Heavily influenced by Japanese woodblocks of the Edo period, Plock will show 20-25 new character portraits featuring imagery of knights with neighborhood-specific armor and flags, all painted with acrylic, house paint, gouache and gold leaf on panel.
Following his solo exhibition "The Collected" at Gallery Wendi Norris, painter Amir H. Fallah is in the throes of developing more new works for upcoming international exhibits. We spent some time in his studio in Highland Park, Los Angeles recently, discussing his process and inspiration.
Amir H. Fallah admits that he's in the studio seven days a week, which is part of the reason he's chosen to build his studio into his home in Los Angeles. Fallah is an incredibly prolific visual artist showing nationally and internationally, and is also the founder and owner of Beautiful Decay, juggling both with incredible dexterity. On the tail end of his very successful and highly reviewed solo exhibition "The Collected" at Gallery Wendi Norris in San Francisco, immediately followed by the opening of "Desaturated Rainbow," a group exhibition he co-curated which opened in NYC at Field Projects, Fallah is back to work without missing a beat. I visited him at his studio on a beautiful sunny day recently to get a behind the scenes view of his process and inspiration.
Fallah is currently working on a number of pieces for a group exhibition at The Third Line in Dubai and several works on paper for another group exhibit in Rotterdam. The exhibition in Dubai is called Arrangement, and he is developing painted and collaged works on paper-mounted-canvas for it that deconstruct and reconfigure flower arrangement. Fallah found himself making these pieces after creating a painting he titled "The Ultimate Mom Painting" in 2009.
He says, "my mom called me up one day and said, 'Can't you just paint me something pretty? Like some flowers or a pond?' She wanted mom art... I made the 7'x5' painting as a joke and halfway through the painting I realized I liked it."
Seeing his work during its developing stages, the dance between abstraction and realism and the spatial tension that Fallah is playing with become clearer. Balancing references to abstract painting, Persian Miniature paintings, Dutch and Flemish still life and graphic design, the works are multidimensional and increasingly textural the closer one looks. --continuing reading
Last Thursday we visited the studio of SFAI graduate painting student Alex Ziv located out in San Francisco's Dog Patch. Inside an old warehouse is SFAI's graduate studios, and within the massive building is Alex's studio space sandwiched between dozens of other students' studios.
Speaking of Jud Bergeron, who has been blogging his Miami trip for Fecal Face the last few days... we thought now would be a good time to feature our studio visit with him we did a couple weeks ago.
On the outskirts of the Mission, amongst motorcycle chop shops and other miscellaneous industrial buildings, Jud occupies a 1000 square foot studio where he casts his sculptures and works on his art projects. With enough room for his welding equipment and hardware, Jud is currently using the space to complete a show which he hopes to open sometime the next year- most likely to be shown in NYC.
We spent about an hour chatting with Jud and picking his brain to learn more about sculpting in metals and how the casting process works. It's a painstakingly slow process at times, but Jud's highly efficient having been working with a blowtorch for over a decade.
Jud in his outter Mission studio space.
Love the tall ceilings, roll up door and inexpensive rent.
Let's start with a few samples of Jud's sculptural work.
San Francisco based painter Kevin Earl Taylor opened a new show of paintings in Hamburg last week at Circle Culture Gallery. He created all the work for the show while staying in Berlin. He emailed over a few pics of his studio while he was creating the show.
We swung through the home and studio of San Francisco based artists Kelly Tunstall and Ferris Plock. The married couple are putting the finishing touches on the work for their upcoming food-centric show Edible Complex opening at FFDG on Friday, June 22nd (7-10pm). We spoke of San Francisco's love affair with food, got into their working practices, saw what makes them tick and how they keep up with their lively 2 year old son, Brixton while enjoying a couple Coronas.
Edible Complex Kelly Tunstall & Ferris Plock
June 22 - July 14, 2012
Opening reception: Friday, June 22nd, 7–10 pm
Your upcoming show at FFDG, opening on June 22nd, focuses a lot on San Francisco's intense food culture. How do you guys, as a family, fit in? Do you eat out a lot?
Ferris: Well... we order a lot of food in... Having a 2 year old with an attention span of 10 seconds means that when we eat out, we often eat
in shifts... We eat a lot in Japantown because our son Brixton really loves to run around there and he loves to eat sushi.
Kelly: We also have a very unique place that we're coming from- being kind of insiders and outsiders of the food bit at this point in our lives. I love so many places, and we've been lucky to be tangentially and directly involved in many efforts.
It's truly a special occasion that we're out for dinner together- and frankly, we're more often grabbing food from a truck at events and
stuff, but yeah- a little more out of the loop than I used to be, so it's interesting to see how eating in the Bay Area has shifted in focus and intensity in just the last five years or so.
Do you think San Franciscans are too focused on food?
Ferris: I think everybody is focused on food because we all die if we don't eat.
However, I feel like I have seen enough photoblogs of peoples' food to last me a life time.
Sometimes I feel like our food culture renaissance is a bit like couture... It is based more on concept and pushing the outrageous and less on consumption. Isn't weird there is a cupcake store downtown that puts cupcakes in its windows to show their outrageous culinary inventions... but no one ever eats them? They all get thrown out?
On a sunny February afternoon, I visited the studio of London based artist Sickboy, as he prepares for his solo exhibition at White Walls Gallery in San Francisco (opening Sat, Mar 17th). Famed for his street art throughout the world, this is Sickboy's debut solo exhibition in the United States. As he continues to paint one of the three canvases currently pinned to the wall, I ask him how he's getting on in the lead up to the show, about his history in street art, and his progression into galleries.
Your show is called 'Wonder Club'. What is the Wonder Club?
It's a few different things to me. I have a lot of crazy dreams, and I wanted to base the work around these dreams, as a personal surrealism. It's given me more room for freestyle. A lot of the content is based on childhood memories and fairytales. There's quite a whimsical theme running throughout.
So do you feel the work for this show is more personal than before?
Definitely. As you move through life you shouldn't lose track of what is important to you. I want to highlight the fun element in my work. A lot of the pieces are made up of drawings from sketch books that I make while having fun; hanging out, eating and drinking with friends.
You told me earlier that you're working seven days a week. With so much preparation to do for the show, how do you balance working between the studio and the street?
I try to make it all roll into one. Painting outside is like an exercise for me. I stay true to my graffiti roots and allow those experiences to fuel the paintings. I'm not knocking the kinds of artists who replicate what they do on canvas in the street, but I'm just kind of more lazy when I paint outside. I do it for the fun. I do it for the experience of hopping over hedges.
I first met Evan when I moved to San Francisco's Mission district from New York City in 2001. Evan, whose work I was not only familiar with but also loved, welcomed me to his home where I got to know him, his family and his studio. I ended up photographing him shortly before he and his wife Shawn moved to Denver Colorado in 2003.
Several years had passed until I took a trip out in both 2009 and 2011 to spend some extended time with Evan and his family, photographing him working in his studio, his home and throughout Denver. I have always loved being a bit of a fly on the wall watching him so methodically make art. There's are real sense of technique and pride in everything he does. These photographs represent my most recent trip to Denver, in Autumn of 2011, where I was fortunate enough to stay in their new guest home on their property, which shares a wall with his studio. It's lovely. I hope you enjoy these photographs of Evan and his world. -Andrew Paynter
So your most recent show in November was at London's Stolen Space where you created works based on buildings and scenes you saw in London. Can you tell us a little bit about the show?
The show in London started with a trip there in June when I wandered all over the city for several days just making observations, shooting photos and trying to get a feel for London. When I make a body of work about a specific place it's important to be there myself, not only to take photos but just to have the experience of what it's like there, the overall feeling of a place. For the rest of the summer and fall I worked on about twenty new pieces based on my trip. The work ranges from pieces that are nearly photorealistic, to other pieces that are a combination of abstract, geometric forms combined with people and elements pulled from the urban environment.
Trying to comprehensively capture London would be nearly impossible, my goal with the show was to offer a glimpse of what London felt like to me as an outsider.
I wanted to avoid showing the most typical, tourist attractions of course. I found myself drawn to the more traditionally working class parts of east and south London that have remnants of post-war industrial buildings, factories, canals, old pubs and such.
Do you travel much? Big fan of London?
I travel out of the country about two or three times a year, and domestically a few times a year. I have a family so I can't be traveling all the time, but I do get out and see a lot of the world. Since I live in Colorado I think it's good for me to travel frequently, I like living in a quiet, easy place but I like to experience things and get inspired. London is pretty fascinating. I love traveling in any really old city. The sense of history, traversing streets where people have been for centuries. In London there is the feeling of all the difficulties that city has had to endure over time and yet it's still there, stronger than ever, it feels important and weighty.
I visited Erik Otto at his studio mid-April, right before he had a group show at the Mallick Williams Gallery (Robin Williams’ Daughter). I was stoked to have the opportunity to check out his studio, learn about his process, and maybe get inspired to paint more myself.
I first met Erik when I was covering a show of his at White Walls for FF and he seemed like a cool dude. Indeed he is cool, and was open to share his artistic practice, thoughts, and philosophies with me. It turns out he went to San Jose State and was involved with the animation department (which my brother is in). He was taught and influenced by Barron Story, and from fellow classmates who went on to have successful careers in the animation industry. Erik deviated away from illustration, choosing to focus on paintings and installations with reclaimed paint and wood as his medium. In our conversation we talked about working with companies, how not to get girls, tree hugging, Barron Story, and why school is cool. I hope you enjoy!
So what’s up with this NY thing, have you shown there before?
I haven't. They’re new, they've only been open since this last fall. It's Robin Williams' first-born daughter I think, along with her husband. The Williams family, little known fact, owns 6 pieces of mine. Since the divorce of his wife he's slowed down buying art and his kids are kinda steppin' in. Hopefully I get to meet him out of this.
Like Miss Doubt Fire, hey!?
Yea! But more like Toys. I used to have Toys and then pause it and sketch everything. It's kinda cool how it has come full circle, someone that influences you, probably more than you know it, and then he likes your work.
Do you do that a lot, stop and sketch from movies? Movies have great compositions.
When I was young, yea. Certain movies it's good compositions all the way through, just pause it anywhere.
Are you pretty busy these days?
After this show I hit the ground running as soon as I return, I'm doing this big commission for RedBull, on top of this piece (the house project installation) which will go live, that’s going to the dump basically (Recology), there's a sculpture garden down there. They do private tours, it's the dump over by Bayshore. I was there almost everyday.
And there is one more, a grant through the SF Arts Commission. Which is cool, all this outdoor alternative exposure stuff right after a super traditional style show. Me being the SF street artist, sort of lowbrow comin' in, who knows how it's gunna be responded to. They were like go easy on the reclaimed wood material, and I'm like that's my whole thing, I don't know how to go easy. You tell that to me and it makes me want to do it even more.
Last night we swung through Jeremy Fish's North Beach studio to have ourselves a look see at his current show before it's crated and shipped out to NYC for the June 23rd opening at Joshua Liner Gallery.
Instead of creating works on what's clicking around in Fish's own head, he gathered a list of artists, skateboarders, rappers, athletes, a stripper, a cop, and a historian whose funny, heartfelt, insanely interesting stories he would record and then illustrate.
The stories run from murder, fights, embarrassing situations, and one focused on a drugged out Keith Haring and some mural drama at a South of Market gay club in the 80s. 30 pieces of work and 30 stories to be heard. The gallery show will feature headphones next to each work where you can hear people like Snoop Dog recount a crazy childhood story involving him pulling a worm out of his pants. Or maybe you wanna hear from Ron English tell a tale from the early Billboard Liberation days.
We'll have more videos next week. In the meantime, let's figure out what's in a hard working artist's fridge... It may surprise you.
I stopped by Rob Minervini's studio in SOMA this week to see where all the magic happens, and I was not let down! His studio is filled with beautiful work. Rob has a show opening up this Saturday, Sunken Dreams, at Gallery Hijinks and in July he will be a part of The Bay Area Now 6 exhibition at YBCA. Below you'll see past works and works in progress for the YBCA show. Can't wait to see the finished pieces! -Ashley Taylor
Tell us a little bit about your personal and artistic background?
I have a mix of a fine art as well as a public art and mural painting background. I’m from the Philadelphia area and recently became a dual Italian / American citizen which I am excited about.
San Francisco stencil artist Adam5100 has a show with Mike Giant opening this Saturday, Dec 11th at The Guerrero Gallery. Last Thursday we swung through Adam's Mission studio to see what he's been up to. The works for the show were at the framers, but he had plenty of goodness for us to take a look at.
Long time Fecal Pal and fellow Ohioan, Tiffany Bozic opens her first NYC solo show Confiding to Strangers November 11th @Joshua Liner Gallery. We stopped by her studio a couple weeks back to have first look at her paintings before they were crated and shipped off across the country. Enjoy the photos and video.
Tiffany is lucky enough to get to travel to parts of the natural world very few ever have. Her husband, Jack, is a scientist who studies small mammals and birds. Africa, Papa New Guinea, far off uninhabited islands in the South Pacific, Tiffany has experienced what few others have... The last couple years of travel are evident in her new works below.
Our buddy and LA based artist Travis Millard visited the studio of childhood friend, Kiel Johnson, whose show opens on September 23rd in NYC @Davidson Contemporary. Kiel is one damn talented/ hardworking artist. This studio visit gives you a little insight into his talents and a look at some his fantastic cardboard works and drawings.
Detail of a large drawing featuring everything that Kiel owns.
by Tiffany Bozic
12" x 16" (image size) giclee print
20" x 16.5" (print size)
printed on acid-free Moab entrada natural 300 gsm
printed at Electric Works
edition of 100
signed by the artist $165 purchased here
Our buddy Jud Bergeron is hosting the small works show Gimcrackery tonight at the wine/ art bar Hotel Biron (7-10pm) featuring an exclusive series of small silk screened prints which expand on the motif of fatherhood. In addition to the prints a survey of ceramic and bronze wall reliefs are presented alongside four large rarely viewed abstract drawings. ~complete details
People associate sailing with Thurston Howell, think it's incredible expensive and only for the rich, but we think this ad does a job well done with why sailing is amazing and worth every little penny it costs.
Hi everyone, I have a new 18 x 24" screen print available now through BLK/MRKT called Tequila Carousel, 5/c edition of 100. It's based off the original painting I did this year of the same name. I hope you enjoy it. -DAVE KINSEY
We did a studio visit with San Francisco artist Martin Machado yesterday which we'll be getting up shortly, but while we're thinking of Martin, have you checked out the blog he did with us last year where he sailed 1000 miles into the Pacific from Mexico to the remote tiny wild Clipperton Atoll? It is for sure one of the most interesting journeys on the site and worthy a read.
Marty in his studio standing next to a piece which will be shown at FFDG this January
Sea turtle 800 miles out into the Pacific from The Clipperton Project journey
PHILLY --- Tod Seelie has been living in and photographing NYC since 1997. He recently published a book of photographs, BRIGHT NIGHTS: Photographs of Another New York. To celebrate, Tod is taking it on the road around the US. He will be presenting his work, talking about his process, and telling stories of what he's been up to over the last decade and half. It will be followed by a Q&A and book signing.
Nicks work has been shown publicly in the streets of London in the lead up to the 2012 Olympic Games. He was named in the Design Collectors Top Directors of 2011, and has spoken for the Australia Graphic Design Associations First Five Out conference. Commercially Nick has produced work for major international brands including MTV, Nike, Red Bull, BBC, Monster, Pioneer, L’Oreal & More.
SAN FRANCISCO --- Front man for Thee OhseesJohn Dwyer opens the solo show of pencil drawings in "Landlord Apocalypse" opening Saturday, 12/7 at Needles and Pens (7-10pm) -FULL DETAILS
Listen to our good times '07 interview w/ Dwyer where he speaks of music in Providence, Start of the Coachwhips, Touring, Fighting in Toronto, Drugs, Recording, Favorite Shows, New Ohsees Album, Meric Long, and much much more LISTEN & check his Musical Mix here.
Mark Whalen opens a solo show in Singapore tonight, Dec 11th at Future Perfect that runs through the weekend. If you're not in Singapore (not sure how many of our readers are) then enjoy his newest works online here.
Last week, Adeline Jeudy owner and curator of Galerie LJ, welcomed myself and a camera to interview Caledonia Curry that everybody knows as Swoon, while she was working setting up her latest solo show "Motherlands".
Here's the second part of my comprehensive photo coverage from Berlin and this time around you'll find shots of new window installations by Ron English, Know Hope, Erik Jones, Lucy McLauchlan, Strok and others (which is now on display in the same building as Rone painted).
As a part of "project M" (curated by Strychinin Gallery), Melbourne Artist and part of the Everfresh collective RONE has painted the largest wall he has ever attempted, three massive images on the top three stories of a five-story building at Nollendorfplatz in Berlin. It took Rone five days to paint this excellent work.
David Choong Lee, Mario Martinez, Damon Soule, Eric Otto and others were commissioned by the Hyatt (345 Stockton St) here in San Francisco to create some beautiful works to adorn their hotel bar, resturant and lobby. If you're down by Union Square stop in, hava drink at the bar and enjoy these great paintings.
NYC based (via Australia) spraypaint whiz kid Ian Strange (Kid Zoom) (interview) held his solo show SUBURBAN last July at the National Gallery of Victoria, Australia (video). The wonderful show's setup and opening was photographed by Lloyd Stubber for this exclusive photo essay for Fecal Face.
Collage artist Lola Dupre opens a new show of work on Decemeber 5th at Portland's Breeze Block Gallery -- Opening on the same day in the adjoining gallery space, artists Ryan De La Hoz and Russell Leng.
With a thick, impasto finish, Meyer's paintings feel like treasures. As you get lost in the jagged confusion of thick swatches of color, figures emerge in the most subtle ways. The colors are enticing, but these figures are mesmerizing. I could get lost in these canvases for days. Simply, these are some really great paintings and I highly recommend you go see them before the show closes on December 7th.
TORONTO --- The finishing touches have been put on the large-scale, colorful and dynamic public art work by Canadian-born Patrick McNeil along with his art collaborator, Patrick Miller. Collectively known as FAILE, the Brooklyn-based duo designed the football-field-sized mural, located on Bathurst Street between Davenport and St. Clair in the city of Toronto.
Liking on these prints Hive & Nine Eyes by Melbourne based artist/ designer Nick Thomm... Limited Edition of 50 - Printed on 310gsm Hahnemuhle photo rag, mueseum grade archival paper. Each print is hand signed and numbered - available on his website.
I moved home to the Bay Area about 4 years ago and recently had the opportunity to visit New York City for the first time since. Having missed Barry McGee & Raymond Pettibon by a day, I felt lucky to have an old friend clue me into the ICY Signs show when I arrived.
Every have one of those mornings where you start following links and the next thing you know you're watching a news reel clip of the Golden Gate International Exposition of 1939 that was held on the brand new man-made Treasure Island?
Tiffany Bozic's solo show Sense of Wonder is in its final week at San Francisco's FFDG. Before this wonderful show comes to a close, we wanted to ask Bozic about her methodology, lifestyle, influences and generally what makes her tick.
The John Berggruen gallery is beautiful. With floor-to-ceiling windows and a view to downtown, the Thursday night opening of NYC's Julian Lethbridge's new show Paintings was unmistakably a fancy affair. While these incredibly expensive paintings didn't do much for me, I was pleasantly surprised that I caught the Chuck Close show upstairs.
Cartagena takes photographs in Monterrey, Mexico, documenting parts of everyday life there that he sees as depicting "a global issue from a local perspective." In a town that has a relatively new, booming construction market, Cartagena decided to document a side of the day laborers' lives that might not often be seen: the commute to and from work at various construction sites.
Material published on FECAL FACE DOT COM online service is copyrighted by Fecal Face or its licensors, including the originating wire services. Such material is protected by U.S. and international copyright laws and treaties. All rights reserved.
Users of the Fecal Face online service may not reproduce, republish or redistribute material found on the web site in any form without the express written consent of the copyright holder.