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Home FEATURES Artist Interviews Ryan Wallace Interview

Ryan Wallace Interview
Tuesday, 14 October 2008 11:22
Been a fan of this RISD graduate and now NYC resident for some time. He was in SF last week and we got to ask him a couple questions.

An intelligent balance between chaos and calm. From looking at Ryan's work you can see his illustration background from R.I.S.D. and from there has gone onto painting and recently into sculpture. His work has graced the pages of Hot and Cold and shown through San Francisco but calls NYC and Envoy Gallery home. We touch on his work in this interview but saved the meat and potatoes for our podcast with Andrew Schoultz (up in a couple days).

The basics first. Age? Location? Website?

30. Brooklyn, New York. www.ryanmwallace.com

Describe your process of creating a new piece.

I work on multiple pieces at once in a variety of media. It is all one process to me. Each type of work speaks autonomously as a part of what I'm thinking about as a whole. I always have oil paintings going. While those dry I'll work on something on paper or a panel. I've been using tape lately in the beginning of parts of my paintings and as it is painted on in the masking process it becomes a valuable element that I use along with cut papers in other work. When that material runs out, the paintings are usually dry enough, so I'll go back to those. It keeps me interested in making work and allows me to make different types of things depending on mood or availability. Making things simultaneously without being totally focused on a group of "paintings" or "drawings" helps me understand what will make a painting or a drawing work for me in an interesting way.

What materials do you normally work in?

I make oil and alkyd paintings on canvas and mixed media works on panel; drawings and prints on paper. I've been working on three dimensional work as well lately, which I'm really excited about.

If you had to explain your work to a stranger, how would you do it?

Peppered with "ums", "likes" and "but not reallys" something to the effect of my work being abstract but rooted in landscape. It looks like things, place sand events but there is nothing naturalistic or representational. I use geometry but it exists in space rather than as pure abstraction. I've been using cold colors lately. Just look at my website or come by studio, I'm embarrassed.

Don't be embarrassed... But why do you think you gravitate towards them?

I think it makes sense for what I'm trying to speak to and influenced by. In part I'm drawing inspiration from trends in science and technology so cooler colors feel appropriate. Same reason for the use of geometry. I'm hoping those elements help guide viewers into the right direction on first glance.

When did you leave Providence, Rhode Island?

Coming up on nine years of living in the same apartment here in New York. I came out to be amongst friends and to see if I really wanted to be an artist.

How has it panned out? Have you benefited from working there in NYC?

I guess it's working out. I have a lot of time to make things and right now it really feels right. I'm lucky in that I'm surrounded by a lot of great artists who are also great friends as well as great people who aren't in the art world. I like that balance. I'm grateful to be a part of the community that I am. New York has always felt like home and gives me a good, "well you're here, you should probably not just sit around listening to records or watching Law & Order." It's a good motivator. Navigating motivation and having a life can get tricky but it's really important for me, as well as for what happens in studio. Sometimes watching television and going into mind neutral is just what I need. I'm off in a good tailspin frequently.

What do love most about living in the Big Apple?

Leaving and going surfing in Montauk. Throw in a horse ride.

Surfing? Horse back rides?... What sorts of city living things are you into these days?

When I'm in the city I spend time in studio, go to others, see friends, try to skate, mess around with music, look at art, go see music, go to parks, eat out every single day. I guess eating out everyday is kind of New York. I'm cheese and crackers when I'm on my own. I only like cooking with my girlfriend. She usually takes over. She's an outstanding chef.

If I came out for a visit what would we do/ where would you take me?

I'd take you to my apartment to see other peoples artwork. I'd take you to my studio to see mine, and if Joseph Hart was around, hopefully he'd show you his. If you'd never been to New York before I would like go to the top of the Empire State Building, on a Staten Island Ferry ride passed the Statue of Liberty to Snug Harbor, and Fort Wadsworth, then onto the Tram to Roosevelt Island to see some ruins, amputees and architecture from Rotterdam. Then to Central Park, the Cloisters and Prospect Park. I hope you remembered the Frisbee. If you like skateboarding we'd go. If you like making music, we'd jam. Then we'd go to the Museum of Natural History and the Met and all the other midtown Museums before the New York Public Library. Make our way to Chelsea, Downtown to Envoy. Per Se for dinner before the Morrissey show at Hammerstein. We'd probably just be at Yummy Taco after studio so you could taste New York Asian burritos. I'm kind of tired.

What's the deal with Morrissey? He's such a "thing".

I guess a lot of people just really want to get what they want this time and hate it when their friends become successful.

What are you really excited about right now?

2 weddings.

Sweet. I myself tied the knott a couple weeks ago... Whose weddings? You getting married?

No, not me... Close friends. I am very happy for them.

When are you the most productive?

Any time I'm not in a slump.

Speaking of slumps, what helps you get out of 'em?

Trying not to force it. Time and patience. Doing something else and not beating myself up. It's part of the job. I work consistently when things are going well so I haven't had to worry about a deadline for a little bit. It's pick and choose. If one is approaching and I'm in good shape, I'll try something that I've been waiting to try. If it fails it's no whoop. Things happen best for me when I'm not thinking "oh, this would be good for that."

Favorite trip taken?

They're all the best on ever when I get home. China was notable.

Music?

I have an ipod at studio with a broken screen so I have to listen to the artists in alphabetical order. Today it played Belle & Sebastian into Burzum. That's a pretty accurate description.

What were you like in high school?

I skateboarded in the 90's. I also went to Limelight and all the others more than once.

Upcoming projects and/ or upcoming shows, etc...?

I'm doing another solo show with Envoy sometime next year. I'm in John Freeborn's Big Kids/Little kids which is traveling. I just found out about a group show at American University coming up. A few other solos are in the works but I don't want to talk about them yet. "N'allez pas trop vite."

{moscomment}

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contact FF

The Death of the Artist—and the Birth of the Creative Entrepreneur
Wednesday, 21 January 2015 10:34

When works of art become commodities and nothing else, when every endeavor becomes “creative” and everybody “a creative,” then art sinks back to craft and artists back to artisans—a word that, in its adjectival form, at least, is newly popular again. Artisanal pickles, artisanal poems: what’s the difference, after all? So “art” itself may disappear: art as Art, that old high thing. Which—unless, like me, you think we need a vessel for our inner life—is nothing much to mourn.

lead

Hard-working artisan, solitary genius, credentialed professional—the image of the artist has changed radically over the centuries. What if the latest model to emerge means the end of art as we have known it? --continue reading

 

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Friday, 16 January 2015 09:30

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17_ms

Work by Meryl Pataky

 

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Ron-Turner

Ron Turner of Last Gasp

"[Satire] is important because it brings out the flaws we all have and throws them up on the screen of another person," said Turner. “How they react sort of shows how important that really is.” Later, he added, "Charlie took a hit for everybody." -read on

 

Solidarity
Thursday, 08 January 2015 09:36

charlie

 

SF Bay Area: What Might Have Been
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tiburonbridge

The San Francisco Bay Area is renowned for its tens of thousands of acres of beautiful parks and public open spaces.

What many people don't know is that these lands were almost lost to large-scale development. link

 

1/5/14 - Going Back
Monday, 05 January 2015 10:49

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The content that was on the site between May '14 and today is history... Whatever, wasn't interesting anyway. All the good stuff from the last 10 years is here anyway.

###########
 

Jacob Mcgraw-Mikelson & Rachell Sumpter @Park Life (5/23)
Friday, 23 May 2014 09:22

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Jacob Magraw will be showing embroidery pieces on cloth along with painted, gouache works on paper --- Rachell Sumpter paints scenes of colored splendor dropped into scenes of desolate wilderness. ~show details

park_life

 

NYPD told to carry spray paint to cover graffiti
Wednesday, 21 May 2014 10:37

nyc_graffitiNYC --- A new graffiti abatement program put forth by the police commissioner has beat cops carrying cans of spray paint to fill in and cover graffiti artists work in an effort to clean up the city --> Many cops are thinking it's a waste of resources, but we're waiting to see someone make a project of it. Maybe instructions for the cops on where to fill-in?

The NYPD is arming its cops with cans of spray paint and giving them art-class-style lessons to tackle the scourge of urban graffiti, The Post has learned.

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//////////
Wednesday, 16 June 2010 17:39


Headlands Center Fundraiser -6/4/14
Tuesday, 20 May 2014 07:54

SAN FRANCISCO --- The Headlands Center for the Arts is preparing for their largest fundraiser of the year set to go down on June 4th at SOMArts here in the city. Art auction, food, drinks, live music, etc and all for helping to support a great institution up in the Marin Headlands. ~details

ABOUT HEADLANDS
Headlands Center for the Arts provides an unparalleled environment for the creative process and the development of new work and ideas. Through a range of programs for artists and the public, we offer opportunities for reflection, dialogue, and exchange that build understanding and appreciation for the role of art in society.

headlands

 

Congrats, Dudes(ette)
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Just want to say congrats to Fecal Face's Rachel Ralph for graduating from SFAI with her masters in curatorial studies. Also want to congratulate Alex Ziv who also just got his MFA in painting. Also a high five to the talented Mario Ayala who also just graduated from SFAI as well! --- All super talented artists (thinkers), and we're excited to see what the future holds for them!

 

//////////
Wednesday, 25 August 2010 12:50


 

 


 

 

 

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Gator Skater +video

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Ferris Plock Online Show Now Online as of April 25th

5 new wonderful large-scale paintings on wood panel are available. visit: www.ffdg.net


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BANDES DE PUB / STRIP BOX

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AJ Fosik in Tokyo at The Hellion Gallery

Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.


Ferris Plock - Online Show, April 25th

FFDG is pleased to announce an exclusive online show with San Francisco based Ferris Plock opening on Friday, April 25th (12pm Pacific Time) featuring 5 new medium sized acrylic paintings on wood.


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John Felix Arnold III on the Road to NYC

Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.


FRENCH in Melbourne

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Henry Gunderson at Ever Gold, SF

Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.


Mario Wagner @Hashimoto

Mario Wagner (Berkeley) opened his new solo show A Glow that Transfers Creativity last Saturday night at Hashimoto Contemporary in San Francisco.


Serge Gay Jr. @Spoke Art

The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.


NYCHOS Mural on Ashbury and Haight

NYCHOS completed this great new mural on the corner of Haight and Ashbury in San Francisco on Tuesday. Looks Amazing.


Sun Milk in Vienna

With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding


"How To Lose Yourself Completely" by Bryan Schnelle

I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle


Tyler Bewley ~ Recent Works

Some great work from San Francisco based Tyler Bewley.


Kirk Maxson and Alexis Mackenzie at Eleanor Harwood Gallery

While walking our way across San Francisco on Saturday we swung through the opening receptions for Kirk Maxson and Alexis Mackenzie at Eleanor Harwood Gallery in the Mission.


Jeremy Fish Solo Show in Los Angeles

Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.


The Albatross and the Shipping Container

Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.


The Marsh Barge - Traveling the Mississippi River from Minnesota to the Gulf of Mexico

For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.


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