the front of Choque the week after the opening. And we had a little concert at Choque in which I played keyboard and two other folks played guitar and sang. Ephameron went there the day before the opening and did a tape installation as well. During the month we also had a zine/print/shirt sale at Choque as well. It all went very well and we had a blast! -Mildred
I am dealing with a new series called "Pseudo-Advertising", where I focus upon the relationship between todays muralism and the contemporary outdoor advertising.
Last week, after swinging by Rebel 8 clothing's HQ in San Francisco, we swung by the HQ of Strange Bird Distribution distributors of Low Card, Think Skateboards, Hubba Wheels, etc...
Stopped through Rebel 8 clothing HQ last week to see what their up to. We've known Joshy D. 10 plus years back when he was doing the SF graffiti site, HiFiArt.com in the early days of the internet when Fecal Face was just getting its start. Nice to see Mike Giant, whose designs adjorn many of Rebel 8's clothing, and Josh doing so well.
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