Photos from last Friday's opening of Loading @FFDG in San Francisco featuring works by Kelly Tunstall & Ferris Plock. We'll be adding works online later in the day. For now, enjoy the fine folks who came out to support the talented SF couple.
Adam Feibelman with the brand new Gus Plock-Tunstall
We're very happy to announce that the talented San Francisco based husband and wife duo, Kelly Tunstall and Ferris Plock, will be opening their second two person show at San Francisco's FFDG entitled "Loading" with a reception set for Friday, August 16th (7-10pm) (RSVP on Facebook). The artists will be present with beer and wine being served.
"Loading" is Kelly Tunstall and Ferris Plock's wry take on the recent Bay Area tech explosion; a follow up to 2012's FFDG "Edible Complex" exhibition; a study of San Francisco's food culture... Below are some images from last year's show to give you a taste as to what to expect.
Loading Kelly Tunstall & Ferris Plock
@FFDG, San Francisco
2277 Mission St. @19th
Press Release (+Click to expand)
FFDG is pleased to present San Francisco based painters and husband and wife duo Ferris Plock and Kelly Tunstall in their second two person show with the gallery entitled “Loading” featuring new mixed media paintings inspired by the transfer of information as recontextualized through the artists unique and personal filter. An opening reception is scheduled for Friday, August 16th (7-10pm). Beer and wine will be available.
With minds fine-tuned to the perception of millisecond delays, seconds feel like infinities; a slow network is a robbery of our precious messages, instant pictures, the tenuous threads that connect us, that when severed, make us ever so nervous, scared, if not very very angry. These moments between are indeed a disquieting reality check. To be inaccessible or to be kept waiting is almost to die.
In this instant culture, we look at who is selling, who is buying, and what a search actually is: a reach of a skeleton, waiting to be fleshed in with missing lyrics, skin, muscles, bones. At the end of it all are our ever-hungry hands and eyes, starving for the result of a search sequence, the next delivery to add to our lives, the next bit of like for the status update of one of too many personae; we are always searching and forever loading.
“Loading” is Kelly Tunstall and Ferris Plock’s wry take on the recent Bay Area tech explosion; a follow up to 2012’s FFDG “Edible Complex” exhibition; a study of San Francisco’s food culture.
About Ferris Plock & Kelly Tunstall
The experimental yet classically grounded work of Ferris Plock and Kelly Tunstall lives comfortably in a space between graphic expression, stylized representation, surrealism, and sketch. Their preferred medium is a combination of acrylic, collage, spray paint, pencil, pen and ink, gold leaf. The binary contrast of masculine and feminine as the major theme in their work is also a very real and personal visual conversation between their imagined realities. Enhanced by complex, delicate layers, their bold pieces exist not only as individual pieces, but as part of larger installations or site-specific works.
Kelly Tunstall and Ferris Plock live and paint in San Francisco with their two sons. They have exhibited extensively locally, nationally, and internationally both together and separately. Plock and Tunstall recently completed a landmark commission for San Francisco’s Michelin-starred restaurant, SPQR. Tunstall also completed a major body of work to be on view permanently at Oakland’s A16. Tunstall and Plock have worked or are currently working with the San Francisco Arts Commission on their Passport initiative.
Congrats to our friends and SF based artists Kelly Tunstall & Ferris Plock on the birth of their second little dude named Angus Plock who was born yesterday with all his toes and everything in its right place/ healthy little fella... And speaking of the talented duo, their upcoming two person show at FFDG opens on July 12th this summer.
We swung through the home and studio of San Francisco based artists Kelly Tunstall and Ferris Plock. The married couple are putting the finishing touches on the work for their upcoming food-centric show Edible Complex opening at FFDG on Friday, June 22nd (7-10pm). We spoke of San Francisco's love affair with food, got into their working practices, saw what makes them tick and how they keep up with their lively 2 year old son, Brixton while enjoying a couple Coronas.
Edible Complex Kelly Tunstall & Ferris Plock
June 22 - July 14, 2012
Opening reception: Friday, June 22nd, 7–10 pm
Your upcoming show at FFDG, opening on June 22nd, focuses a lot on San Francisco's intense food culture. How do you guys, as a family, fit in? Do you eat out a lot?
Ferris: Well... we order a lot of food in... Having a 2 year old with an attention span of 10 seconds means that when we eat out, we often eat
in shifts... We eat a lot in Japantown because our son Brixton really loves to run around there and he loves to eat sushi.
Kelly: We also have a very unique place that we're coming from- being kind of insiders and outsiders of the food bit at this point in our lives. I love so many places, and we've been lucky to be tangentially and directly involved in many efforts.
It's truly a special occasion that we're out for dinner together- and frankly, we're more often grabbing food from a truck at events and
stuff, but yeah- a little more out of the loop than I used to be, so it's interesting to see how eating in the Bay Area has shifted in focus and intensity in just the last five years or so.
Do you think San Franciscans are too focused on food?
Ferris: I think everybody is focused on food because we all die if we don't eat.
However, I feel like I have seen enough photoblogs of peoples' food to last me a life time.
Sometimes I feel like our food culture renaissance is a bit like couture... It is based more on concept and pushing the outrageous and less on consumption. Isn't weird there is a cupcake store downtown that puts cupcakes in its windows to show their outrageous culinary inventions... but no one ever eats them? They all get thrown out?
I later met Kelly at a party in the Mission, and went gaga over her green Dries Van Noten pumps. It's no surprise that the creator of such lovely pieces of art would have an incredible sense of style, too. -continue reading
Kelly's show w/ Ferris Plock opens Friday June 22nd @FFDG
Edible Complex Kelly Tunstall & Ferris Plock
June 22 - July 14, 2012
Opening reception: Friday, June 22nd, 7–10 pm
We're excited to open the two person food-centric show Edible Complex with San Francisco based Kelly Tunstall and Ferris Plock featuring collaboration and individual paintings from these long time Fecal Pals.
Rise Japan is an organization that is helping raise money for the ongoing support of the people of Japan. I know it isn't front page news anymore but, the people there are still suffering badly and are in need of aid.
Rise Japan asked Kelly Tunstall and I to create designs for tote bags with all the money received going to the relief effort going on in Japan. Kinokuniya Bookstore sponsored the whole run of tote bags which is awesome and can be purchase there too! Please check out the link below if you have time and please repost it to your twitter and facebook accounts if you can. -Ferris Plock
Being exhuasted last night, we didn't stay too long at Kelly Tunstall's latest solo show Secret State at 111 Minna. We did though get some photos of her newest paintings.
We'll let some of her PR describe the works. The simplicity of the messages are enhanced by the underlying vitality and complex layering within the work. In her portraits, Tunstall renders stylized female figures and their pets, prey, powers, dreams and whims in symbolic environments: nests built of painted boards held together by drawn nails or far off planets. The physical form and its accompanying exterior become a mirror for internal thought processes and turmoil.
Kent Uyehara, owner of the skateboarding institution, FTC.
Kelly Tunstall opens the huge solo show Secret State @111 Minna including both very large and very small scale works set for Thursday, September 8th (5-late). w/ DJ ROMANOWSKI
The Secret State examines civilization’s long romance with the examination of the space that we inhabit and our scale within it; the exhibition itself is aimed not at providing any comprehension of our universe’s truths, but instead, at celebrating the joy of discovering new clues to their elaborate puzzles and the spaces between. ~complete details
This show features five artists from the Bay Area. Although there is a slight connection with figuration, each artist uses that launch point to create wholly different work. Pieces vary from figurative drawings, illustrative paintings, comic renderings, and mix media abstractions. Bitches Brew serves as a bookend to 2010's Bro Palace that featured works by several male artists from the Bay Area's art community. ~VIEW OPENING PHOTOS
Special Musical performance by the Wax Idols. Miss Mariah is making some tonic No.3 to be served, and there's a good chance that there will have a balloon dog artist there (Koons V. Park Life) ~more details
Park Life is proud to present Bitches Brew, our first show of 2011.
This show features five artists from the Bay Area. Although there is a
slight connection with figuration, each artist uses that launch point
to create wholly different work. Pieces vary from figurative drawings,
illustrative paintings, comic renderings, and mix media abstractions.
Bitches Brew serves as a bookend to 2010's Bro Palace that featured
works by several male artists from the Bay Area's art community.
CHICAGO --- Ryan Travis Christian opens his second solo show Check please with Western Exhibitions this Friday, April 25th featuring graphite on paper drawings of his signature cartoon-style alongside a second suite of works on paper and sculptures that employ color. ~show details
SEATTLE --- San Francisco based Ryan De La Hoz opens a show of new works at Flat Color on May 1st. We love Ryan's work and have shown it many times throughout the years. Ryan will be also showing at LA - Juxtapoz Psychedelic Show, The Well, LA, CA April 26th 2014 - SF - Paper Cuts, Spoke Art, SF, CA May 3rd 2014
Working in unconventional mediums such as woven blankets, puzzles, and faux marble, De La Hoz has pioneered an innovative style in a class of its own. Collages of white noise, flowers and tie-dye are all hand cut and assembled to create mystic portals of intrigue. Heavily influenced by themes of death and rebirth, past and present, and the collision of modern culture with antiquity; Form and Void is mysterious look into the odyssey of creation, destruction, and an examination of society at large. -show details
This morning we take a closer look at this beautiful painting by San Francisco based Michelle Fleck now showing at FFDG.
Arrangement measures 24"x30", acrylic and aerosol on panel - inquires: info(at)ffdg.net
Michelle Fleck is a painter living in San Francisco. Her work focuses on the relationship between man and the landscape, and the marks we leave on it. Influenced by everyday life in the city, her paintings serve as snapshots of an ongoing intersection of the natural and man-made world. She strives to make work that has a sense of relevancy in a culture driven by a need for change and newness.
Met up with Jeremy Fish last night to catch up and discuss his upcoming solo show opening this August at San Francisco's FFDG. Don't want to give too much away, but the guy is very busy these days. You know the giant pink bronze statue will be built and installed at the corner of Haight and Laguna welcoming those to the Haight (check) in 2015? Going to be incredible.
Check photos from his last San Francisco solo show in 2012, and mark your calendar for August as his next solo show opens at FFDG.
Beering with Fish at his favorite watering hole, Zeitgeist
Sculpture of Jesus as homeless and sleeping on a park bench is "freaking out" the neighbors of this wealthy NC suburb. The sculptor, who has an affinity for street art, created it to remind us that "We believe that that's the kind of life Jesus had," Buck says. "He was, in essence, a homeless person." ~READ ON
I attached a cradle with a spray paint can and other hardware to the drone. I created a series of paintings that are larger, about maybe 3 feet by 3 feet all the way up to 25 feet by 15 feet … And basically, I achieved the perfect air pressure, the perfect weight of the paint and the perfect materials so that the drone didn’t freak out when I attached these mechanisms to it, Katsu said. --continue reading
Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.
Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.
San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.
Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.
Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.
The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.
With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding
I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle
Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.
Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.
For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.
Our buddy Flavio Samelo down there in Brazil does all kinds of great work including this recent mural project in downtown Sao Paulo in front of one of the most important modern buildings of Oscar Niemeyer from the 60's, THE COPAN.
John Trippe, founder, owner and curator of FecalFace.com and the Mission District art gallery FFDG, announced today that he will stepping down from daily operations of the two ventures to seek new career opportunities.
Last year we posted photos from another one of Simon Hjermind Jensen's Fire Shelters he's made in Copenhagen. This time around the Copenhagen based artist/ designer created one for the Papay Gyro Nights 2014 way up in on the Orkney Islands in Northern Scotland.
"Salt the Skies" opened on the 21st at FFDG and features this great piece by Mexico City based Curiot (Favio Martinez) whose sold out 2013 show Age of Omuktlans ran at FFDG. His forthcoming solo show is slated for March 2015.
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