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Aaron Rose Interview
Written by Noah Hanson   
Sunday, 09 April 2006 04:44
Last week I posted an interview with Ed Templeton, whose own career as an artist was partly put into spotlight thanks to Aaron and the Alleged Gallery. This week, the spotlights on Aaron himself.

Last week I posted an interview with Ed Templeton, whose own career as an artist was partly put into spotlight thanks to Aaron and the Alleged Gallery. This week, the spotlights on Aaron himself.
Aaron Rose is a lot more of an influence than you probably ever thought. He's responsible for the large-scale, traveling museum exhibition titled “Beautiful Losers” (there's a book too), he's a writer and independent curator who shows all over the world, and he was the owner/director of the highly influential Alleged Gallery in New York for 10 years. Lastly, he's the second person I've interviewed that's part of the ANP magazine team.

-Noah Hanson

aaron-rose-and-mark.jpg

So Aaron, could you introduce yourself with a short bio? Age, height, width?
I’m 36 years OLD. I’m six feet tall and wider at the waist since I just quit smoking.

You feel "OLD?"
It depends on the day really, and also who I’m hanging out with.

You just put out the 3rd issue of ANP quarterly, and the 4th is just around the corner. What's the response your getting so far, and who are these people that are reading it?
So many different kinds of people are getting it. That’s the great thing about doing a magazine for free. It ends up in the hands of all these people that might not have picked it up otherwise. Plus we’re sending it out to art schools, museums, record stores, skate shops, clothing shops, so tons of different people get hold of it. We get letters everyday. It’s a great feeling to have such positive response.

aaron-rose-losers(above).jpg

Is there a way some of those people writing in can contribute?
Well, our official policy is “no unsolicited contributions” but we have asked outside writers to do specific things for us. I think we would all be interested to hear story pitches from people. We can always be contacted through the website.

As far as I can tell, RVCA is putting their name on this thing. Isn't RVCA a clothing company that primarily appeals to skaters? How did they end up sponsoring ANP?
The owners of RVCA had the idea and approached myself, Brendan and Ed to put it together. RVCA has been doing this thing called Artist Network Project for quite a while now, where they sponsor artists, so doing a magazine isn’t that far fetched. It’s not like Bad Boy Club is sponsoring it.

AARON-rose-+-barr.jpg

Where do you wanna take this thing?
I don’t think any of us really have a definite plan right now. The main reason I was interested to do this project is that there weren’t any magazines on the stands that were giving me what I wanted, so I thought it best to take matters into my (our) own hands. All I hope is that we are able to continue doing it in a pure way and finding interesting content to make people psyched!

Can you tell us what it's like in the ANP "office"? How do you guys make the mag?
We used to have editorial meetings in person, but since we’ve all been so busy recently and traveling all over the world on other projects we do most of the decision making by email. I call them “ping-pongs” cause we all weigh in on each other ideas and shoot them around like a ping pong match. We have a cool policy that if all three of us aren’t into an idea then we don’t do it. I think that’s cool. Very democratic. The week before we go to press is usually pretty stressful with us all huddled over print-outs going over layouts for mistakes, redesigning, etc. It’s actually really fun watching each issue take on its own unique personality.

What kinda ideas have you guys voted out?
I’d rather not hurt any feelings.

Ed told me that you got to see the magazines during the printing process. What was that like?
It’s pretty boring actually...just watching sheets fly off the press over and over and really checking the colors to make sure they match the original photo as close as possible. The printer we work with is pretty ghetto and not used to anal retentive art dudes watching over their press. I didn’t actually see this, our art director Casey did, but on our first issue, the guy running the press got so frustrated that he just up and quit right in the middle of printing it.

aaron-rose-alleged.jpg

Besides doing the mag with Brendan and Ed, you're responsible for taking a huge part in the "contemporary art and street culture" that has been showcased over the last 15 years or so. You started the Alleged gallery, you've put out a few books, including Beautiful Losers, and you've been a freelance curator for some time now. What guided this huge coarse of events?
I’ve kind of just stumbled into stuff. I guess I have ideas and then just try to follow through with them. It looks much more impressive from afar.

I pulled this image off of google when I searched for your name. Where does the picture come from?

aaron-rose-feet.jpg
I have no idea where this came from. I miss that case though (it’s retired now). I painstakingly painted those SADS letters on there.

How long was Alleged around, and what was it like to see artists you knew very personally, rise to where they are now? (i.e. Barry Mcgee selling stuff for $25K)
Alleged was around for ten years, from 1992 to 2002. In terms of some of the artists’ success, I think it’s great. I mean doesn’t everyone want their friends to succeed? It’s cool, because I look at the artists successes as my own really. I think they feel the same way.

I understand you were a producer for MTV for a while. How was that?
Funny. That’s a crazy company. We did some cool things though. I made some commercials with Tobin Yelland, Harmony Korine, Thomas Campbell, Rita Ackermann and Thurston Moore. Most of them never showed though. Too edgy for their time.

aaron-tobin-brookln.jpg

Outside of putting together a magazine, how are you staying creative?
Beautiful Losers just opened in Milan. I’m working on an exhibition called Smoke Gets in Your Eyes that’s going to happen at Proyectos Monclova in Mexico City later this year, editing a film, doing books, painting a little and recording a personal musical project I call “The Sads”.

What books/comix/music/movies/people/foods/whatever are you into right now?
I’m currently pretty much obsessed with The Selecter and the whole 2-Tone movement from the UK in the late 1970s. Who knows why, but I’m trying to collect the entire Selecter back catalog on 7” right now. I’ve also started collecting African masks.

Where do you get your African Masks? How many do you have? Do you have any pic tures/stories of them?
Sometimes at stores, sometimes on ebay or other places. This film I’m working on now is being financed/produced with some guys that work with Robert Wilson. Wilson’s a theatre director who got really famous in the 70s –80s, but still does good stuff. I’ve been to his house and he has this huge loft in New York filled with contemporary art, mid-century modern furniture and African folk art. I think that’s what inspired me...seeing it over there. Masks are really not in fashion now, so they are really cheap (I rarely spend more than $5.00 on a mask) and they look really good with the kind of art I like. I have about six now. Here’s a photo of one I got recently from Bali.

aaron-rose-mask2.jpg

Are you curating any spaces right now that we should mark on our calanders?
The documentary film I’m doing is taking up most of my time right now, so nothing really on the horizon.

What's this documentary you working on?
It was originally started as the film component to the Beautiful Losers exhibition, but since we began filming it looks like it’s not going to have too much to do with that actual show. We just didn’t have the material to back that up. I’m happy about it though because it still has interviews with tons of great artists, but I think we’re telling a much more personal story now. It should be finished in September.

What can we expect from Aaron Rose in the future?
Hopefully just more fun stuff that gets people excited about creativity and doing their own thing. I’m seriously considering opening a school in the next 10 years though, so maybe watch out for something like that.

Shoutouts?
Wow, too many to list. Pat, Casey, Brendan and Ed for making ANP Quarterly so damn fun to work on I guess.

aaron-rose-rojas.jpg

{moscomment}

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"Arrangement" by Michelle Fleck
Friday, 18 April 2014 10:23

This morning we take a closer look at this beautiful painting by San Francisco based Michelle Fleck now showing at FFDG.

Arrangement measures 24"x30", acrylic and aerosol on panel - inquires: info(at)ffdg.net

Michelle Fleck is a painter living in San Francisco. Her work focuses on the relationship between man and the landscape, and the marks we leave on it. Influenced by everyday life in the city, her paintings serve as snapshots of an ongoing intersection of the natural and man-made world. She strives to make work that has a sense of relevancy in a culture driven by a need for change and newness.

 

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Wednesday, 16 June 2010 16:39


Nychos Friday @Fifty24SF
Thursday, 17 April 2014 10:46

SAN FRANCISCO --- You've seen the murals pop up around town the last week from this Austrian street artist as he prepares for his solo show at Fifty24SF opening this Friday, 4/18.

GET THE SHOW DETAILS --- a bunch of NYCHOS

 

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Wednesday, 25 April 2012 10:56

 

Banksy's Mobile Lovers
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I love you, dear.... Huh? Wut?

 

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Have you been to the Headland Center for the Arts in the Marin Headlands?

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This Sunday's Open House runs 12-5pm - FREE & DETAILS

 

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We all know that San Francisco is going through aches and (growing?)/ shrinking artist pains these days as San Francisco property values sky rocket due to the tech infestation going on around the entire Bay Area. Maybe you work in tech and love it, but since this is an art website, we're interested to how this is affecting artists trying to make ends meet.

Some galleries have been forced to close due to 300% rent hikes. Many artists have fled to Oakland, LA and NYC in search of affordable housing and a more vibrant art scene... But we wanna know what you think of how it's going here in San Francisco. How are you making it work? What's your take on the art scene or lack there of? Do you think things are on the up and up or down and out here in San Francisco? Are artists a bunch of complainers and every thing looks great or is it curtains for San Francisco's artistic community? Thoughts

The Rena Bransten Gallery is packing up their 77 Geary space to make way for tech company MuleSoft

 

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Wednesday, 25 August 2010 11:50


+SF

+NYC

+LA

FULL CALENDARS: BAY AREA | NYC | LA

 


 

 

 

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GOLD BLOOD, MAGIC WEIRDOS

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John Felix Arnold III on the Road to NYC

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Mario Wagner @Hashimoto

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Serge Gay Jr. @Spoke Art

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NYCHOS Mural on Ashbury and Haight

NYCHOS completed this great new mural on the corner of Haight and Ashbury in San Francisco on Tuesday. Looks Amazing.


Sun Milk in Vienna

With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding


"How To Lose Yourself Completely" by Bryan Schnelle

I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle


Tyler Bewley ~ Recent Works

Some great work from San Francisco based Tyler Bewley.


Kirk Maxson and Alexis Mackenzie at Eleanor Harwood Gallery

While walking our way across San Francisco on Saturday we swung through the opening receptions for Kirk Maxson and Alexis Mackenzie at Eleanor Harwood Gallery in the Mission.


Jeremy Fish Solo Show in Los Angeles

Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.


The Albatross and the Shipping Container

Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.


The Marsh Barge - Traveling the Mississippi River from Minnesota to the Gulf of Mexico

For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.


Flavio Samelo's Downtown Sao Paulo Murals

Our buddy Flavio Samelo down there in Brazil does all kinds of great work including this recent mural project in downtown Sao Paulo in front of one of the most important modern buildings of Oscar Niemeyer from the 60's, THE COPAN.


John Trippe, FFDG and Fecalface.com Founder, Stepping Down From Daily Operations

John Trippe, founder, owner and curator of FecalFace.com and the Mission District art gallery FFDG, announced today that he will stepping down from daily operations of the two ventures to seek new career opportunities.


High 5s - Get Your Feet Wet

I purchased one of the first digital cameras when Fecal Face went online in 2000. It was a massive Kodak with 2 mega pixels


"Touching Base" by Schuyler Beecroft

San Francisco based Schuyler Beecroft emailed over the great new series of paintings he's completed entitled "Touching Base", 16x20in on mounted wood panel. Like them.


Flume - Space Cadet (ft. Ghostface Killah & Autre Ne Veut)

Buddies Jay Howell & Jim Dirschberger did this great video produced by Forest City Rockers.


Fire Shelter for Papay Gyro Nights 2014

Last year we posted photos from another one of Simon Hjermind Jensen's Fire Shelters he's made in Copenhagen. This time around the Copenhagen based artist/ designer created one for the Papay Gyro Nights 2014 way up in on the Orkney Islands in Northern Scotland.


"Portrait of a Slugger 19" by Hiro Kurata

Beautiful painting by NYC based Hiro Kurata now on display at SF's FFDG through April 19th as part of the group show "Salt the Skies".


"Veins of Octulen" by Curiot at FFDG

"Salt the Skies" opened on the 21st at FFDG and features this great piece by Mexico City based Curiot (Favio Martinez) whose sold out 2013 show Age of Omuktlans ran at FFDG. His forthcoming solo show is slated for March 2015.


Rome's Alice Pasquini ~Mural+

Rome based multimedia artist Alice Pasquini emailed over a recent mural completed in the historic working class neighborhood of Rome called Tufello.


Project M/3 in Berlin curated by NUART

BERLIN --- Project M is a temporary art project with the objective to improve the neighborhood, to push creativity and to connect people. At regular intervals Urban Nation with director Yasha Young invites a group of internationally reclaimed contemporary urban artists to re-design the facade and shop windows of a prominent residential building in Berlin, while it is being reconstructed.


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