Collage artist Lola Dupre emailed over a recent collaboration she did with photographer Jonathan Waiter and artist FiST. First the photo, then Lola cuts multiple photos up for her creation while FiST then does a lil' pen work over it.
Kelsey Brookes recently opened a new show in Maibu, CA entitled Meditations on Symmetry, and the work is amazing. He'll be participating in the group show Cigarettes, Phone Cards, & Hip Hip Clothing opening Friday, April 20th @FFDG. More details on that forthcoming.
The Status Faction [T$F] have been a force of the underground Los Angeles graffiti/street-art scene for the last ten years. And when one of their members moved to Atlanta [GA] they took over that city as well. They are unique in the fact that each one of their paintings usually incorporates some form of performance – like the time they showed up to a party in full swat team gear and then painted a giant wall without anyone's permission. Or, the time they decked out an abandonded house to look like suicide scene and then left the door open for everyone to peek in. For T$F, it's not being the coolest, or the best, it's just about going out every single night, hand pulling every silke-screened poster, pressing spray tips with their fingers, and not being afraid to get grime. T$F is the stand against the computer.
Words & Interview by Daniel Rolnik
Why did you guys start T$F?
During the turn of the millennium, we noticed a lack of Angelenos mixing street art with traditional graffiti. So, we abandoned most of our individual identities as artists to focus on promoting one unified name - The $tatus Faction. The soul of our goal was to form a collective where each member would be a jack-of-all-trades. A crew where everyone could do whatever they wanted, get away with it, be ever changing, and totally unpredictable.
Is that why your work is so diverse?
We strive to make a point of not being pegged as one trick ponies, by constantly reinventing ourselves. We don't want T$F to become a repetitive brand like some of the other crews out there, which are basically t-shirt companies now. So, for us, it's more about putting our hearts into every piece we make and that's why we like it all to have a handmade feel to it. The imperfections and minor differences between each piece are what makes it human.
So none of your work is done digitally?
A big part of our art has to do with the process of physically creating it, which you can't get from pushing a couple buttons on your computer and hitting print. We mean, what would most street artists do if computers were wiped off the Earth? They'd be totally lost.
This Friday, Mar 30th, FFDG will be open till 8pm serving up Tectates and wine as a soft closing party of sorts for Midnight on the Sun featuring works by Mark Whalen (Kill Pixie) & Jay Howell. Come on through, see the show, and have a drink on us.
A while back English photographer Simon Weller stopped in to tell us about his series of photos on South African Barbershops and a forthcoming book on the subject. Often a converted shipping cantainer holds the shop which also acts as a neighborhood community gathering point adjorned with lovely handmade signage. The book, South African Township Barbershops & Salons, is a collection of interviews with proprietors, customers and the sign makers along with the photos to reveal a great deal about South Africa today and the people who live in the townships.
Working from found photographs, Lyle's paintings are created through a reductive painting process where each piece is rendered using only black paint and turpentine. Lyle begins this process by priming a panel with white gesso. He then paints a thin, rich, oily black veneer over the primed panel, slowly and systematically developing his images by removing some of the black paint with a cloth. In doing so, Lyle renders layer upon layer of various values of black paint resulting in his signature-style of luminescent works.
Speaking of FFDG, it's the last week to view Midnight on the Sun featuring works by Jay Howell and Mark Whalen (Kill Pixie). Hours: Wed thru Sat (1-6pm) 2277 Mission St @19th. Stop in and see our new bench/ display. We must say it's a damn good bench as very simple not much to speak of blocky benches are concerned.
I got to work not long after that and decided on a straight forward message to announce my arrival: Arrivee (translation: (I have) Arrived). This piece is also painted next to the front door of a housing project in Vitry, so a fitting word to see when you're stumbling home.
I first arrived to Vitry-Sur-Seine, a suburb slightly outside of Paris. I stayed a few days there with my friend C215 and he took me around to see some of the walls that have been getting painted around town as more and more artists are coming through there. Here are a few pieces spotted from C215, Shida, and Roa, as well as some nice old signage.
The second wall reads Davantage qu'il ne semble (translation: More than it seems). Our eyes complete the letters even though they run off the wall and onto the metal slatted door on the right.
The Brinksman works from Cleon Peterson and When You Get Power with works from Bill McRight opened up at Guererro Gallery last Saturday here in SF and running through April 7th. We planned on getting to the opening but a Friday night beer drinking hangover forced a early retirement from the evening's festivities. In any event, the show looks great. We're going to check it as you should too. Here's a lil' taste.
My name is Chase McBride, I'm a current BFA candidate currently enrolled at The University of Montana in Missoula. I went to school in San Luis Obispo for 3 years before transferring up to Missoula, so I spent a lot of time in the city, and plan on relocating back for grad school in the coming years. I thought I'd send over some of my work for the heck of it. I've attached a few jpegs of my work, which features original poetry, some of which was written in SF.
San Francisco, April 2011 (Installation View) - Installation featuring an original poem written in gouache on the gallery wall. Found Chair.
Untitled (Large Circle Diagram) - Acrylic, Stain, Gel Medium, Panel 48 x 48 2011
Bent Canvas Triptych (view 2) - A painting / sculpture piece utilizing manipulated built wooden panels. The piece is almost 9 feet across and 3 feet high.
Based on the Garfield project I am doing, they feature pop icon Garfield ripping up iconic imagery. Some may say that they are critiques on lazy America and repetitive shallow pop art destroying art, but who am I? Brian Sewell? ;)
There are two designs, available in A1 & A2 and are in a lovely neon orange (orange being the colour of garfield). They are signed by me and delivery is included in the price (A1 £10 A2 £7.50). They are shipped in sturdy tubes and are not folded. More info and pictures on www.timhead.com -Tim Head
2012 was the first year of the LA Zine Fest and it was insane! When I met with the team organizing it 6 months ago we were all talking about how sick it would be if only 200 people showed up. So, you can imagine our surprise when close to (if not over) 3,000 visitors walked through the upstairs of the Last Bookstore where the event was taking place. Almost every exhibitor sold out of at least one title - like my tablemates Brass Tacks Press (thanks for the pizza bro's!) and my friend and fellow FecalFace contributor Michael C. Hsiung.
Luckily, the crowd was peaceful, kind, and extremely awkward. Otherwise, I don't know, it wouldn't have felt right. However, the main attraction of the day, besides all the wonderfully weird and creative people, was when Henry Rollins did an extremely in-depth Q&A with legendary punk rock zine man V. Vale. The discussion got really nerdly, really fast, but the crowd was still glued to every word exchanged between the two.
The girls who organized the LA Zine Fest did such a fantastic job at making everyone taking part feel like family and everyone walking around feel accepted. They even put together a library, where folks uncomfortable with reading zines in front of their makers could check each one out, pressure-free, and then purchase them without even having time to blush. And it's because of their attention to detail that such a diverse crowd showed up – from families to an old man who claimed to have a grandson named Daniel and then took 20 of my pins. I don't have a grudge against him though, they were free anyways – I just want to know what he actually did with all of them. -Daniel Rolnik
Brooklyn based painter Hiro Kurata emailed over some recent work. Have been a fan for years as he mixes scenes of allegorical mythologies using descriptive folk art with motif of baseball figures and equipments.
Sydney based Scott Marr emailed over some recent works which he creates through pyrography, the process of burning wood or other materials with a heated poker. All the colors in the works below have been collected in nature and processed by Marr... Very natural style.
Pyrography and natural pigments on ply.,
29.5 by 30.5 cm
Pyrography and natural pigments on ply.,
29.5 by 30.5 cm
Pyrography and natural pigments on ply.,
29.5 by 30.5 cm
Pyrography is the practice of burning an image onto a surface, using specially designed tools. I work mostly on paper but I also enjoy working with wood.
The pigments I use are all handmade from natural materials, most of which I collect from the bush near my home, the roadside, the garden and sometimes even the kitchen. Some of my favourite raw materials include ochres, sap, flowers, bark, leaves, coffee beans and berries. Part of my processing technique is to add natural mordants (fixatives), preservatives and binding substances.
I'm not sure how many people are lucky enough to have The San Francisco Giants 3 World Series trophies put on display at their work for the company's employees to enjoy during their lunch break, but that's what happened the other day at Deluxe. So great.
SF skateboarding icons Jake Phelps, Mickey Reyes, and Tommy Guerrero with the 3 SF Giants World Series Trophies
When works of art become commodities and nothing else, when every endeavor becomes “creative” and everybody “a creative,” then art sinks back to craft and artists back to artisans—a word that, in its adjectival form, at least, is newly popular again. Artisanal pickles, artisanal poems: what’s the difference, after all? So “art” itself may disappear: art as Art, that old high thing. Which—unless, like me, you think we need a vessel for our inner life—is nothing much to mourn.
Hard-working artisan, solitary genius, credentialed professional—the image of the artist has changed radically over the centuries. What if the latest model to emerge means the end of art as we have known it? --continue reading
"Six Degrees" opens tonight, Friday Jan 16th (7-10pm) at FFDG in San Francisco. ~Group show featuring: Brett Amory, John Felix Arnold III, Mario Ayala, Mariel Bayona, Ryan Beavers, Jud Bergeron, Chris Burch, Ryan De La Hoz, Martin Machado, Jess Mudgett, Meryl Pataky, Lucien Shapiro, Mike Shine, Minka Sicklinger, Nicomi Nix Turner, and Alex Ziv.
"[Satire] is important because it brings out the flaws we all have and throws them up on the screen of another person," said Turner. “How they react sort of shows how important that really is.” Later, he added, "Charlie took a hit for everybody." -read on
Jacob Magraw will be showing embroidery pieces on cloth along with painted, gouache works on paper --- Rachell Sumpter paints scenes of colored splendor dropped into scenes of desolate wilderness. ~show details
NYC --- A new graffiti abatement program put forth by the police commissioner has beat cops carrying cans of spray paint to fill in and cover graffiti artists work in an effort to clean up the city --> Many cops are thinking it's a waste of resources, but we're waiting to see someone make a project of it. Maybe instructions for the cops on where to fill-in?
The NYPD is arming its cops with cans of spray paint and giving them art-class-style lessons to tackle the scourge of urban graffiti, The Post has learned.
Shootings are on the rise across the city, but the directive from Police Headquarters is to hunt down street art and cover it with black, red and white spray paint, sources said... READ ON
SAN FRANCISCO --- The Headlands Center for the Arts is preparing for their largest fundraiser of the year set to go down on June 4th at SOMArts here in the city. Art auction, food, drinks, live music, etc and all for helping to support a great institution up in the Marin Headlands. ~details
ABOUT HEADLANDS Headlands Center for the Arts provides an unparalleled environment for the creative process and the development of new work and ideas. Through a range of programs for artists and the public, we offer opportunities for reflection, dialogue, and exchange that build understanding and appreciation for the role of art in society.
We haven't been featuring many interviews as of late. Let's change that up as we check in with a few local San Francisco artists like Kevin Earl Taylor here whom we studio visited back in 2009 (PHOTOS & VIDEO). It's been awhile, Kevin...
If you like guns and boobs, head on over to the Shooting Gallery; just don't expect the work to be all cheap ploys and hot chicks. With Make Stuff by Peter Gronquist (Portland) in the main space and Morgan Slade's Snake in the Eagle's Shadow in the project space, there is plenty spectacle to be had, but if you look just beyond it, you might actually get something out of the shows.
Fifty24SF opened Street Anatomy, a new solo show by Austrian artist Nychos a week ago last Friday night. He's been steadily filling our city with murals over the last year, with one downtown on Geary St. last summer, and new ones both in the Haight and in Oakland within the last few weeks, but it was really great to see his work up close and in such detail.
Congrats on our buddies at Needles and Pens on being open and rad for 11 years now. Mission Local did this little short video featuring Breezy giving a little heads up on what Needles and Pens is all about.
Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.
Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.
San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.
Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.
Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.
The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.
With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding
I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle
Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.
Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.
For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.
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