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Home FEATURES Jonathan Weiner

Jonathan Weiner
Written by Ryan Morris   
Wednesday, 06 September 2006 12:55
Ryan Morris interviews this great Brooklyn based illustrator.
Ryan Morris submitted this great interview with this Brooklyn based artist last May! Well, emails got buried and we pulled this one out before it was too late... So some of the discussion is a bit dated, but whatever, it's about the art and is a chance for you to get to know this talented fella. Enjoy. -FF

JW: I’m really good at making enemys, well not really. I guess what I’m trying to say is to make sure that you watch my back, OK.

RM: Oh, I am sure it’ll be fine. It’s not like anybody goes out of the way to cause trouble. Do you?

JW: Well, I wouldn’t say that. I just got in a good fight with Jonathan Levine a little while back, but we’re making up now.

RM: What was that about?

JW: He’s stressed out and disappointed with the amount of work I was giving him. I said I’d try, but personally was aiming for a little bit more and he decided to hold me to it. Later we both sort of cooled off. I did a few more pieces and he’s a little happier. You know if I don’t have enough work for the show, I can just do some more later and Jonathan can sell them on his list.

RM: Well how long has this show been in the process from start to finish?

JW: Probably a year, I’m still working on the final touches making my way up to the show date. Last year I had a smaller show with him in March I believe and we just ended up continuing from there after that exhibition. Actually no, in I did an art fair in Miami last summer and after that wrapped up I took the last six months to prep for this coming show. In all it’s been planned out since last year. As far as the work goes I don’t plan that out ahead of time. I kind of just paint as it comes to me.

RM: How do you plan for your paintings?

JW: I use a sketchbook or a camera sometimes. Lately I’ve been using pieces of parchment paper so that I can make the pelimenaries different sizes. It’s kind of interesting. What I’m starting to do lately is putting some of the sketches in the actual shows. After Miami I started adding them as a sort of installation to the work and to show the process I go through. The only problem is that when they sell they’re harder to give up than the paintings. It can be compared to ripping out pages from a personal journal. It’s always hard to part with the work, but I’ve gotten better at it.

RM: Well that’s where the Giclee comes in? How do you feel about them?

JW: If I need to, I can make a print out as needed. I photograph all my work and have the images at my disposal. The Giclee’s on the other hand fill a purpose. They will never be as good as the paintings themselves. They are archival, acid free, etc. When it comes down to it the work is just there to be admired while it’s around. I have a place out in California that produces Iris prints for me and I haven’t had any complaints. I guess we’ll see when I’m dead, if they start turning yellow it’s not my problem.

RM: How does your work fit in to the “Low Brow” scene?

JW: I don’t know how I fit in. In the terms of Pop-Surrealism or my background in illustration my work meets the criteria. The whole genre thing kind of puzzles me to be honest.

RM: Where did you receive your education?

JW: Risda, (What’s that?) the Rhode Island School of Design, in Providence.

RM: And what program?

JW: The illustration department, I didn’t want to go through the painting program, it’s to free and unstructured. I much preferred the traditional illustration program; I need to be regimented. I never imagined I would eventually become a painter and always thought I would do something along the lines of animation or design of some sort. I guess I was just really lucky how things turned out!

RM: And from there, how’d you make your way to starting your own business?

JW: When I arrived in New York while looking for an apartment I ran in to another illustrator and former RISD graduate by the name of Jordan Isip. He told me to give him a call for any guidance or pointers I needed. After a little while I started getting a couple of editorial jobs, slowly making ends meet here and there. Then one day while playing softball Eric White a friend of Jordan’s who had checked out my work asked me to be a part of a group show he was having down in the lower east side. A lot of people came to that show including Jonathan Levine and basically I have been producing work with him ever since.

RM: Tell me about the Jonathan Levine gallery.

JW: My first show with him was down in New Hope, PA. He had this toy factory loft in this small affluent town where a lot of people from New York move to escape the city. At the time he was starting to show talents like Jeff Soto and Dave Cooper, whom he also has on going relationships with. He got to big for that space then moved to Philly and about a year and a half ago I got a call from him that he was moving here in New York.

RM: Where do you see yourself in 5 yrs?

JW: As the more time goes bye I see myself being less and less involved in the commercial market and more on the fine art side of things. Right after this show I’m going to be working on the Society of Illustrators call for entries competition flyer and I wasn’t really sure if I still wanted to be a part of that. Illustration involves a lot more planning and forethought. I see myself doing what I am doing now just getting more money for doing it.

RM: Conceptually?

JW: With the whole book thing lately I’ve been thinking about doing a show that is structured with a story in mind. Having all the pieces correlate to one another. I don’t really know if I can work that way being that each part is individual. It might be a little too close to illustration.

RM: What Music, Movies, or Media are you into right now?

JW: Right now it’s kind of all over the place with my MP3 player. Actually, when you walked in I was listening to that Wolf Mother. It’s one of those CD’s where I don’t think I’ll be listening to in a month. But, as of right now I like it! What else, that movie Barton Fink, I feel like after viewing the film I’m going through the same experience in my life right now. Almost as a block in how he had difficulties adapting his writing for film. It’s kind of similar to the process any artist goes through. During the creation of this show I kind of got stuck and kept re-painting over what I had already done. So that no one really knows all the changes or the process that went into any individual piece. The clash between the artist and the business is so evident in that film.

RM: Any other things coming up that we should know about?

JW: The book that I mentioned earlier will be out on the 10th of June, which is the last day of the show. We’ll be having a book signing at the gallery and coincidentally it’s also around the time of my 30th birthday. So it should be a good time.

RM: Finally, what advice can you give to all those young aspiring artists?

JW: Don’t do it... Umm, take it all for what it is. I had no choice in the matter. If I had a full-time job I’d still paint. If you produce naturally you’ll have nothing to worry about because you’ll make it happen. The most dangerous thing about this way of life is having an out. Having a real life is not as stressful. Being an artist, I love it, it fulfills my needs, but by no means does it satisfy them. I still feel like I’m outside of the normaal flow of life and the work is always on the back of my mind.

For more information on Jonathon, check his site: http://www.viner.biz/ {moscomment}

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contact FF

Alex Ziv in Berkeley Saturday
Thursday, 24 April 2014 09:31

Alex Ziv who we showed last year in Going Nowhere with Mario Ayala opens a solo show featuring new works at The League in Berkeley this Saturday 4/26. ~see some of Ziv's new works

 

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Wednesday, 16 June 2010 16:39


Check please with Ryan Travis Christian
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CHICAGO --- Ryan Travis Christian opens his second solo show Check please with Western Exhibitions this Friday, April 25th featuring graphite on paper drawings of his signature cartoon-style alongside a second suite of works on paper and sculptures that employ color. ~show details

Photos from his 2011 show at Guererro Gallery - Photos from his 2012 Halsey McKay show in New York - he curated this show for FFDG in '11

Ryan Travis Christian April 25th at Western Editions, Chicago

 

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Wednesday, 25 April 2012 10:56

 

Ryan De La Hoz at Seattle's Flatcolor
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Working in unconventional mediums such as woven blankets, puzzles, and faux marble, De La Hoz has pioneered an innovative style in a class of its own. Collages of white noise, flowers and tie-dye are all hand cut and assembled to create mystic portals of intrigue. Heavily influenced by themes of death and rebirth, past and present, and the collision of modern culture with antiquity; Form and Void is mysterious look into the odyssey of creation, destruction, and an examination of society at large. -show details

 

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"Arrangement" by Michelle Fleck
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This morning we take a closer look at this beautiful painting by San Francisco based Michelle Fleck now showing at FFDG.

Arrangement measures 24"x30", acrylic and aerosol on panel - inquires: info(at)ffdg.net

Michelle Fleck is a painter living in San Francisco. Her work focuses on the relationship between man and the landscape, and the marks we leave on it. Influenced by everyday life in the city, her paintings serve as snapshots of an ongoing intersection of the natural and man-made world. She strives to make work that has a sense of relevancy in a culture driven by a need for change and newness.

 

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GET THE SHOW DETAILS --- a bunch of NYCHOS

 

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I love you, dear.... Huh? Wut?

 

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Check photos from his last San Francisco solo show in 2012, and mark your calendar for August as his next solo show opens at FFDG.

Beering with Fish at his favorite watering hole, Zeitgeist

 

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Wednesday, 25 August 2010 11:50


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BANDES DE PUB / STRIP BOX

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Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.


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John Felix Arnold III on the Road to NYC

Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.


FRENCH in Melbourne

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Henry Gunderson at Ever Gold, SF

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Mario Wagner @Hashimoto

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Serge Gay Jr. @Spoke Art

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NYCHOS Mural on Ashbury and Haight

NYCHOS completed this great new mural on the corner of Haight and Ashbury in San Francisco on Tuesday. Looks Amazing.


Sun Milk in Vienna

With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding


"How To Lose Yourself Completely" by Bryan Schnelle

I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle


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Kirk Maxson and Alexis Mackenzie at Eleanor Harwood Gallery

While walking our way across San Francisco on Saturday we swung through the opening receptions for Kirk Maxson and Alexis Mackenzie at Eleanor Harwood Gallery in the Mission.


Jeremy Fish Solo Show in Los Angeles

Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.


The Albatross and the Shipping Container

Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.


The Marsh Barge - Traveling the Mississippi River from Minnesota to the Gulf of Mexico

For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.


Flavio Samelo's Downtown Sao Paulo Murals

Our buddy Flavio Samelo down there in Brazil does all kinds of great work including this recent mural project in downtown Sao Paulo in front of one of the most important modern buildings of Oscar Niemeyer from the 60's, THE COPAN.


John Trippe, FFDG and Fecalface.com Founder, Stepping Down From Daily Operations

John Trippe, founder, owner and curator of FecalFace.com and the Mission District art gallery FFDG, announced today that he will stepping down from daily operations of the two ventures to seek new career opportunities.


High 5s - Get Your Feet Wet

I purchased one of the first digital cameras when Fecal Face went online in 2000. It was a massive Kodak with 2 mega pixels


"Touching Base" by Schuyler Beecroft

San Francisco based Schuyler Beecroft emailed over the great new series of paintings he's completed entitled "Touching Base", 16x20in on mounted wood panel. Like them.


Flume - Space Cadet (ft. Ghostface Killah & Autre Ne Veut)

Buddies Jay Howell & Jim Dirschberger did this great video produced by Forest City Rockers.


Fire Shelter for Papay Gyro Nights 2014

Last year we posted photos from another one of Simon Hjermind Jensen's Fire Shelters he's made in Copenhagen. This time around the Copenhagen based artist/ designer created one for the Papay Gyro Nights 2014 way up in on the Orkney Islands in Northern Scotland.


"Portrait of a Slugger 19" by Hiro Kurata

Beautiful painting by NYC based Hiro Kurata now on display at SF's FFDG through April 19th as part of the group show "Salt the Skies".


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