Wednesday, 23 February 2011 13:00 Written by Suzanne Stroebe
Artist Maggie Haas was born and raised in New Hampshire. She moved to San Francisco to attend graduate school at CCA, where she got her MFA in 2010. Maggie recently let me poke around her studio in the Mission, where we chatted about west coast utopian ideals, hardware stores, and quilting. -Interview by Suzanne Stroebe
SS: You play with old and new -- your sculpture and installation pieces are uber contemporary, referencing the likes of Cordy Ryman and Brion Nuda Rosch. Then you jump to a modernized version of fresco (with spackle) and guache and ink paintings, practices that are centuries old. Who are some of your artistic influences?
MH: I'm a huge fan of Northern Renaissance interiors... that moment when painters (and paint) got really good and a little secularized, an artists turned their eyes to world around them. And then, reaching forward in time and backward in sentiment, I've been returning to the work of the Pre-Rapahelites over and over, since I was a child. Their sense of color and omnivorous observation of the natural word led to some really hallucinatory looking work sometimes, and they also marked a period when craft, idiosyncratic handmade functional objects, was being considered and celebrated. I spend a lot of time looking at interior design and home-improvement books and blogs, sometimes gleefully but often with a lot of eye-rolling, too. And Minimalism is something I think about quite a lot, both as an ideal, and as something to be fought with and complicated.
SS: How did you come to sculpture? Color and paint are an important aspect of even your large sculptures and installation work; do you have a background in painting?
MH: There was a clear moment when I was an undergraduate when I realized how much the preparatory drawings for sculptures mattered to my work, the diagrams and blueprints, as it were. More recently blueprints and plans have come to be a real part of the content of my work, too, not just a drawing style.
My work is concerned with the way we build things, especially the way amateur builders build, and so I spend a lot of time thinking about the color palettes of lumber yards (all those 2x4s stained red or blue at the end!) and hardware stores (safety colors, neon colors, the nice periwinkle of the chalk used to snap level lines, grays, purples and greens of different grades of drywall). It's exciting to approach those tools and materials with an eye to pleasure as well as practicality.
Tuesday, 22 February 2011 13:21 Written by Daniel Rolnik
Wasn't going to write an intro for Ron English because if you're here at Fecal Face you should already be well aware of this iconic artist. If you need to know, read his bio below.
Thanks to Daniel Rolnik (danielrolnik[at]@gmail.com) for conducting this great interview for Fecal Face.
One of the most prolific and recognizable artists alive today, Ron English has bombed the global landscape with unforgettable images, on the street, in museums, in movies, books and television. English coined the term POPaganda to describe his signature mash-up of high and low cultural touchstones, from superhero mythology to totems of art history, populated with his vast and constantly growing arsenal of original characters, including MC Supersized, the obese fast-food mascot featured in the hit movie “Supersize Me,” and Abraham Obama, the fusion of America’s 16th and 44th Presidents, an image widely discussed in the media as directly impacting the 2008 election. Other characters carousing through English’s art, in paintings, billboards, and sculpture include three-eyed rabbits, udderly delicious cowgirls and grinning skulls, blending stunning visuals with the bitingly humorous undertones of America’s Premier Pop Iconoclast.
How do you teach yourself other artist’s techniques?
Trial and error. I had a gig painting landscapes a long time ago at one of those production houses where they taught me a lot of techniques. I also worked for a few different artists, so I had to learn how to mimic their styles.
What artists did you work for?
I did some paintings for Rohhny Decone, Larry Rivers, Marcus Darvy. When I first moved to New York in the 80’s I was a ghost painter. Yeah, it’s a good job to work and you get paid.
Was it frustrating to be a ghost painter because people wouldn’t actually know it was you who was the painter?
Oh yeah. It’s funny because I always get what I wish for, but it’s kind of like the old genie in a bottle thing – I wish that I could have people see all my paintings and the paintings I would make [for those artists] would end up in museums, it’s true. I always forgot to ask “could I sign them” but it’s not really your thing. It’s like if you go on tour with the Rolling Stones and you’re the bass player, you’re not really in the band and you don’t think you’re in the band –maybe after 30 years or so you think you’re in the band like Ron Wood [guitar]. It’s funny because it’s someone else’s art, they’ve built their own language, and if you went to art school there’s a certain amount of that stuff that you can just do. Their art was more about their concepts and I did it because I wanted to learn a lot of techniques.
Would you purposefully choose to work with certain painters whose style your wanted to learn?
Well Mark was probably the ultimate situation because initially there were only 3 other painters working with me, but later there were like 40. Guys were coming in from Russia and Poland, people who were trained as master painters and knew all the technique. And even from day one Clark Decarro was a classically trained painter from Canada, so he showed me how to make glazes, but it’s interesting to do something with someone sitting right next to you and where you can say “Why is this not working” and they’ll be respond by saying “here’s what you’re doing wrong”. They’re all there with you and I think that’s the best learning environment - when you can’t overcome something and there’s someone to show you how to do it right there. There are always bumps in the road, eventually you can figure it out on your own, you can read books, there are a lot of things you can do. If you want to get somewhere you’re going to get there, but it’s always nice to have a set of directions.
Do you have assistants help you with your paintings?
I have two assistants. One assistant comes in one day a week and stretches the canvasses and the other guy pretty much does everything - like all those weird houses with the comics all over them that are in the paintings. He puts together the houses and then puts the comic book collages on them and then he’ll set up the shot. When we were at Art Basil last week painting a big mural he took lined up and shook all the spray paint.
It’s kind of like being a surgeon and saying “Hooker Green ASAP” it really allows you to move like a motherfucker because you just reach your hand out and somebody’s putting whatever you’re asking for in your hand instead of you having to find it and shake it.
I mean all that time it takes to do that stuff slows us down and the fact that they are doing all that for us is just amazing.
Do you do anything to your spray paint cans to get them to behave in a certain way?
Sometimes they put too much pressure in the cans, so you turn them upside down and relieve some of the pressure. If you turn them upside down it just sprays, it doesn’t release the paint. And, as soon as you’re done spray painting you turn the can upside down so paint wont dry in the tip and ruin it. It’s also good if you want to do fine lines to make the pressure [in the can] super low. You never quit learning, you just don’t.
Do you read books on new painting techniques?
One of my friends learned a lot of his techniques from reading books, but I’m just not much of a reader.
Tuesday, 22 February 2011 11:48 Written by Manuel Bello
More then once I have found myself running around New York City with this crazy kid calling himself Gaia. It is usually by the time documenting has taken the jump seat to the nights off handed antics. Never the less-> when Andrew hit me up with a solid photo batch of his latest street adventure down in his own neck of the woods I was more then eager to send them off to pasture.
This Big Cock is located on Howard St. in Baltimore. The image is a rooster messenger cradling the head of St. John as depicted by Guido Reni. My question to you Sir Gaia, "How can you depict such and image, knowing the Blackest Sabbath is coming for you?" Yeah, it is one of those had to be there moments. Regardless, have a look as Gaia is an incredible illustrator that just happens to play in the streets. -Manuel Bello
Digital collages of found Google images from SF based Hilary Pecis making a comment on our internet age. Brooklyn based Ryan Wallace mixed media works and paintings.
Really liked the one on the right from Ryan Wallace
We met a young skater named Charles Martin, an interesting guy studying at SFAI, through our friend Henry Gunderson. Charles would stop in the gallery from time to time, and the last time he came through he told us he was off to NYC to study at Cooper Union where his brother also studys. Getting into Cooper Union is no small feat. They're one of the most selective schools in the U.S. Well known for their art and science programs, C.U. admits students based on merit alone and provides each with a full-tuition scholarship. A FREE top rate highly demanding education.
Into his first year at Cooper Union we wanted to see what Charles was working on and know how he was handling the big city and the school's heavy demands.
Charles in his studio space.
How is Cooper Union going? Is it as tough as people have said?
We get a lot of homework; we have a lot of classes. Most of our time goes to school. The toughest part for me has been time management which is a large part of what it seems we’re supposed to learn in this first year. People who can’t keep up get the boot. There are a lot of distractions in Manhattan, that if you can fall victim to, it only makes it harder. I heard some things before coming here that proved to be complete lies in my situation. It gets really nerve wrecking at times, but no pain, no gain.
You're a Bay Area guy. How is the Big Apple treating you?
It’s a lot different than San Francisco. If I could change one thing it would be the winter. I grew up in Buffalo, NY so I’m pretty accustomed to snow, maybe even TOO accustomed to the snow; me and old man winter have a love hate relationship. New York has been really overwhelming, but I am definitely enjoying myself.
Besides schoolwork, what have you been up to?
This semester I have less foundation classes so I’ve been able to paint a lot more. From January fourth to 18th was winter break, so the school was open but NO ONE was here. It was AWESOME I just got to come to my studio everyday and make work, no assignments. I’ve been reading about black history and other radical organizations that make it their business to fight whatever injustices they face. I also have a book about Einstein and a couple of memoirs. When I can I work on my apartment. I just got some rolls of film, and I found out that my school has a color processor, so I'm going to check that out. There’s a yoga studio really close that I've been trying to take advantage of.
Thursday, 17 February 2011 18:01 Written by Van Edwards
FISH-WORK
Photographs by Corey Arnold
Feb 11 - Feb 26, 2011
@FFDG 66 Gough St. Hours: Wed - Fri (3-6pm) & Sat (12-6pm)
Portland based photographer and fisherman himself (Corey's starred on the popular show Deadliest Catch), Corey Arnold, has been traveling the world documenting the world's fisherman since 2002. His show at FFDG will features a selection of photos featured in his new book, Fish-Work, Published by Nazraeli Press 2010.
Thursday, 17 February 2011 16:00 Written by Trippe
Kokoro Studio (682 Geary St here in San Francisco) emailed a few images from thier current show with Chilean artist Ignacio Murua. The show Bomba 4 continues through Feb 24th.
Kokoro Studio has been open a little over a year showing local and international artists. Hours: Tue-Sat 1pm-7pm
Ignacio Murua lives and works in Santiago de Chile and Brooklyn, NY...
He is inspired the Chilean yellow press newspapers that publish images of ideal female bodies as the "women of the week." What the popular culture esteems as perfection, Murua translates as uncomfortable and grotesque. By its denial of the familiar, flawed (normal) body, such perfection is encountered as a deformity. Murua uses a unique process of "painting without using paint" to contrast the disturbingly artificial perfection with smeared and dripping strokes. He works quickly to manipulate the wet pigment of a freshly printed photograph, causing the very substance of the image to be distorted, obscured, erased, or washed away. Remaining is a blurred silhouette, the suggestion of a posture that replaces individual identity. In a global society preoccupied with age and beauty, the work of Ignacio Murua disregards time, wiping out both perfection and its potential for decay.
This day may have been inevitable, but now it's finally here. In its attempt to take over the world - or at least everything that can be bought and sold in the world, Amazon is launching an art gallery.
This summer Amazon is planning to launch a Fine Art Gallery where customers will be able to purchase original artwork offered by a select group of invited galleries via Amazon.com. ~continue reading
A new HBO documentary looks at the work of street artist JR, whose giant portraits force people in troubled areas to confront the humanity that's all around them... On the day JR found out he'd won the $100,000 TED Prize, the French pasteup artist found himself in China being questioned by police for doing his thing on the streets of Shanghai. ~continue reading
Street artist JR HBO documentary premiered yesterday, May 20th
Art lovers, collectors and gallerists will gather on Thursday for Hong Kong's inaugural edition of Art Basel, sealing the city's status as an international art hub and Asia's leading art destination... Hong Kong has surged to third place in the global art auction market behind New York and London and Western galleries are falling over each other to open franchises in the former British colony. ~continue reading
Our buddy Ferris Plock opens a small show of drawings at Benny Gold on 3169 16th St this Friday, May 24th (7-10pm) featuring 31 drawings priced at 75-140 bucks.
Ferris also released the video Fingered! he produced with animator Jim Dirschberger. View it
Wowzas, there's a lot of art happenings this weekend, and while you're making the rounds, be sure to stop at SFAI's MFA show Currency opening Friday, May 17th at the beautiful old SF Mint Building (88 5th Street).
SFAI's 2013 MFA graduates—working in painting, photography, printmaking, film, sculpture, installation, digital media, performance, and across media—will present work that embraces the Institute's signature spirit of experimentation and conceptual risk-taking.
Opening reception: Friday, May 17, 7–9 pm & running through Sunday 11-6pm daily. -- complete details
London based Pedro Matos opens the solo show Building Castles Made of Sand this Friday in Los Angeles at the Martha Otero Gallery featuring a new series of oil paintings on canvas and azulejo panels - a traditional Portuguese medium of hand-painted, tin-glazed, ceramic tile work.
San Francisco -- CCA opens their 2013 MFA Thesis Exhibition this Thursday, May 16th at their SF campus. Every year another graduating class produces steller work. One of the best SF art events worth getting to, but be sure to get there early as there's always a long line. ~details
Ryan De La Hoz' show in the Upper Haight at RVCA runs through this Saturday... And the next time you're in the Mission, be sure to swing through his new shop on 14th St, Cool Try... We need to get over there soon and do a little photo feature for ya.
The Book and Job Gallery (San Francisco) really stepped it up with the opening of Daniel Chen's loveBlast on May 4th. Complete with a doorman, piano player, old fashioneds, and some really nice paintings, I could hardly believe I was at the Book and Job. The paintings varied in size, and the show was balanced nicely between them, the spray-can work on the walls, and the smaller drawings displayed throughout. The kind notes Chen wrote on the walls are certain to brighten your day, and the rest of the work is definitely worth a look. It was a very classy evening and I hope they continue to intersperse shows like these into their schedule in the future
FFDG opened up the group show featuring original works by the artists of the world famous Skull & Sword tattoo last Friday here in San Francisco. Thanks to the huge crowd who turned out to support these four incredibly talented artists. Here is a taste of the show, and be sure to swing in to view in person. The show runs through June 8th.
Gary Baseman's retrospective "The Door is Always Open" at the Skirball in LA opened recently to massive crowds in a huge celebratory opening party. The exhibition is so complex and personal, delving into Baseman's background, family history, and all the layers of prolific work that he has done over the years. After the opening festivities winded down, I caught up with Baseman for an interview. We discussed the underlying meaning to some of the components of the show and how it felt for him, coming from such an honest personal perspective in putting this massive show together.
Fertile Menace, a new show of Mark Mulroney's (NY) work opened at Ever Gold on May 4th and it's not one to be missed. It is intelligently hilarious, with jokes riffing off sex, Foucault, and the body, and while it makes you laugh it's also going to make you think.
Our buddies Jay Howell, Andreas Trolf, and Jim Dirschberger are hyped as their show, which they've been working on for like 2 years, premieres on Nickelodeon Saturday. From the trailers we've seen so far and from what Jay has told us about, the show is going to be pretty epic. Congrats to those radical fellas.
Here's a little taste of work by the artists of the world famous The Skull and Sword tattoo shop who open their show at San Francisco's FFDG on Friday, May 17th (7-10pm).
Following his solo exhibition "The Collected" at Gallery Wendi Norris, painter Amir H. Fallah is in the throes of developing more new works for upcoming international exhibits. We spent some time in his studio in Highland Park, Los Angeles recently, discussing his process and inspiration.
We were first introduced to the photography of Spanish born NYC based Bubi Canal when he emailed us his great video Trust in Me a couple years ago. His solo show Special Moment recently ran at NYC's Munch Gallery in February, and he recently released his newest video Chrystelle below.
Although I missed the opening of Northern-California photographer Michael Garlington's newest show, Constructed Realities, I was fortunate enough to see the work still up during the Metaphysical fundraiser a couple weeks back at 111 Minna. Metaphysical fundraiser, an auction to benefit Wayne Ernzer. --- The ghoulish photographs in their heavy, hand-made frames are reminiscent of photos from the old west, and the glass crucifixes, complete with fetuses and guns, emphasize the accumulated time within the works themselves. Whether you're looking at the frames, the photos, or both, this show deserves a visit, and a walk through the golden archway Garlington constructed around the front door.
Fecal Face contributor Rachel Ralph (rachel(at)fecalface.com) has been profiling this Oakland based painter as he travels about Japan. In this segment, we feature some photos as he prepared for this show and residency at Spes-LaB in Tokyo which opened last weekend. Arnold will be featured in SFMoMA's Minna Street windows on June 8th.
Last Saturday, here in SF's Mission district, Guerrero Gallery opened two new shows with Philly based Alex Lukas and SF based Richard Colman respectively. Colman's work occupied the project space while Lukas' work and foliage was presented in the main space. Worth getting to if you haven't already.
Just got back to SF after a little trip south to Sayulita, Mexico. After 10 years without a vacation, me and the Mrs. headed south for some mental time off sitting in the sun, swimming and enjoying the watery Mexican beer. Here are some photos as we get back into the swing of things again.
Athens, Greece based designer, architect and artist Dimitris Polychroniadis emailed over more of his work which consists of mixed media, pop-humorous diorama sculptures that make a comment on the harsh realities my country and much of the world is facing at the moment.
FFDG will open a group show with the artists from the famed Skull & Sword Tattoo on Friday, May 17th (6-9pm). Artists: Grime, Henry Lewis, Yutaro, and Lango. Below are a series of videos on Grime for Vice's Tattoo Age produced in 2011. Fascinating look at one of the greatest tattoo artists alive today.
ARYZ (Spain) opened his newest gallery show at Fifty24SF last Friday and, if you live in the Bay Area, you need to go. This dude can obviously paint, and he doesn't need an entire building to show his impecable skill. The show has lots of small works on paper which contrast his highly-defined line work to his hard-edged painted objects. The contrast between the hard and soft was the most striking thing to me about his work, since I had never seen it in person before, and the washes blend with the thick paint seamlessly. The show also contains a larger work on canvas, a huge head suspended in the back of the room, and a big wood sculpture of a wolf figure. This diversity in such a small space was impressive, and those of us that went to the opening even got to meet the man in person. If you didn't make it out this weekend, check it out before May 31st when it closes and these works will be off to some very happy new homes.
Water McBeer is please to announce its latest exhibition "Precious" a solo exhibition by David Bayus (April 6 - May 4, 2013) -- David Bayus born 1982 holds his BFA from the Savannah College of Art and his MFA from the San Francisco Art Institute. David lives and works in San Francisco and is a founding member of the basement collective. This will be his first exhibition with the world renown Water McBeer Gallery highlighting his most recent achievements with paint and digital media. David Bayus will be exhibiting 5 relatively large-scale mixed media works along with a collaborative object featuring Hungarian sculptor H.R KOONS.
The Shooting Gallery handed over the reins to the Red Truck Gallery (a New Orleans based gallery) which curated their new show, Hard Time Mini Mall and opened the it on Saturday night. This is my favorite show (so far) in the Shooting Gallery's new space and was packed full of art, a mini bar, and cowhide rugs. The Red Truck Gallery chose works with clear craftsmanship and it was easy to see in Ian Berry's denim assemblages and Chris Roberts-Antieau's awesome quilts. The space was completely packed, making it hard to see each piece individually, but this show deserves a second trip anyway. I look forward to spending more time with the chandeliers, automatons, and paintings before the show comes down on May 4th.
Toronto based photographer Nathan Cyprys emailed to let us know about his newest series "Neighbour State", and we were about to post it when we spotted this series on his site entitled "Ayre (of Distances)" and had to post this one instead. After you view this one, view "Neighbour State" on his site. Both are visually enjoyable.
Working from found photographs, Lyle's paintings are created through a reductive painting process where each piece is rendered using only black paint and turpentine. Lyle begins this process by priming a panel with white gesso. He then paints a thin, rich, oily black veneer over the primed panel, slowly and systematically developing his images by removing some of the black paint with a cloth. In doing so, Lyle renders layer upon layer of various values of black paint resulting in his signature-style of luminescent works.
London based David Shillinglaw who's blogged it up for Fecal Face in the past recently completed this mural in London as he prepares for his solo show at Stolen Space opening on April 26th.
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