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Weston Teruya
Written by Trippe   
Wednesday, 13 September 2006 05:10
Interview with a great Bay Area artist and CCA MFA graduate.
I first spotted Weston's work at last year's CCA graduate show and was instantly impressed. It was by far my most favorite work in the show, and ever since then I've been trying to get him up on the site even though I know that the work won't translate as well as it does in person. Most of the work you'll see below is so much detailed and larger than what it appears... Let's just say that you should go and check out his show that's taking place at Patricia Sweetow Gallery the first week of November. You'll be pleased you did. -Trippe

// It Hardened Her Resolve When They Told Her She’d Be Back Soon (reform project ouroboros with normative definition schema)
spraypaint, gouache, cut paper collage, ink, and color pencil on paper
71" x 90", 2006

Location? Age? Describe what you were like in high school.

In the process of moving from the Mission to South Berkeley. A year ago I was moving from West Oakland to SF so hopefully I'll stay in this new place a little longer this time. In high school I think I was much more driven to be a "nice guy"...whatever that may mean.

There is some art that just doesn't translate online- or that it's much more impressive in person. Your work, for example, is very detailed and is also mixed media. Can you explain your work in terms of how you go about creating a piece?

Usually I start with some loose sketches to get a sense of the layout of the piece and work through some of the narrative and conceptual ideas The first part to go down on the actual paper is typically a stencil/spraypainted section. From there I'll build up on the surface, either by adding the cut out elements like the roots, fences, texture for the trees or other drawn elements like the shisa (guardian figures). Then I'll finish up any last details of the drawing with gouache. That being said, in the larger pieces there's a little more room for play. I might have this overarching idea of what the piece is about, but as I start working through the piece, I try to make sure that the original sketches are loose enough that I can respond to things as they go down. Because I generally work from a pretty consistent base of images and visual elements, it's important that there's some leeway in there to make sure not everything is predetermined.

// Learning How To Represent (the second line steps in to follow)
spraypaint, gouache, collage, pencil, ink on paper
41 1/2" x 60", 2006

You're getting your masters at CCA in fine art. What would you tell a friend who may be thinking of going there?

I actually just finished up the MFA program but have another year for a MA in Visual Criticism. The dual degree mashes together the 2nd year of the MFA and the 1st year of the Vis Crit program which is a nice option because I think it allows for some additional theoretical backing if that's your thing. I think CCA's strength is definitely their studio practice (independent study) units which you can use to work one-on-one with faculty or outside curators and artists. I went to a liberal arts college with about 4 art faculty for my undergrad so the experience of getting to work with such a wide range of folks is pretty mind blowing.

Mode of transportation?

I’m fond of my increasingly beat up truck.

How long have you been in the Bay Area- and what's your take on it and the art scene here?

I've just been up here for 2 years now. When I first got here for school I remember walking through the Mission at one point and seeing all the art spaces, posters for upcoming shows, small boutiques or cafes with art on the walls and feeling both like I was a small fish amongst all this and glad that I was somewhere that there was so much going on. I was in LA prior to this; obviously there's a strong art scene there, but the geography makes it hard to get a sense of things unless you're already in the loop.

With SF having higher rent and the fact that SF doesn't sell as much art as LA does, do you have a city of preference or are they just not comparable and why if so?

I relate to each city very differently. SF, being the place where I got my MFA, is where I have a visual arts community and the entryway to what’s happening in that sphere. My relationship to LA was built through activist and community work, so my network there covers a different kind of territory. The Bay is growing on me but I still have a loyalty to LA. Probably because it gets shit on a lot. And having been there for so long, it’s closest I have to “home” outside of Hawai’i.

// Growing Beautifully (the question was rhetorical, the answer is horrible)
ink, spraypaint, acrylic, gouache and cut paper on paper
42" x 114", 2005

You were just part of a show down at 49 Geary at the Patricia Sweetow Gallery. What was your experience with the show and showing down there? Did you sell some of your work?

I was fortunate enough that Patricia was able to sell a small piece and the large drawing that was in the show. I actually have another show coming up at the gallery at the beginning of November. It's been great to work with her through this process. I'm still learning a lot so I'm just lucky that things have been going well in that regard.

What’s an average day for you?

At the moment my routine is a bit scrambled since school just started up again. One of the constants tends to be that no matter how hard I try, I lean toward a fairly nocturnal schedule. I’m usually most productive somewhere between about nine to four in the morning.

Favorite place in SF (bar, park, neighborhood, whatever) and why?

It’s not SF but for a bar, I like George and Walt’s in the East Bay (Rockridge/ Oakland).

Tell us about the last time you got into a fight and why.

With my partner a couple of days ago. For being a selfish and neglectful bastard.

Favorite magazine and candy bar?

I used to be into Blu and Stress when they were being published. Usually candy bars are more about a lack of other options for me so almost anything works as long as it doesn’t have too many nuts.

Upcoming?

The show at Patricia Sweetow at the beginning of November.

// New Developments During a Sinister Exchange Which Provided Contested Proof of the Project's Success (even the sap in the trees move nasty)
gouache, spraypaint, ink, soot and cut paper on paper
35" x 58", 2005

// Fabulous Beachfront Property (mainland transportation project)
spraypaint, gouache and cut paper collage on paper
18" x 22", 2006

// Rebuilt and Burgeoning. (entertaining the new settlers)
spraypaint, ink and cut paper collage on paper
18" x 22", 2006

// Somewhere Along the Line-Up (generative properties of invisible networks)
cut paper collage, spraypaint, gouache, ink and color pencil on paper
18" x 22", 2006

// There’s Much to be Earned (the whole and not the half of it)
ink and cut paper collage on paper
12" x 18", 2005

// Clear Skies, Gracious Living (par 5)
(SF Arts Commission Gallery installation)
spraypaint, gouache, ink and acrylic on cut paper pasted to wall, 2005

For more info on Weston, check his site: nocturnalguerillatactics.com {moscomment}

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FRENCH in Melbourne

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The Albatross and the Shipping Container

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contact FF

The Death of the Artist—and the Birth of the Creative Entrepreneur
Wednesday, 21 January 2015 10:34

When works of art become commodities and nothing else, when every endeavor becomes “creative” and everybody “a creative,” then art sinks back to craft and artists back to artisans—a word that, in its adjectival form, at least, is newly popular again. Artisanal pickles, artisanal poems: what’s the difference, after all? So “art” itself may disappear: art as Art, that old high thing. Which—unless, like me, you think we need a vessel for our inner life—is nothing much to mourn.

lead

Hard-working artisan, solitary genius, credentialed professional—the image of the artist has changed radically over the centuries. What if the latest model to emerge means the end of art as we have known it? --continue reading

 

"Six Degrees" @FFDG
Friday, 16 January 2015 09:30

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17_ms

Work by Meryl Pataky

 

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Ron-Turner

Ron Turner of Last Gasp

"[Satire] is important because it brings out the flaws we all have and throws them up on the screen of another person," said Turner. “How they react sort of shows how important that really is.” Later, he added, "Charlie took a hit for everybody." -read on

 

Solidarity
Thursday, 08 January 2015 09:36

charlie

 

SF Bay Area: What Might Have Been
Tuesday, 06 January 2015 09:36

tiburonbridge

The San Francisco Bay Area is renowned for its tens of thousands of acres of beautiful parks and public open spaces.

What many people don't know is that these lands were almost lost to large-scale development. link

 

1/5/14 - Going Back
Monday, 05 January 2015 10:49

As we work on our changes, we're leaving Squarespace and coming back to the old server. Updates are en route.

The content that was on the site between May '14 and today is history... Whatever, wasn't interesting anyway. All the good stuff from the last 10 years is here anyway.

###########
 

Jacob Mcgraw-Mikelson & Rachell Sumpter @Park Life (5/23)
Friday, 23 May 2014 09:22

Opening tonight, Friday May 23rd (7-10pm) at Park Life in the Inner Richmond (220 Clement St) is Again Home Again featuring works from the duo Jacob Mcgraw-Mikelson & Rachell Sumpter who split time living in Sacramento and a tiny island at the top of Pudget Sound with their children.

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park_life

 

NYPD told to carry spray paint to cover graffiti
Wednesday, 21 May 2014 10:37

nyc_graffitiNYC --- A new graffiti abatement program put forth by the police commissioner has beat cops carrying cans of spray paint to fill in and cover graffiti artists work in an effort to clean up the city --> Many cops are thinking it's a waste of resources, but we're waiting to see someone make a project of it. Maybe instructions for the cops on where to fill-in?

The NYPD is arming its cops with cans of spray paint and giving them art-class-style lessons to tackle the scourge of urban graffiti, The Post has learned.

Shootings are on the rise across the city, but the directive from Police Headquarters is to hunt down street art and cover it with black, red and white spray paint, sources said... READ ON

 

//////////
Wednesday, 16 June 2010 17:39


Headlands Center Fundraiser -6/4/14
Tuesday, 20 May 2014 07:54

SAN FRANCISCO --- The Headlands Center for the Arts is preparing for their largest fundraiser of the year set to go down on June 4th at SOMArts here in the city. Art auction, food, drinks, live music, etc and all for helping to support a great institution up in the Marin Headlands. ~details

ABOUT HEADLANDS
Headlands Center for the Arts provides an unparalleled environment for the creative process and the development of new work and ideas. Through a range of programs for artists and the public, we offer opportunities for reflection, dialogue, and exchange that build understanding and appreciation for the role of art in society.

headlands

 

Congrats, Dudes(ette)
Monday, 19 May 2014 09:29

Just want to say congrats to Fecal Face's Rachel Ralph for graduating from SFAI with her masters in curatorial studies. Also want to congratulate Alex Ziv who also just got his MFA in painting. Also a high five to the talented Mario Ayala who also just graduated from SFAI as well! --- All super talented artists (thinkers), and we're excited to see what the future holds for them!

 

//////////
Wednesday, 25 August 2010 12:50


 

 


 

 

 

Alison Blickle @NYC's Kravets Wehby Gallery

Los Angeles based Alison Blickle who showed here in San Francisco at Eleanor Harwood last year (PHOTOS) recently showed new paintings in New York at Kravets Wehby Gallery. Lovely works.


Interview w/ Kevin Earl Taylor

We haven't been featuring many interviews as of late. Let's change that up as we check in with a few local San Francisco artists like Kevin Earl Taylor here whom we studio visited back in 2009 (PHOTOS & VIDEO). It's been awhile, Kevin...


Peter Gronquist @The Shooting Gallery

If you like guns and boobs, head on over to the Shooting Gallery; just don't expect the work to be all cheap ploys and hot chicks. With Make Stuff by Peter Gronquist (Portland) in the main space and Morgan Slade's Snake in the Eagle's Shadow in the project space, there is plenty spectacle to be had, but if you look just beyond it, you might actually get something out of the shows.


Jay Bo at Hamburg's Circle Culture

Berlin based Jay Bo recently held a solo show at Hamburg's Circle Culture featuring some of his most recent paintings. We lvoe his work.


NYCHOS @Fifty24SF

Fifty24SF opened Street Anatomy, a new solo show by Austrian artist Nychos a week ago last Friday night. He's been steadily filling our city with murals over the last year, with one downtown on Geary St. last summer, and new ones both in the Haight and in Oakland within the last few weeks, but it was really great to see his work up close and in such detail.


Gator Skater +video

Nate Milton emailed over this great short Gator Skater which is a follow-up to his Dog Skateboard he emailed to us back in 2011... Any relation to this Gator Skater?


Ferris Plock Online Show Now Online as of April 25th

5 new wonderful large-scale paintings on wood panel are available. visit: www.ffdg.net


ClipODay II: Needles & Pens 11 Years!!

Congrats on our buddies at Needles and Pens on being open and rad for 11 years now. Mission Local did this little short video featuring Breezy giving a little heads up on what Needles and Pens is all about.


BANDES DE PUB / STRIP BOX

In a filmmaker's thinking, we wish more videos were done in this style. Too much editing and music with a lacking in actual content. Just because you can doesn't mean you should.


AJ Fosik in Tokyo at The Hellion Gallery

Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.


Ferris Plock - Online Show, April 25th

FFDG is pleased to announce an exclusive online show with San Francisco based Ferris Plock opening on Friday, April 25th (12pm Pacific Time) featuring 5 new medium sized acrylic paintings on wood.


GOLD BLOOD, MAGIC WEIRDOS

Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.


Jeremy Fish at LA's Mark Moore Gallery

San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.


John Felix Arnold III on the Road to NYC

Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.


FRENCH in Melbourne

London based illustrator FRENCH recently held a show of new works at the Melbourne based Mild Manners


Henry Gunderson at Ever Gold, SF

Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.


Mario Wagner @Hashimoto

Mario Wagner (Berkeley) opened his new solo show A Glow that Transfers Creativity last Saturday night at Hashimoto Contemporary in San Francisco.


Serge Gay Jr. @Spoke Art

The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.


NYCHOS Mural on Ashbury and Haight

NYCHOS completed this great new mural on the corner of Haight and Ashbury in San Francisco on Tuesday. Looks Amazing.


Sun Milk in Vienna

With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding


"How To Lose Yourself Completely" by Bryan Schnelle

I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle


Tyler Bewley ~ Recent Works

Some great work from San Francisco based Tyler Bewley.


Kirk Maxson and Alexis Mackenzie at Eleanor Harwood Gallery

While walking our way across San Francisco on Saturday we swung through the opening receptions for Kirk Maxson and Alexis Mackenzie at Eleanor Harwood Gallery in the Mission.


Jeremy Fish Solo Show in Los Angeles

Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.


The Albatross and the Shipping Container

Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.


The Marsh Barge - Traveling the Mississippi River from Minnesota to the Gulf of Mexico

For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.


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