Via Wiki: Gary Baseman (born 1960) is a contemporary artist who works in various creative fields, including illustration, fine art, toy design, and animation. He is the creator of the Emmy-winning ABC/Disney cartoon series, Teacher’s Pet, and the artistic designer of Cranium, a popular board game. Baseman’s aesthetic combines iconic pop art images, pre- and post-war vintage motifs, cross-cultural mythology and literary and psychological archetypes. He is noted for his playful, devious and cleverly named creatures, which recur throughout his body of work.
Interview By: Daniel Rolnik - daniel[at]fecalface.com
How hands on were you with the actual animation of “Teacher’s Pet?”
I was the creator, executive producer and production designer on “Teacher’s Pet.”
During the series and the feature film, I was there every day working with my wonderful crew. Originally, I drew and painted the original characters, backgrounds, etc., to establish the look and feel of the series. Then I oversaw my amazing team of artists to follow and execute the episodes. I worked closely with my director Tim Bjorklund who wanted to make sure the series looked like my hand-painted work, so all the backgrounds were painted on canvas. Tim was an amazing animator. I am not an animator. Our storyboard artists, timing directors, etc. created a template and we sent them oversees to our talented animation studios, who would sent over rough animation. We edited, recorded, and produced music and dialogue here in the States. Does that answer your question?
How does an artist pitch a cartoon to a network?
When I started back in the ‘90s, Nickelodeon actually came to me asking if I had any interesting ideas for an animation series. I lied and said yes, then came up with a dozen ideas to pitch. We actually made two fully animated pilots for the same series “Louie n Louie,” but unfortunately, they weren’t picked up. Then I did decided at that point (after doing well in illustration) that I would concentrate on pitching for TV shows and moved back to LA from New York, where I got an agent who got me meetings with TV executives. How do you pitch a series? You sing and dance and put your heart on your sleeve. Cartwheels help too.
What’s your favorite weird movie?
Does it have to have “weird” in the title? Is “Memento” weird? I love that movie. I love how it is set up and how it is played out. I often feel like the main character in Memento.
Do you often sketch out everything you are going to paint ahead of time or do you leave room for improvisation?
No. I don’t like to sketch things out. I need to feel spontaneous, vulnerable, and organic when I create. The last thing I want to do is work everything out and just follow through. That said, I draw in my sketchbook all the time. I work through my themes in my sketchbooks, but I only use them as an emotional template. So I put ideas down and see what stays with me. But I don’t usually paint those images directly on canvas. In fact, I have about 50 sketchbooks that have been archived recently, made since I moved back to LA in 1997.
5 years ago we first learned of Josh Keyes work - not sure how, but when we saw it, we loved it. A studio visit later and we were certain. Josh's work is brilliant, precise, thoughtful and timely. We've kept up with his successful career, showing across the US and beyond, as the years passed. He's a master in his own time, and we're very pleased to open his solo show Magician's Garden @FFDG on April 7th (7-10pm). If you're unaware, here's a little taste to fill you in on what you've been missing.
Writhing - 30"x40"
Writhing (detail) - 30"x40"
What can viewers expect from your upcoming show at FFDG in San Francisco opening April 7th?
The four new paintings and graphite drawings I am working on for the show touch in a satirical way on the delicate and controversial subject of genetically enhanced and modified plants and organisms. The subject raises serious issues about the long term implications of corporate modified products intended to both enhance and streamline products designated for mass consumption. Monsanto along with other companies are producing both products and organisms that have already been introduced into the environment and are causing major disturbances in ecosystems worldwide. The fear is that these genetically engineered plants and organisms will have a devastating and irreversible effect on the natural balance in these living systems. I have taken a few of these ideas to an eco-surrealist and absurdist extreme.
Waking - 30"x40"
Your work obviously focuses on the juxtaposition of the decay of modern society/ its potential demise and the animal world. What are your feelings toward our society as of now? Do you foresee a collapse? Are you frightened or concerned about an environmental or man made end of our societies and/ or man?
I have mixed feelings about the state of the world and our future. The balance between our ability to sustain or destroy all life on Earth is a condition and mindset we have adapted to since the invention of the atomic bomb, and now with the threat of catastrophic oil spills and what has become very clear the dangers of nuclear power. I think the crisis in Japan though originally caused by the tsunami is a loud awakening that there are certain technologies that we are still learning to control, and in this case it seems clear that we should step away from the path to reliance on nuclear power. At the root is the power of corporations, driven by profit and not by that which is both good for the environment and in this instance safe for all living organisms. The film Gas Land touches on this very well. I am speaking about alternative environmentally safe sources for generating power, like solar, wind, and water. I have serious doubts if we will see this kind if change happen in the US anytime soon, as we are witnessing the rise of the right wing and the growing influence of the tea party movement, and the fall of the power of individuals and the rights of unions. I am terrified, just today the federal funding for NPR was cut, all I can do is try to pay attention, be active where and when I can, and vote. Though they make me mad as hell, I do find listening to progressive left wing radio stations both liberating and encouraging, and that there is a large majority of people out there who want to see a real change in this country and not towards the extremist right.
Getting back to the point, in reality the world will die with the sun, I am sure by then we will have found another planet or two to call our new home. In the meantime, with the environmental crisis escalating and civil wars breaking out all over it feels like the world is having a mid life crisis. This could just be the fact that the Internet and viral sharing of information is at a level the world has never seen or witnessed before. The ripple effect is stronger now than ever before, its like the video footage of birds swarming and flying in undulating masses, that’s a metaphor for the virtual world mind, it flows and moves and is directed by emotion. It’s the cerebral cortex of the world, and its beautiful, seeing the exchange of information and thoughts on a global level gives me hope. Except for the viral buzz surrounding Charlie Sheen, someone should help him unplug and get onto the therapists couch. So when a catastrophe occurs we are virtually enveloped by it, it is amplified and then the news stations quickly turn it into a Hollywood production and mythologize it. This is the structure of how future events will play out in the public sphere. I find it interesting to compare different news stations and study how they deliver and filter the same information. That is why again with the attempted muffling of NPR we cannot allow FOX News to emerge as the sole source of world news. I tend to listen to a lot of audio books while I work and have been turning more and more Orwell, Aldous Huxley, and Naomi Klein and others who address issues of the adverse effects of the balance of power related to profit, progress and production. At the moment I am both horrified and ecstatic about the events in the world, revolutions, uprisings, natural and man made disasters, on and on. I keep waiting for a moment to catch my breath but I think those days are gone. I am however hopeful on the level of the green movement, and civil, and workers rights, there is a sense of coming together on a global level, and it will be interesting to see if the human population can organize and work together to influence and change the way certain governments and corporations operate to serve the interest of the many instead of an elite minority.
For those of you who claim size doesn't matter, you obviously have never met or seen the art of our latest Fecal Face feature, Jorge Rodriguez Gerada. He steadily gained momentum over the years both in the scale of his work and clarity of his craft. Originally from Cuba he relocated to the United States as a toddler. After a no doubtingly interesting and fascinating childhood he began taking his art causes to the streets.
It was in the early 90's with the art crew Artfux and Ron English, when he began crushing the streets, modifying street signs, developing "slap in the face" billboard campaigns, and using his art as a tool for the social consciousness and awareness. Since his pioneering days Jorge Rodriguez Gerada has expanded his artistic horizons, his geography and his ability to go big with incredibly photo realistic illustration on walls, streets and whatever medium he can get his hands on around the world.
In the words of a true poet Gerada says; "Charcoal fades away and becomes a memory, like the warmth after an embrace". With that in mind, Fecal Face is proud to bring you the boundless art and ideals of Jorge Rodriguez Gerada. - Manuel Bello
“Identity/David/London” 24’ x 16’ London England 2009
Tell us a little bit about your personal and artistic background.
I come from a Cuban exile family that moved to the States when I was three years old. I grew up in North Plainfield, New Jersey and moved into Manhattan when I was 19. I became one of the founders of the New York City culture jamming movement with the group Artfux. We were altering a lot of billboards and did a good amount of guerrilla art actions. By 1997 I stopped working with collectives and started to experiment more with urban semiotics by altering street signs as well. In May of that year I was interviewed by Naomi Klein for a Village Voice article that was later included in her book “No Logo”. Unlike my previous direction, I was purposely avoiding names and logos that have been engraved in society through advertising. I became disillusioned with the culture jamming movement because some of the major players involved at the time began using it as a stylistic device for personal media attention. It became apparent that it was just part of their marketing plan to sell a clothing line or toy line later in their careers.
“Terrestrial/Expectation” 340’ x 260’ Barcelona Spain 2008
“Identity/Tina/Ljubljana” 52’ x 30’ Ljubljana Slovania 2009
Wasn't going to write an intro for Ron English because if you're here at Fecal Face you should already be well aware of this iconic artist. If you need to know, read his bio below.
Thanks to Daniel Rolnik (danielrolnik[at]@gmail.com) for conducting this great interview for Fecal Face.
One of the most prolific and recognizable artists alive today, Ron English has bombed the global landscape with unforgettable images, on the street, in museums, in movies, books and television. English coined the term POPaganda to describe his signature mash-up of high and low cultural touchstones, from superhero mythology to totems of art history, populated with his vast and constantly growing arsenal of original characters, including MC Supersized, the obese fast-food mascot featured in the hit movie “Supersize Me,” and Abraham Obama, the fusion of America’s 16th and 44th Presidents, an image widely discussed in the media as directly impacting the 2008 election. Other characters carousing through English’s art, in paintings, billboards, and sculpture include three-eyed rabbits, udderly delicious cowgirls and grinning skulls, blending stunning visuals with the bitingly humorous undertones of America’s Premier Pop Iconoclast.
How do you teach yourself other artist’s techniques?
Trial and error. I had a gig painting landscapes a long time ago at one of those production houses where they taught me a lot of techniques. I also worked for a few different artists, so I had to learn how to mimic their styles.
What artists did you work for?
I did some paintings for Rohhny Decone, Larry Rivers, Marcus Darvy. When I first moved to New York in the 80’s I was a ghost painter. Yeah, it’s a good job to work and you get paid.
Was it frustrating to be a ghost painter because people wouldn’t actually know it was you who was the painter?
Oh yeah. It’s funny because I always get what I wish for, but it’s kind of like the old genie in a bottle thing – I wish that I could have people see all my paintings and the paintings I would make [for those artists] would end up in museums, it’s true. I always forgot to ask “could I sign them” but it’s not really your thing. It’s like if you go on tour with the Rolling Stones and you’re the bass player, you’re not really in the band and you don’t think you’re in the band –maybe after 30 years or so you think you’re in the band like Ron Wood [guitar]. It’s funny because it’s someone else’s art, they’ve built their own language, and if you went to art school there’s a certain amount of that stuff that you can just do. Their art was more about their concepts and I did it because I wanted to learn a lot of techniques.
Would you purposefully choose to work with certain painters whose style your wanted to learn?
Well Mark was probably the ultimate situation because initially there were only 3 other painters working with me, but later there were like 40. Guys were coming in from Russia and Poland, people who were trained as master painters and knew all the technique. And even from day one Clark Decarro was a classically trained painter from Canada, so he showed me how to make glazes, but it’s interesting to do something with someone sitting right next to you and where you can say “Why is this not working” and they’ll be respond by saying “here’s what you’re doing wrong”. They’re all there with you and I think that’s the best learning environment - when you can’t overcome something and there’s someone to show you how to do it right there. There are always bumps in the road, eventually you can figure it out on your own, you can read books, there are a lot of things you can do. If you want to get somewhere you’re going to get there, but it’s always nice to have a set of directions.
Do you have assistants help you with your paintings?
I have two assistants. One assistant comes in one day a week and stretches the canvasses and the other guy pretty much does everything - like all those weird houses with the comics all over them that are in the paintings. He puts together the houses and then puts the comic book collages on them and then he’ll set up the shot. When we were at Art Basil last week painting a big mural he took lined up and shook all the spray paint.
It’s kind of like being a surgeon and saying “Hooker Green ASAP” it really allows you to move like a motherfucker because you just reach your hand out and somebody’s putting whatever you’re asking for in your hand instead of you having to find it and shake it.
I mean all that time it takes to do that stuff slows us down and the fact that they are doing all that for us is just amazing.
Do you do anything to your spray paint cans to get them to behave in a certain way?
Sometimes they put too much pressure in the cans, so you turn them upside down and relieve some of the pressure. If you turn them upside down it just sprays, it doesn’t release the paint. And, as soon as you’re done spray painting you turn the can upside down so paint wont dry in the tip and ruin it. It’s also good if you want to do fine lines to make the pressure [in the can] super low. You never quit learning, you just don’t.
Do you read books on new painting techniques?
One of my friends learned a lot of his techniques from reading books, but I’m just not much of a reader.
I caught up with Corey earlier this week and asked him a couple questions that hopfully aren’t duplicative and the one question that everyone who has seen it wants to know, “When can we get the DVD?” The film is multi-layered and while skating plays a central role in the film, if was replaced by, let’s say pogo-balling it would not have hurt the main content of the film. Although, it would have been pretty funny to see Steve Olson on a pogo-ball.
I have a film called Machotaildrop that is playing at the SF indie fest.
Where is the film playing?
The screening will be held at the Roxie theater.
Have you been here before?
I have been there a few times. We actually shot a small piece of the film there with Frank Gerwer. Who hopefully knows about the screening. He is a very hard man to get a hold of. Frank if you read this we would love to see you there!
Corey Adams photographed by Isaac Randozzi
I know you are sick of this question but it is all people want to know. When can we get our hands on a DVD of Macho Tail Drop? Or will it be in theaters before that?
Well we are hoping for both. I am learning that getting a film out for people to hold in their hands is a very difficult task when you don’t really own the entire film. Others have there hands involved so we are dealing with higher powers.
Heroes & Villains is a photographic portrait project by the photographers Tatiana Wills and Roman Cho that spotlights a wide array of innovative contemporary artists who drive popular culture today... The subjects include both well recognized and emerging artists within the world of alt comics, street, graffiti, painting and illustration. All the subjects have roots in emergent underground.
Interview by Daniel Rolnik (danielrolnik[at]gmail.com)
Gabrielle Bell by Tatiana Wills + Roman Cho
Mr. Cartoon by Tatiana Wills + Roman Cho
When did you start taking portraits of the artists for Heroes & Villains?
The Heroes & Villains project got started in Los Angeles around 2005. Roman Cho (my co-photographer) and I knew it would be a long-term project and turn into a book, but we weren’t quite sure who would be in it. We just knew who the first people would be and it just kind of snowballed from there.
I was photographing a lot of street artists prior to the project because they were friends of my husband, who was an avid collector of Sheppard Fairey’s work. I’d go with the artists on their missions and because my husband knew them they didn’t put up too much of a stink about me being there. I went to their houses, hung out, took some photos, and it developed into where I gained their trust and was able to take their portraits. Because the street-artists didn’t want their identity revealed, I would always reassure them I was just taking portraits for a personal project and I was going to keep them to myself for now.
As time went on, Roman Cho and I were looking for personal work to do because I wanted to shoot more portraits but couldn’t find the time. Roman was assisting photographers and I was a pretty busy lady working full time at a day job as well as freelancing. We had worked together before when I was at an ad agency and we complimented each other’s strengths and weaknesses. We felt that working with another photographer would motivate us more to finish the project. He initially thought of photographing comic book artists to compliment my portraits of street-artists, but we started to notice there was an overlap between the styles that was indefinable.
Like David Choe?
And Travis Miller, Jordan Crane... it was LA, it was a particular niche of artists all hanging out and doing their thing.
I actually ended up working with David Choe for a very brief time. He had a comic book for sale at an ice cream shop that I used to take my daughter to. My husband and I bought it and brought it back to the agency where we worked. The creative director loved it and hired Choe to illustrate something. I don’t know if he ended up working with them much more than a day. It was most likely his first and last foray working for the man. That was in 2004, a really interesting time because street-art was getting co-opted by movie studios who were trying to do subversive ad campaigns. It became pretty clear that the street-art movement was starting to get a lot more attention. I certainly wasn’t there at the beginning of any of this happening, but I was for sure at the right place at the right time to explore it to the fullest.
Fresh off his first solo show in NYC, 'THIS CITY WILL EAT ME ALIVE', this Australian transplant and aerosol wizard, Kid Zoom, answers a few our questions to get a lil' better perspective on how this young talent ticks.
Ron English called him Rembrandt with a Spray Can... He's damn talented.
How has the transition to NYC from Australia been so far? How long have you been in the States?
I moved over in May. The transition has been amazing, the winter is taking a little adjusting, but it's been a great experience, I feel really at home in New York.
Why are Australians so cool?
We have a culturally ingrained system of ego destruction called tall poppy syndrome, which basically cuts anyone who's head rises above the crowd off at the knees. It helps keep us all pretty down to earth, but it's a blessing and a curse, especially when you're in a creative field.
How do you feel about Ron English giving you such a glowing recommendation? That's got to feel pretty good.
Ron has been someone I've looked up to for a long time and to have him be so supportive of my move to New York and of my work has been amazing and very surreal.
What celebrity's vagina would you like to photograph posed with one of your sculptures?
Very good question!! But somehow I can’t find an answer to this, strange isn't it? It might be the reason that I don't search I just find.
Where's the best surfing spot you've encountered?
For me it is the north coast of Spain, between France and Portugal.
The irregular coastline gives many different kinds of beaches. Every evening I decide the best beach for the next day by looking at the wind and wave forecast. I drive to this beach with my van and the first thing in the morning after waking up is surf. Spain is the only south European country where it is legal to sleep at the beach in your car. I never go to Mundaka though…
How do you convince beautiful women to pose naked?
I don't believe in convincing. I just work with women that like and enjoy to be naked. I’m also interested in wired, non-fashion, non-porn and politically incorrect photos.
Anthony Ausgang is one of the original godfathers of Low Brow art. Most of you
will recognize his recent painting for MGMT’s record cover Congratulations. He is a
master of painting psychedelic cats, and was a trailblazer in artistic method - he was
doing improved art (painting over already famous paintings) well before Banksy and
his reworking of Monet.
Interview by Daniel Rolnik
In life do you prefer to own cats or dogs?
I prefer to own cats since they use a litter box, unlike dogs that need to go out
on “walks”, a process that should be more accurately termed “shits”… Nevertheless, I
appreciate dogs and enjoy their idiotic enthusiasms.
Who is your favorite dub artist to listen to while you paint?
I mostly listen to different online stations so the mixes are always different. These days I
have been listening to Sir Coxson Sound, Twilight Circus, BLOOD, Alien Dread, Yabby
You, Sound Ministry, Mentor Kolectiv, Dublab, just a whole mess of weird stuff. There
are a few strange stations that play “Ethnodub”, a hybrid dub from India and other off
beat places featuring Jahtari Riddum Force, ah Seal, Zomby, Jah Batta & Bullwackies All
Stars, Ustad Sultan Khan & Sunidhi Ch, Kid Gusto, Sanchez Dub and Phat Boy Singh.
You use photoshop to manipulate your sketches before you paint them. Once you
finish your process in photoshop how do you transfer that image onto your canvass?
Are you working with Photoshop CS 5?
First off I just wanna say that I seldom try out color combinations on the computer, I
prefer to work with “real” colors in “real” light. Anyway, I print out the line drawing
then project it onto the canvas with a large opaque projector. I use Photoshop CS5 or CS2
depending on what computer I’m using.
No computer used in the making of her collage; pure scissors, glue and a lot of patience. Intense work from this Glasgow based artist. We love it, and Jessica emailed her a few questions to get some insight into this talent whose works takes on avergage 25 hours to produce... She's also available for commissions. Wink wink.
Tell us a little bit about yourself, Age? Location? Hometown?
Name: Lola Dupre, Age : 28, Location, between several locations in Scotland, my main studio is in Glasgow and I also work and live in two remote studios in the far north of the country.
I consider Glasgow my home town, but I was born in Algeria. And spent my childhood in Paris France and London England.
Have you always created collage-based works? What was your early work like?
I have always created collage, since I was 9 or 10. But I spent most of my teenage years experimenting with papier-mache and this was my real initiation into photomontage. With papier-mache I made 3D forms, the surface of which was composed of many pieces of paper stuck down upon paper. I was always very interested in this accidental photomontage and it led me to my first experiments towards the photomontage style that I do today.
I’m so curious about your process - it looks like you must use multiple prints of the same image. Can you tell us about your process, how long it takes?
Indeed, I use multiple prints of the same image, printed on (typically) A4 and A3 paper. And I also generally print a few different crops of the same image, so that when they are combined in one piece you have several sizes which can be manipulated together.
The process itself of mapping out, and sticking down each individual piece does take a long time, I guess my average working time would be between 20 and 30 hours per image.
Using the right glue, brushes and scissors you can get pretty quick, and with a bit of practice you dont smudge any glue.
If you think of some of Jean-Paul Goude's work with Grace Jones, this is what I do, just with more pieces.
Mark Mulroney opens a solo show at Ever Gold here in SF this Thursday, Dec 2nd. Jamie Alexander from Park Life conducted this short interview which includes a general sampling of Mark's work.
PR: We are proud to announce Mark Mulroney’s second show at Ever Gold Gallery, “I’m Trying Really Hard.” It will be a show of reasonably tasteful works that address contemporary issues such as malnourishment and decorative pumpkin carving --> Mulroney is represented by Mixed Greens Gallery in NYC and Ebersmoore Gallery in Chicago. He has also shown in Copenhagen at V1 Gallery, National Gallery of Art in Warsaw, The San Diego Museum of Contemporary Art, and Park Life in San Francisco --> He currently lives and works out of Rochester, NY.
Buffalo sounds like a really amazing place, how does it inspire
artistically and otherwise?
Buffalo is a fine place indeed but I live in Rochester also known as Rock
City or Smugtown USA, although since the riots in '64 and factories closing
down a lot of that smugness has worn off. Living here has been quite an
adjustment but it has been good for me. I don't see any other artists and
I don't go to any shows. It is pretty hard to get caught up in all the petty
competition when you just sit in your room and work. Also minor league
baseball is the greatest thing ever. My wife and I pack sandwiches and ride
our bikes to the Rochester Redwings games.
Nicks work has been shown publicly in the streets of London in the lead up to the 2012 Olympic Games. He was named in the Design Collectors Top Directors of 2011, and has spoken for the Australia Graphic Design Associations First Five Out conference. Commercially Nick has produced work for major international brands including MTV, Nike, Red Bull, BBC, Monster, Pioneer, L’Oreal & More.
SAN FRANCISCO --- Front man for Thee OhseesJohn Dwyer opens the solo show of pencil drawings in "Landlord Apocalypse" opening Saturday, 12/7 at Needles and Pens (7-10pm) -FULL DETAILS
Listen to our good times '07 interview w/ Dwyer where he speaks of music in Providence, Start of the Coachwhips, Touring, Fighting in Toronto, Drugs, Recording, Favorite Shows, New Ohsees Album, Meric Long, and much much more LISTEN & check his Musical Mix here.
SAN FRANCISCO --- At our home some of our most treasured original artworks were purchased at Creativity Explored where the work is not only loose great folk art styled but was also purchased for a steal with the proceeds going to support the fantastic SF art program which benefits artists with developmental disabilities. Creativity Explored provides a supportive studio environment for artists with developmental disabilities in which they receive individualized instruction from mentoring artists, quality art materials, and professional opportunities to exhibit their work.
Every year Creativity Explored hosts a weekend Holiday Sale where these inexpensive works are even less expensive. A great place to pick up original unique gifts for family and friends... Not only that but their opening receptions are worth getting to. Wine, food, music, etc on Friday. ~FULL DETAILS
We had no idea of all these tunnels throughout San Francisco
In the early '90s my friends and I used to tape flashlights to the handlebars of our bikes and go riding around in underground storm drain tunnels. There was a whole network of these tunnels under the city that sat empty for most of the year. We would go for miles snaking up and down the sides of the tubes, clapping and yelling to see how far our echoes would carry, eventually popping out in some other part of the city covered in cobwebs and bat guano. When the tubes got too small, we laid down on skateboards and kept going. If we found a flooded part, we taped garbage bags around our legs and crossed our fingers. -READ ON
Michael Coley who runs Belly Kids emailed to let us know of his latest... Hell Yeah! (a WWF colouring book!) <-- "The most electrifying book in sports entertainment. It's our dedication to the best baby faces and the most hated heels of WWF wrestling. Think Macho Man Randy Savage, DX, Hacksaw Jim Duggan, Mankind, The Rock, Chyna and many others!" [PREVIEW]
Give the gift of coloring book. Kids young and old can get down with some quality time of staying inside the lines... or hell, be a Charlie and break out of the boundaries! 7 Euro dollars here.
SAN FRANCISCO --- SOEX will open their juried show This Will Never Work this Friday, Nov 22nd (7-10pm) featuring works by Northern California based artists w/ the theme this year: crazy experiments, doomed plans and quixotic dreams
This annual exhibition has become the premier showcase of contemporary artwork by promising local talent. Each year a different theme is selected to inspire and encourage a broad level of artistic expression. This year’s exhibition sought crazy experiments, doomed plans and quixotic dreams. All ideas and forms were considered. -complete show details
11/20 Update: After 2 trips to the Apple store with them installing 2 new batteries and restoring the phone, it was determined there was "something" wrong with the phone and I had to buy a "new"/ same 4s phone since I wasn't eligible for an upgrade. In any case, be warned about that 7.0.4 update if you have a 4s. I'm sticking with 7.0.2 on this "new" phone.
Everyone has had or knows of someone who's had a an IPhone explode on them through one of their wonderful IOS updates. Well, add us to the list, because after updating to their recent 7.0.4 our IPhone 4s stopped charging even though the icon on the phone indicated it was charging... and after being on the charger all night, the battery drained to zero, and now the wonderful device won't boot up at all and is now a very expensive waste of space.
If you're considering updating your phone, do so with caution, and if you have any solutions for us, we'd sure to be happy to hear them. Got a hot date with the Apple staff tonight which we're sure will end with them telling us to buy a new phone... Wonderful.
Here's the second part of my comprehensive photo coverage from Berlin and this time around you'll find shots of new window installations by Ron English, Know Hope, Erik Jones, Lucy McLauchlan, Strok and others (which is now on display in the same building as Rone painted).
As a part of "project M" (curated by Strychinin Gallery), Melbourne Artist and part of the Everfresh collective RONE has painted the largest wall he has ever attempted, three massive images on the top three stories of a five-story building at Nollendorfplatz in Berlin. It took Rone five days to paint this excellent work.
David Choong Lee, Mario Martinez, Damon Soule, Eric Otto and others were commissioned by the Hyatt (345 Stockton St) here in San Francisco to create some beautiful works to adorn their hotel bar, resturant and lobby. If you're down by Union Square stop in, hava drink at the bar and enjoy these great paintings.
NYC based (via Australia) spraypaint whiz kid Ian Strange (Kid Zoom) (interview) held his solo show SUBURBAN last July at the National Gallery of Victoria, Australia (video). The wonderful show's setup and opening was photographed by Lloyd Stubber for this exclusive photo essay for Fecal Face.
Collage artist Lola Dupre opens a new show of work on Decemeber 5th at Portland's Breeze Block Gallery -- Opening on the same day in the adjoining gallery space, artists Ryan De La Hoz and Russell Leng.
With a thick, impasto finish, Meyer's paintings feel like treasures. As you get lost in the jagged confusion of thick swatches of color, figures emerge in the most subtle ways. The colors are enticing, but these figures are mesmerizing. I could get lost in these canvases for days. Simply, these are some really great paintings and I highly recommend you go see them before the show closes on December 7th.
TORONTO --- The finishing touches have been put on the large-scale, colorful and dynamic public art work by Canadian-born Patrick McNeil along with his art collaborator, Patrick Miller. Collectively known as FAILE, the Brooklyn-based duo designed the football-field-sized mural, located on Bathurst Street between Davenport and St. Clair in the city of Toronto.
Liking on these prints Hive & Nine Eyes by Melbourne based artist/ designer Nick Thomm... Limited Edition of 50 - Printed on 310gsm Hahnemuhle photo rag, mueseum grade archival paper. Each print is hand signed and numbered - available on his website.
I moved home to the Bay Area about 4 years ago and recently had the opportunity to visit New York City for the first time since. Having missed Barry McGee & Raymond Pettibon by a day, I felt lucky to have an old friend clue me into the ICY Signs show when I arrived.
Every have one of those mornings where you start following links and the next thing you know you're watching a news reel clip of the Golden Gate International Exposition of 1939 that was held on the brand new man-made Treasure Island?
Tiffany Bozic's solo show Sense of Wonder is in its final week at San Francisco's FFDG. Before this wonderful show comes to a close, we wanted to ask Bozic about her methodology, lifestyle, influences and generally what makes her tick.
The John Berggruen gallery is beautiful. With floor-to-ceiling windows and a view to downtown, the Thursday night opening of NYC's Julian Lethbridge's new show Paintings was unmistakably a fancy affair. While these incredibly expensive paintings didn't do much for me, I was pleasantly surprised that I caught the Chuck Close show upstairs.
Cartagena takes photographs in Monterrey, Mexico, documenting parts of everyday life there that he sees as depicting "a global issue from a local perspective." In a town that has a relatively new, booming construction market, Cartagena decided to document a side of the day laborers' lives that might not often be seen: the commute to and from work at various construction sites.
Got an email from Emanuele Pizzolorusso, a Helsinki based industrial designer, yesterday to let us know about his latest project Lucetta: a smart set of two small magnetic bicycle lights. Never seen them in person. Have no idea if they're worth a hoot or not, but the concept is pretty interesting and simple. Looks like a great idea to us.
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