Release from Obey Giant site: Over 100 pieces will go on display at White Walls in a timely new show titled "The Duality of Humanity." The show marks an evolution for the artist, whose unique form of reverse propaganda emerged from the spirit of the punk movement. With this show, Shepard touches upon, but also goes beyond the 'calls to action' against mindless consumerism and war evidenced in previous shows like Nineteeneightyfouria, E Pluribus Venom and Imperfect Union. "The difference between this show and the previous ones is that now the optimism of a potential Obama presidency is in the mix," Shepard said. His recent work reflects his own personal shift towards a new optimism, a direct result of his involvement with, and inspiration by, the powerful political ideals of Barack Obama.

The title of the show, "The Duality of Humanity," is inspired by the peace-sign wearing US soldier in Vietnam, 'Joker,' in Stanley Kubrick's Full Metal Jacket. Fairey sees a strong parallel between the Vietnam war and the Iraq war. Fairey says that this show addresses the "human struggle between good and bad, hope and fear". One of the show's central pieces is a child with a gun in his hand and a flower in his hat. The theme of soldiers and weapons bearing peace signs, or peace signs comprised of military effects, runs through many pieces in the show. Environmental themes also appear in some pieces, illustrating the tenuous balance between our dangerously uncontrolled consumption of non-renewable resources, and our well intentioned eco-concerns. Suffering and hope are seamlessly merged in a visual mash-up that defies expectations and easy answers.

"The Duality of Humanity" includes larger mixed media pieces on canvas and paper that have been covered with carefully collaged ephemera, self-printed patterns and found clippings from printed media. The backgrounds provide a seductive painterly texture and visual subtext, often allowing apropos words and images to bleed through the iconic images printed and painted over them. The multiple layers create a sense of depth, but also bring in temporal elements through preserved newsclippings, historic images and vintage printing effects. It is the images in the foreground, however, that give the work its power. They are crisp and provocative, communicating in a way that is direct and clear.

Arrived at White Walls twenty minutes after the show opened and there was already a small line forming at the front.

Quite a crowd at 7:30pm, and already a line to buy books.

DJ in the back.

Upstairs they were selling prints, which meant another long line. Which was kind of a bummer, because it was hard to see these pieces on wood behind the line. Will have to go back and check them out again, they looked awesome.

All these works on metal were rad, loved them.

Why's everyone looking at the camera, when there's amazing art in front of you??! haha.

By the time I got out of there, which was still pretty early, the lined wrapped around the corner and down the alley.

With every gallery room in White Walls full, this was the most impressive solo show of new work I have ever seen. An absolutely amazing show, a must see - runs through October 4th so go check it out if you haven't already. --- The following additional images taken by Megan Wolfe...

Shepard Fairey

Last Gasp owner getting interviewed.

DJ

{moscomment}