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Home Opening Photos Audrey Kawasaki @Jonathan Levine

Audrey Kawasaki @Jonathan Levine
Written by J.L. Schnabel   
Thursday, 17 December 2009 07:33
Sexy girl oil paintings on cutout wood panel.

Audrey Kawasaki
Hajimari- a prelude
December 12, 2009-January 9, 2010
Jonathan Levine Gallery
529 West 20th Street, N.Y, N.Y

Words and Photos J.L. Schnabel

Audrey Kawasaki in front of Hyakki Yakou (Night Parade)

This past Saturday evening marked the anticipated New York debut solo show, Hajimari-a prelude, of art star Audrey Kawasaki at Jonathan Levine Gallery. Upon being let onto the 9th floor from the elevator, we were greeted by an assortment of people on a tight, buzzing line that wound around the narrow hallways and even up into the stairwell. A few clipboards were being passed around for the print list; an edition of 150 was available for those lucky to have camped out early enough. This kind of fervor is expected when it comes to Kawasaki and her work, who, like her lovely paintings, remained gracious and radiant throughout the evening. The rise and continued success of Kawasaki marks a new breed of artist in the contemporary movement, one whose work and persona are both highly sought after by a diverse audience that bridges the gap between ages, sexes and cultures, as was evident by those who attended her show, some of which were experiencing their first time in a gallery.

Karasu no Jyou (The Bird Queen) oil and graphite on laser cut wood, 30 x 26.5 in

detail of Karasu no Jyou (The Bird Queen)

Migawari (To Give One's Self) oil and graphite on wood, 20 x 16 in

detail of Migawari (To Give One's Self)

The 15 new paintings, all composed on wood with oil and graphite and featuring her signature, obsessive explorations of the female form via sleepy eyed, sexually charged femmes, continues on the contradictory themes of innocence and sexual fruition. The female figure in her work is never named and she repeatedly appears as a sister, twin lover, muse, schoolgirl, an ornamented geisha, a goddess covered in crow feathers, and even once as a boy. This figure has plagued Kawasaki, has been the ghost she has been chasing, panel after panel, year after year. She is an enigma that even the artist can't fully describe and it may be just for this reason that she is so alluring. She is usually seen as the only realized apparition on the spatial plane of the composition, but within the new work, her surroundings have grown more concrete, more narrative, a technique that has added more of a history and culture to the figures, a choice that in part was inspired by Kawasaki's return to her family's homeland in Japan.

Yuuwaku (Allure) oil and graphite on wood, 26 x 20 in

detail of Yuuwaku (Allure)

Mezameru Maeni (Before You Awake) oil and graphite on wood 30 x 30 in.

The titles reflect this hybrid culture as they appear in Japanese and English. Even the faces, with their tender pale glow around the eyes and sensuous lips, appear to have a more defined ethnicity than in her past incarnations. Their hair, bulbous and epic, reveals more drama and ornamentation, setting her in a more esteemed role while in other renderings her loose hair and nude body reveals her vulnerable yet confident persona. These contradictions are nearly always at play; a loose kimono exposes the bare shoulders of one figure while a set of twins fully reveal their nude forms. This speaks to the mysterious nature of the feminine identity, at once both revealing and hidden. In ,Yuugure no Houkago (After School) this theme is fully explored as a fully uniformed school girl stands in front of two figures, one whose anatomy is exposed while the other is reduced to a skeleton.

detail of Mezameru Maeni (Before You Awake)

Asobiba (Playground) oil and graphite on wood 18 x 16 in.

detail of Asobiba (Playground)

intstallation view

Yuugure no Houkago oil and graphite on wood 26.5 x 30 in.

By adding these more narrative elements; coupled with a glowing and pale color palate, the work becomes more substantial, has more of a complex texture that was only hinted at previously. The eternal "she" has found a context, a specific, (yet varied) identity in these new works, even if she is often alone within these landscapes. In this way, the landscape itself is a kind of reveal, a clue as to who "she" is. However, as unexpected and mysterious as her muse, Kawasaki might decide for these additions to dissolve into the wood grain again. For one thing, a very loyal and diverse audience will be waiting, and watching for her next incarnation.

Kazamachi (Waiting) 30 x 30 in.

detail of Kazamachi (Waiting)

Hitorigoto (Solilioquy) oil and graphite on wood 20 x 16 in.

detail of Hitorigoto (Solilioquy)

Tsuri no Ma (Crane's Dance) 24 x 34.5 in

detail of Meisai ( Disguised) oil and graphite on wood, 30 x 30 in

detail of Meisai ( Disguised)

installation view

installation view

installation view

installation view

installation view

artists Buddy Nestor & Paul Romano

Line waiting to meet Audrey

Epic Crowd

{moscomment}

Alison Blickle @NYC's Kravets Wehby Gallery

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Jay Bo at Hamburg's Circle Culture

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NYCHOS @Fifty24SF

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FRENCH in Melbourne

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Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.


Mario Wagner @Hashimoto

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Serge Gay Jr. @Spoke Art

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The Albatross and the Shipping Container

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contact FF

The Death of the Artist—and the Birth of the Creative Entrepreneur
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When works of art become commodities and nothing else, when every endeavor becomes “creative” and everybody “a creative,” then art sinks back to craft and artists back to artisans—a word that, in its adjectival form, at least, is newly popular again. Artisanal pickles, artisanal poems: what’s the difference, after all? So “art” itself may disappear: art as Art, that old high thing. Which—unless, like me, you think we need a vessel for our inner life—is nothing much to mourn.

lead

Hard-working artisan, solitary genius, credentialed professional—the image of the artist has changed radically over the centuries. What if the latest model to emerge means the end of art as we have known it? --continue reading

 

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17_ms

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charlie

 

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tiburonbridge

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###########
 

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park_life

 

NYPD told to carry spray paint to cover graffiti
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//////////
Wednesday, 16 June 2010 17:39


Headlands Center Fundraiser -6/4/14
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SAN FRANCISCO --- The Headlands Center for the Arts is preparing for their largest fundraiser of the year set to go down on June 4th at SOMArts here in the city. Art auction, food, drinks, live music, etc and all for helping to support a great institution up in the Marin Headlands. ~details

ABOUT HEADLANDS
Headlands Center for the Arts provides an unparalleled environment for the creative process and the development of new work and ideas. Through a range of programs for artists and the public, we offer opportunities for reflection, dialogue, and exchange that build understanding and appreciation for the role of art in society.

headlands

 

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//////////
Wednesday, 25 August 2010 12:50


 

 


 

 

 

Alison Blickle @NYC's Kravets Wehby Gallery

Los Angeles based Alison Blickle who showed here in San Francisco at Eleanor Harwood last year (PHOTOS) recently showed new paintings in New York at Kravets Wehby Gallery. Lovely works.


Interview w/ Kevin Earl Taylor

We haven't been featuring many interviews as of late. Let's change that up as we check in with a few local San Francisco artists like Kevin Earl Taylor here whom we studio visited back in 2009 (PHOTOS & VIDEO). It's been awhile, Kevin...


Peter Gronquist @The Shooting Gallery

If you like guns and boobs, head on over to the Shooting Gallery; just don't expect the work to be all cheap ploys and hot chicks. With Make Stuff by Peter Gronquist (Portland) in the main space and Morgan Slade's Snake in the Eagle's Shadow in the project space, there is plenty spectacle to be had, but if you look just beyond it, you might actually get something out of the shows.


Jay Bo at Hamburg's Circle Culture

Berlin based Jay Bo recently held a solo show at Hamburg's Circle Culture featuring some of his most recent paintings. We lvoe his work.


NYCHOS @Fifty24SF

Fifty24SF opened Street Anatomy, a new solo show by Austrian artist Nychos a week ago last Friday night. He's been steadily filling our city with murals over the last year, with one downtown on Geary St. last summer, and new ones both in the Haight and in Oakland within the last few weeks, but it was really great to see his work up close and in such detail.


Gator Skater +video

Nate Milton emailed over this great short Gator Skater which is a follow-up to his Dog Skateboard he emailed to us back in 2011... Any relation to this Gator Skater?


Ferris Plock Online Show Now Online as of April 25th

5 new wonderful large-scale paintings on wood panel are available. visit: www.ffdg.net


ClipODay II: Needles & Pens 11 Years!!

Congrats on our buddies at Needles and Pens on being open and rad for 11 years now. Mission Local did this little short video featuring Breezy giving a little heads up on what Needles and Pens is all about.


BANDES DE PUB / STRIP BOX

In a filmmaker's thinking, we wish more videos were done in this style. Too much editing and music with a lacking in actual content. Just because you can doesn't mean you should.


AJ Fosik in Tokyo at The Hellion Gallery

Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.


Ferris Plock - Online Show, April 25th

FFDG is pleased to announce an exclusive online show with San Francisco based Ferris Plock opening on Friday, April 25th (12pm Pacific Time) featuring 5 new medium sized acrylic paintings on wood.


GOLD BLOOD, MAGIC WEIRDOS

Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.


Jeremy Fish at LA's Mark Moore Gallery

San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.


John Felix Arnold III on the Road to NYC

Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.


FRENCH in Melbourne

London based illustrator FRENCH recently held a show of new works at the Melbourne based Mild Manners


Henry Gunderson at Ever Gold, SF

Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.


Mario Wagner @Hashimoto

Mario Wagner (Berkeley) opened his new solo show A Glow that Transfers Creativity last Saturday night at Hashimoto Contemporary in San Francisco.


Serge Gay Jr. @Spoke Art

The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.


NYCHOS Mural on Ashbury and Haight

NYCHOS completed this great new mural on the corner of Haight and Ashbury in San Francisco on Tuesday. Looks Amazing.


Sun Milk in Vienna

With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding


"How To Lose Yourself Completely" by Bryan Schnelle

I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle


Tyler Bewley ~ Recent Works

Some great work from San Francisco based Tyler Bewley.


Kirk Maxson and Alexis Mackenzie at Eleanor Harwood Gallery

While walking our way across San Francisco on Saturday we swung through the opening receptions for Kirk Maxson and Alexis Mackenzie at Eleanor Harwood Gallery in the Mission.


Jeremy Fish Solo Show in Los Angeles

Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.


The Albatross and the Shipping Container

Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.


The Marsh Barge - Traveling the Mississippi River from Minnesota to the Gulf of Mexico

For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.


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