Japanese artist Mikito Ozeki (b.1976) should team up with San Francisco's Adam5100... Speaking of Adam. You see our studio visit we did with him? Lots of Xacto blades. Don't know how those hands and wrists can put up with it.
As cool as it is to be nostalgic about an artist's past, you don't have to hold onto it. Especially since there are people like C.R. Stecyk creating works in the now with even more punch than they had 30 years ago - a trait that can only be attributed to the character of a true artist. In fact, he's just made a new experimental film named "FIN", that's packed full of the elements of culture and spirit which have always fascinated Stecyk and his fans.
The film will be premiering at H Space Gallery on February 8th and if you think it's going to be a regular old screening, think again - since Stecyk and the creative team at Hurley will be fully transforming the space into an old movie theater. I'm talking a floor to ceiling installation that will be 110% unforgettable. Not to mention that "Fin" will continue to evolve even after its screening - taking on a life as a limited edition clothing run and web series.
If you don't know who C.R. Stecyk is, all you have to do is open up practically any skateboarding magazine and point to any page knowing that what you're seeing wouldn't exist without his vision of how to the capture the radical images and lifestyles that forever inspired our imaginations. From his Dogtown Articles in the 1970's, to his recent exhibit of posters at the Art In The Streets exhibit at MOCA - the man is just unstoppable. And so the film based on the lives of the z-boys he made part of history might have been called Lords Of Dogtown, but Stecyk was and is still most definitely the king.
Future Colors of America
Collaborative works by: Albert Reyes, Matt Furie, & Aiyana Udesen
Opening: Friday, Jan 20th (6-9pm)
FFDG, San Francisco
2277 Mission St.
Future Colors of America formed in 2006 when San Francisco based Aiyana Udesen introduced her boyfriend and artist, Matt Furie, to her long time friend and also a San Francisco Art Institute alumnus, Albert Reyes (Los Angeles). Many hours were spent entertaining each other through visual drawing jokes. Many top-secret drawing techniques were traded. Many mysteries were solved/ created and, to keep the fun rolling, the trio began mailing back and forth unfinished drawings for the other(s) to complete. This routine of postal collaboration has led to approximately twenty-million pieces of art on mat board, bristol board, or book covers, depending on which artist started the work. For this show F.C.A. will be showing over one hundred new pieces with an emphasis on horror, Lindsay Lohan, and naked ladies. The first iteration of F.C.A. was showcased at Giant Robot in 2009 and the second at FFDG, July 2010. This is the third F.C.A. exhibition.
...a DIY sensibility, illustrative aesthetic, and fuck-all attitude who's charmingly hilarious pop commentary is indicative of something we don't feel comfortable defining, but goddammit, we like it... via Hi-Fructose
--- From Hi Fructose July, 2010 - The central hubs of, what we here at Hi-Fructose have decided to go with "New Contemporary Art", have always found identity and definition in their unique voices, locales, and perspective. For New York, many would point to the origins in train bombing and popularization of modern graffiti, for those in sunny Southern California one could reasonably identify the rise of the pop-surrealism masters, and for San Francisco it is the glory days of the late '90s and early aughts that has captivated museums, art historians, and the blue-chip market. One problem with the umbrella term, "Mission School", however, is that while McGee and Kilgallen were busy defining their own movement, the next generation of artists with a uniquely San Franciscan aesthetic were busy cutting class, revisiting A-HA, and in general, "missin' school".
For a movement to begin, to take shape, and to grow, it all needs, to some degree to occur organically. The shape of a city, the signs of the times, the influences we all are suspect to, come together at the right place and the right time and before you know it, several people are expressing themselves in original, yet similar ways. The Future Colors of America, the trifecta consisting of Albert Reyes (who now lives in LA), Matt Furie, and Aiyana Udesen, have created their own illustrative voice, a worldview who's origins are seemingly found uniquely in San Francisco (Jay Howell, Ferris Plock, and Porous Walker spring to mind as well), that is expressed with a DIY sensibility, illustrative aesthetic, and fuck-all attitude who's charmingly hilarious pop commentary is indicative of something we don't feel comfortable defining, but goddammit, we like it.
The three artists are currently on view at FFDG, and though we for one hope that these truly are the future colors of America, at the very least we'll settle for them being the future colors of the Bay Area.
During the summer of 2011 FFDG was asked to select three San Francisco based artists and bring them to Sao Paulo, Brazil to participate in the third edition of the MCD LAB shows co-curated by Brazil's NOZ.ART (Ana Ferraz, Lucas Ribeiro Pexao and Tristan Rault).
Featuring hand pulled four color silk screen prints, the show opened on July 25, 2011 at Sao Paulo's LOGO Gallery and featured prints from Jeremy Fish (USA), Matt Furie (USA), Aiyana Udesen (USA), Sesper (Brazil/SP), Lucas Cabu (Brazil/SP), Fabio Bitao (Brazil/SP), Talita Hoffmann (Brazil/Porto Alegre), Anthony Nathan (Brazil/Curitiba), Lucas Torres (Brazil/Belo Horizonte), and Alberto Monteiro (Brazil/Rio de Janeiro).
4 color silk screen. Edition of 150.
Signed and numbered.
4 color silk screen. Edition of 150.
Signed and numbered.
4 color silk screen. Edition of 150.
Signed and numbered.
4 color silk screen. Edition of 150.
Signed and numbered.
San Francisco based painter Charmaine Olivia opens the solo show Ritual at The Shooting Gallery on Saturday (7-11pm). She emailed over a few photos of her work and studio taken by Michael Cuffe. She writes that she's inspired by skulls, glass bottles and messy hair.
We're happy to open FFDG's permanent home (2277 Mission St @19th) in the Mission tonight, Friday (6-9pm), with the print show MCD LAB#3: Fake Sunset that we co-curated with Brazil's NOZ.ART.
We traveled down to Brazil last summer for the opening (pics) at Sao Paulo's Logo Gallery. This will be the U.S. stop as the show traveled througout Brazil this past fall.
3 color silk screen by Jeremy Fish
The show features prints from Jeremy Fish (USA), Matt Furie (USA), Aiyana Udesen (USA), Sesper (Brazil/SP), Lucas Cabu (Brazil/SP), Fabio Bitao (Brazil/SP), Talita Hoffmann (Brazil/Porto Alegre), Anthony Nathan (Brazil/Curitiba), Lucas Torres (Brazil/Belo Horizonte), and Alberto Monteiro (Brazil/Rio de Janeiro).
Australian based King Brown reminds us a lot like us except they don't focus on a webbing like we do but focus their efforts onto that.... um... oh ya, PAPER! A magazine centered on art, design, with a taste of skateboarding. Issue #7 features Geoff McFetridge (cover), Remed, Miss Van, Chali 2na, Aryz, Stacey Rozich, How & Nosm, Kid Zoom, Fabio Bitao, RichT (brown bag), Beastman & more.
Cover: full colour, embossed front and back printed on 70% recycled, chlorine free, carbon neutral paper. Inside: 104 pages, full colour. includes "The Stumblers Inc" 52 page zine, plus RichT outdoor vinyl sticker inserts.
We've been so busy getting our new space together, we haven't made it to many shows this last month. We're lucky enough to have a few images of Portland, Oregon based Mark Warren Jacques show at White Walls running through Saturday here in San Francisco to share.
Besides the show, Mark has a new print Still Dreaming of You available here for $35.
MCD LAB#3: Fake Sunset Opening Fri, Jan 6th (6-9pm)
@FFDG 2277 Mission St @19th
FFDG is pleased to open the co-curated silk screen print show "MCD LAB#3: Fake Sunset" at its new location in the Mission district (2277 Mission St @19th) on Friday, January 6th (6-9pm).
3 color silk screen by Jeremy Fish
During the summer of 2011 FFDG was asked to select three San Francisco based artists and bring them to Sao Paulo, Brazil to participate in the third edition of the MCD LAB shows co-curated by Brazil's NOZ.ART (Ana Ferraz, Lucas Ribeiro Pexao and Tristan Rault). Featuring hand pulled three color silk screen prints, the show opened on July 25, 2011 at Sao Paulo's LOGO Gallery and featured prints from Jeremy Fish (USA), Matt Furie (USA), Aiyana Udesen (USA), Sesper (Brazil/SP), Lucas Cabu (Brazil/SP), Fabio Bitao (Brazil/SP), Talita Hoffmann (Brazil/Porto Alegre), Anthony Nathan (Brazil/Curitiba), Lucas Torres (Brazil/Belo Horizonte), and Alberto Monteiro (Brazil/Rio de Janeiro).
After traveling throughout Brazil during this past Fall, FFDG will host the only US stop for the exhibition on display for 2 weeks with an opening reception Friday, January 6th (6-9pm). San Francisco based artists Jeremy Fish, Matt Furie, Aiyana Udesen along with Brazilian artists and curators Lucas Torres, Ana Ferraz, Lucas Ribeiro Pexao and Tristan Rault will be present. All 10 prints will be for sale framed and unframed. Tecates shall be served.
MCD LAB # 3: Fake Sunset is an ambitious project of art and music, that throughout 2011 will connect different art galleries, artists and players from the creative scene in Brazil. This year's edition is curated by NOZ.ART (Ana Ferraz, Lucas Ribeiro Pexão and Tristan Rault), and FFDG's John Trippe.
The starting point for this experience is a classic image from California, intentionally used in excess, playing with the irony of this cliché figure which influenced much of the world: the gradient sunset, adorned with the silhouettes of palm trees. Images widely used in t-shirt prints, stickers, skateboard decks and surfboards. An icon of the message that emanated from California for decades, just as, in another moment, the subculture of aggressive surfing, illegal skateboarding and hardcore music was "smuggled" beyond U.S. borders. An imaginary with vibrant colors that arrived in Brazil through movies, magazines, records, video clips and even video games to be reproduced by young people, invading even concrete cities where the skyline (and the sunset) are obstructed by buildings.
Fake Sunset seeks a reflection on the influence of the Californian imaginary on Brazilian subcultures. Californian and Brazilian artists were invited to create new silkscreen prints for a group show. The only rules to create the graphics were: the landscape orientation of the paper, and one gradient on the image. Besides that, each artist was free to address their unique point of view about the influence in question, creating a real bridge through the sunset to finally connect these creative communities. All screen prints were produced in Brazil, by the Fullhouse studio. The series of exhibitions opened on July in Sao Paulo and were showed in another 4 Brazilian capitals. Together with the 10 radiant prints, each city had a site-specific artwork, create by one (or more) of the ten artists invited.
=== About FFDG's new Mission location
Last year at this time FFDG (www.ffdg.net) was located in a small storefront on Gough St at Market St in a slightly desolate location. In March of last year, FFDG moved to a larger space in the heart of the Lower Haight next to Upper Playground and were just getting settled when on Sept 27th a four alarm fire tore through the top floor of the building. Massive amounts of water soaked the entire building ruining everything including FFDG's space. After gathering their damp things, to continue their schedule while searching for a new home, FFDG temporarily located to Clement St in San Francisco's Inner Richmond. After only searching a couple weeks, FFDG found their new 700 square foot home on bustling Mission Street just walking distance to some of the best restaurants and bars in the city. "I love being over here", says owner John Trippe. "It's great to be in the heart of such a dynamic neighborhood. I mean, we're across the street from the 2nd best new restaurant in the US", he says referring to Mission Chinese which was recently voted by Bon Appetit as the US's 2nd best new eatery. "It's one of the best culturally diverse neighborhoods in the city and we're so happy to be here". FFDG opens their first show "MCD LAB#3: Fake Sunset" on Friday, January 6th (6-9pm).
Douglas Harrison Neill emailed over a few photos from Mr. Brainwash's short run show (through Dec 29th) happening in a 80,000 on La Brea Avenue in Hollywood. We're not fans of his work or the whole goofy thing, but hey, it's the holidays and a slow news day.
Last Thursday I shot Mr Brainwash's preview in LA. Love him or hate him the fact that what he does seems to work (to it's own degree) raises many interesting discussions. -Douglas Harrison Neill
Japanese based Haroshi makes sculptures out of recycled skate decks, and they're pretty darn snazzy.
HUF x Haroshi x DLX Collaboration - HUF partners up with Tokyo-based artist Haroshi and Bay Area skateboard distributor DLX on a limited edition collaboration. Shot at artist Haroshi's studio in Tokyo by Shinto God, cut by Martin Reigel. Available January 2012.
I'm not sure how many people are lucky enough to have The San Francisco Giants 3 World Series trophies put on display at their work for the company's employees to enjoy during their lunch break, but that's what happened the other day at Deluxe. So great.
SF skateboarding icons Jake Phelps, Mickey Reyes, and Tommy Guerrero with the 3 SF Giants World Series Trophies
When works of art become commodities and nothing else, when every endeavor becomes “creative” and everybody “a creative,” then art sinks back to craft and artists back to artisans—a word that, in its adjectival form, at least, is newly popular again. Artisanal pickles, artisanal poems: what’s the difference, after all? So “art” itself may disappear: art as Art, that old high thing. Which—unless, like me, you think we need a vessel for our inner life—is nothing much to mourn.
Hard-working artisan, solitary genius, credentialed professional—the image of the artist has changed radically over the centuries. What if the latest model to emerge means the end of art as we have known it? --continue reading
"Six Degrees" opens tonight, Friday Jan 16th (7-10pm) at FFDG in San Francisco. ~Group show featuring: Brett Amory, John Felix Arnold III, Mario Ayala, Mariel Bayona, Ryan Beavers, Jud Bergeron, Chris Burch, Ryan De La Hoz, Martin Machado, Jess Mudgett, Meryl Pataky, Lucien Shapiro, Mike Shine, Minka Sicklinger, Nicomi Nix Turner, and Alex Ziv.
"[Satire] is important because it brings out the flaws we all have and throws them up on the screen of another person," said Turner. “How they react sort of shows how important that really is.” Later, he added, "Charlie took a hit for everybody." -read on
Jacob Magraw will be showing embroidery pieces on cloth along with painted, gouache works on paper --- Rachell Sumpter paints scenes of colored splendor dropped into scenes of desolate wilderness. ~show details
NYC --- A new graffiti abatement program put forth by the police commissioner has beat cops carrying cans of spray paint to fill in and cover graffiti artists work in an effort to clean up the city --> Many cops are thinking it's a waste of resources, but we're waiting to see someone make a project of it. Maybe instructions for the cops on where to fill-in?
The NYPD is arming its cops with cans of spray paint and giving them art-class-style lessons to tackle the scourge of urban graffiti, The Post has learned.
Shootings are on the rise across the city, but the directive from Police Headquarters is to hunt down street art and cover it with black, red and white spray paint, sources said... READ ON
SAN FRANCISCO --- The Headlands Center for the Arts is preparing for their largest fundraiser of the year set to go down on June 4th at SOMArts here in the city. Art auction, food, drinks, live music, etc and all for helping to support a great institution up in the Marin Headlands. ~details
ABOUT HEADLANDS Headlands Center for the Arts provides an unparalleled environment for the creative process and the development of new work and ideas. Through a range of programs for artists and the public, we offer opportunities for reflection, dialogue, and exchange that build understanding and appreciation for the role of art in society.
We haven't been featuring many interviews as of late. Let's change that up as we check in with a few local San Francisco artists like Kevin Earl Taylor here whom we studio visited back in 2009 (PHOTOS & VIDEO). It's been awhile, Kevin...
If you like guns and boobs, head on over to the Shooting Gallery; just don't expect the work to be all cheap ploys and hot chicks. With Make Stuff by Peter Gronquist (Portland) in the main space and Morgan Slade's Snake in the Eagle's Shadow in the project space, there is plenty spectacle to be had, but if you look just beyond it, you might actually get something out of the shows.
Fifty24SF opened Street Anatomy, a new solo show by Austrian artist Nychos a week ago last Friday night. He's been steadily filling our city with murals over the last year, with one downtown on Geary St. last summer, and new ones both in the Haight and in Oakland within the last few weeks, but it was really great to see his work up close and in such detail.
Congrats on our buddies at Needles and Pens on being open and rad for 11 years now. Mission Local did this little short video featuring Breezy giving a little heads up on what Needles and Pens is all about.
Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.
Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.
San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.
Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.
Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.
The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.
With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding
I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle
Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.
Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.
For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.
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