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Home FEATURES Music Interview: Mark Gergis aka Porest

Interview: Mark Gergis aka Porest
Written by Chris Rolls   
Tuesday, 18 November 2008 07:44
Audio revisionist Mark Gergis aka Porest discusses Sublime Frequencies, Tourrorists! and other sonic morsels from a comfortable cruising altitude.

Stationed in a West Oakland bunker one-man audio revisionist Mark Gergis aka Porest (their Myspace) slices and dices sonic morsels into anthropological bitch slaps, and terror ready disco. His albums are a flag on the field for reptilian neo-cons, R.D. Lang disciples, religious fanatics, Straussians, Friedmanites, and anyone else foolish enough to believe that a free market global reality works. For those who ride their white horse of American luxury living into an apocalyptic sunset as remote viewers stab a depleted uranium sword into Islam’s gut, Gergis says, in the immortal words of known schizophrenic game theorist John Nash "Fuck you buddy!" But do not think that Gergis just tosses audio bombs from a comfortable distance, oh no, our man has traveled beyond the Muslim veil into Syria, and on several occasions brought back sounds that have been assembled, and released on Sublime Frequencies – the only label that bends over Real World ethno-rapists, and exposes them as the colonialist they are.

Fecal Face caught up with Gergis as he boarded a flight for Syria. This interview was completed in-flight, and sent from the heart of Fertile Crescent.

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You have contributed many albums to Sublime Frequencies; please explain your relationship with the label.

In 2002 Alan Bishop and I began discussing ideas about international music we and others we knew had been collecting over the years. Thus far, we'd all mainly kept it to ourselves or shared it with the pals who were interested. Eventually he brought up the notion of starting a label with his partners that would release these documents representing the hybrid folk/pop from the Middle East and Southeast Asia we had both been focusing on. It didn't seem like anyone else was releasing anything similar and so in late 2003, Sublime Frequencies was born. The field recordings, film documentation and regional radio collage recordings all fall in line with what has become the shape-shifting aesthetic of the label and I'm glad to be a heavy contributor. We all continue to travel to the areas in the world that interest us when we can and are constantly meeting more incredible musicians and music lovers in these places. Each trip fuels the inspiration and drive to dig deeper in. We're in so deep now, we're coming out the other side. We are all up inside that which is not World Music as it has been known.

You traveled to Syria specifically to acquire music from Omar Souleyman, an album that has received universal praise even from the overtly ironic Vice magazine. How did you track down Omar and convince him to release his music through Sublime Frequencies?

My first trip outside the Americas or Europe was a solo trip to Syria in late 1997. On that trip, I kept hearing this incredibly fast and gritty dabke music blaring from the street stalls in every city. Every time I'd inquire, I was shown an Omar Souleyman tape. I bought as many as I could on that first trip and loaded up again in 2000 on my second trip, after having a few years to process the genius of it all. Years later, Alan Bishop and I discussed trying to track Omar down for a possible SF release and I gave it a shot in 2006 when I returned to Syria with Oakland musician Liz Allbee with the hope of finding the man. And we did! After a couple weeks of asking around I finally found a guy at a Kurdish cassette shop in Aleppo who had a phone number of someone who would have a phone number. Omar was told that two Americans would like to meet with him. He agreed to meet us in Hassake and told us to wait there for him. Traveling as tourists to Hassake in 2006 was a real experience. It's definitely off the beaten tourist path and very close to the Iraqi border, where a full-scale war was/is raging. As a result, we were trailed by Syrian secret police every step of the way in a rather obvious fashion. They basically shadowed us and watched everything we did without direct communication. At that point, we decided it would be best to declare our intentions to a municipal office. While at that office, we showed cassette tapes of Omar and said we were waiting to meet him. They found this amusing and confusing, but found us a translator who told us he could help negotiate with Omar. He also informed us we were being watched "for our protection". Fair enough, but it was also for Syria's protection. Who the hell were we and what were we doing there? It looked strange, I'm certain. It's a sensitive region. A few days later, Omar showed up with a driver and met us in our hotel room. There he was, as regal and brooding a presence as we knew from the photos on every cassette cover. I was honored. I stated my case through the translator and when we had gone through the formalities, Omar decided we should take it to the next level and discuss business at a local restaurant. As we exited the hotel and stepped into his private vehicle, all the locals who had really been wondering why Liz and I were in town, stopped, gawked and whispered "Omar Souleyman...Omar Souleyman...” at the sight of him. Omar expressed that he couldn't walk as a normal person in that region anymore. At the restaurant, I explained the ethos of Sublime Frequencies to Omar and explained how great it would be to get a release out in the West so people could hear the modern folk-pop sounds of Syria.

He really seemed to understand and agreed to sign a contract with us. It was his first ever contract signing. It was my first time presenting a contract, too. He appreciated that. He said he had a general distrust of most producers and people who had approached him for contracts in the past. The man has a lot of integrity. I gave him a demo disc I'd assembled of his music that featured truncated versions of hour-long songs and asked him to authorize it. He did. Days later, he was putting us up at his Damascus apartment and we were able to see him perform and film him. I can say that he is a friend and a very kind man and I'm looking forward to seeing him again this week as I write this.

The Sublime Frequencies CD did indeed make him a cult legend in the West and the results have been great so far. There are people who now think of Syria a bit differently than they may have before. Even hipsters. Even ironic Vice folk. And that's fine!!! Let Omar be the gateway to your next level.

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Your album "I Remember Syria" was an aural document of your travels. Currently you are traveling in Syria. Are you collecting music for another album?

Yes! We're going to discuss future plans with Omar Souleyman, collect more music, see more music, conduct more research, film more footage, record more radio and generally have a great time. Each trip yields multiple projects!

What do you feel are the biggest misconceptions Americans harbor about Syria, and the Middle East in general?

That it's dangerous and that it's uncivilized. That Israel is a democracy and a power that should be supported without question. A lot of Americans (and Europeans) are completely ignorant about the region. This contributes to the fact that most people here don't really know how to separate people from government when it comes down to it. That's something that (surprisingly) most Arabs I meet on the street have going for them. They generally use their intellect and intuition and assume it's not the American people they should have a problem with, but the government. But really, it's becoming increasingly hard to prove that there's any difference between America's government and its people, so I go out into the field and try to help Middle Easterners understand that they also need to worry more about a lot of American people, because more and more Americans are as guilty as their government of ignorance and barbarism. I'm a great ambassador. People get scared for me when I travel to Syria, and one thing I always try to emphasize about Syria is that it is a relatively safe, extremely hospitable and civil place. The only thing I'm careful about over there is crossing the street. I have a good way of communicating with people wherever I am and I use my intuition and try to leave my ego at the border. As long as I don't get caught in the crossfire somehow along the way, I'll be fine. When people try pointing out Syria's faults, I challenge them to come up with one criticism that can't be paralleled in the U.S. It isn't possible, actually. Over here, it's easy to view the Middle East as a place where religious zealots and fundamentalists run wild. Again, it's similar to the volume of "fanatics" you'd find in the U.S.

The last Porest album, Tourorists! could be perceived as anti-Christian; do the perspectives aired on that record directly reflect your personal feelings towards Christianity?

Yeah, I think there were a few good stabs on that album. Blasphemous morsels. But I don't really have the time or passion to be anti-Christian or anti-religious. I spent some of my youth doing that as I broke out of a weird religious upbringing. But it takes a lot of effort to sustain that and it's not really going to change anything in the end. World travel has helped me realize that I don't need to push my opinions on people or tell them I think that their god or their belief system might be deluded, or whatever. I wouldn't want them to do that to me, so why should I do that to them? I start having big problems when people proselytize and think I should adhere to their belief system. A lot of people who operate under Christianity feel that's their exact duty. They suck. But I've seen what power religion holds for people worldwide. In some cultures, it's just the way it is. It's not really a question. Everyone loves their god and life continues under that premise, regardless of sectarian beliefs. When I look at some of the people in America who embrace radical forms of religion, I see how ravaged by life they are and how thirsty they are for concrete answers about life and mortality. Those life questions tend to really eat into human brains at rates most people aren't equipped to deal with. I know a lot of deeply religious people and it seems to be what keeps them going and it's what makes them feel content and accounted for. But everyone does that with something to some degree. We all have passions and ways of looking at the "big picture", with or without gods.

We believe in whatever we believe in and dose on something at the end of the day to help diversify the cycle. The fundamentalist faction of Christianity in this country is a very powerful and belligerent force that actually makes things happen and stops other things from happening.

I tend to think it should evaporate. But aren't fundamentalist atheists just as scary, self-righteous and as hopelessly dogmatic? We were talking about the music..... I had a fake Christian band in the 90s. It was called Lord Chord. It was an experimental lo-fi "indie" Christian group that was supposed to be marketed to real Christians. Our publicist, a Christian Zionist, made a run to Lubbock with the money and it never happened.

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Tourrorists! provides a chilling interpretation of post 9/11 America. Do you personally believe that the attack on the World Trade Center was either in part orchestrated by the US government, or potentially completely designed from within the neo-conservative faction of the current administration?

I think the Neocon Straussians wrote every note of that song and made sure they had the right musicians in the band. Really, if I admit what I believe in an online interview that can be accessed forever, then I'll just be a Google search away from instant dismissal...or something much worse. So let it go on record that I personally believe that this was a very un-American question of you to ask!

It all comes down to what people want to believe or disbelieve at this point. There are entities out there that are pleased we've come this far without serious questions being asked by large numbers of people. The fact that the official story, which was sold to us within hours of the event, has always been taken verbatim is surreal, isn't it? Wars have relied on this story.

The only certain thing we should believe about 9/11 at this point is that it happened and that its repercussions were extremely beneficial for certain parties. But who needs to think about that? If word got out that it was Sammy Davis Jr. himself who flew both airliners into the towers, it might make good dinner conversation for a night and that'd be the end. People don't really care who did it or what happened, as long as Seinfeld is on or they've got a date for the night.

America is populated with scores of adult children who want no accountability for their actions but are pretty certain they know what's going on. You can read most folks like a high school psychology book – and it's not even not even interesting or deviant psychology! It's more like typical textbook Freudian bullshit. Just as scary as anyone else in middle-America to me are all the so-called liberals who think they're part of some whimsical emerging global consciousness. All jive! We all just smell bad. We're like selfish balls of flesh and fluid that don't even want to begin to unravel ourselves, much less those who are controlling our lives. The Tourrorists! Album has fun with all of that and takes the whole world out for some birthday cake at a pizza parlor on a Friday night after a movie. I tried not to make it a pedantic or exclusively political record. That's usually a big turn off to me and only speaks to a few people, really. The album is all over the place, meaning it tries to mop every corner of the floor.

What is your take on the current financial crisis in America?

It's about time!! No really, as long as Best Buy still exists, I can cash my reward cards in and I'm good....otherwise, let the dream disintegrate!

One result I am truly frightened of is dealing with an American middle class under a martial law that they embrace due to circumstance that has absolutely no idea what to do with their lives in a post-material world. Most people whose lives rotate around weekends, sports and shopping malls will need serious reprogramming and a lot of sedatives when the shit hits the fan. They'd probably rather be tranquilized than ever ask themselves how it all happened. Don't get me wrong, tranquilizers are nice, but...

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Describe being of Iraqi descent in contemporary America - specifically in regard to your artistic work.

Well, growing up half Arab in America is different than not growing up half Arab. I'll never really know what it would be like to peacefully eat bologna sandwiches in grade school without being called Khomeini-face or Gaddafi or something. I vowed artistic revenge on my classmates at an early age, knowing full well that I'd make an album like "Tourrorists!" that they'd never hear.

Growing up around a lot of Middle Eastern hospitality, food, music and values has definitely made me see things differently than a non-Arab American. The U.S. has waged war on my Dad's country for over half my life, so I have always had a unique perspective on that as well. Especially when people in the trash suburb I grew up in would come into our market with "Fuck Iraq" T-shirts on and ask us "Where you from"?

It's hard to say what my work or my life would be like without that heritage. But seeing Arabs scapegoated, demonized, tortured and interrogated for being Arabs shouldn't just affect Arabs...

Last but certainly not least, what does the future hold for Porest? Are you working on a new album, and if so what is the thematic drive for the project?

There are a few Porest projects on the works. I try to keep it an open- ended project where anything can happen, which means it's allowed to be whatever it wants. The current projects are more musical than ever and they're all over the place. Nothing's tending to be exclusively theme-related aside from the children's record I'm always working on. There will be a Porest DVD released at some point and I'm hoping to get a Porest live-group assembled by next year as well. Concurrently, many cool Sublime Frequencies projects are also in the works, focusing more on South East Asia and the Middle East, so there's a lot going on!

Porest - "Hoyda" - From the CD "Tourrorists" - Abduction Records 2006

Interview by Fecal Face's music editor Chris Rolls - chris(at)fecalface.com

Photographs: Dave Franklin {moscomment}

Viborg International Billboard Painting Festival

Henrik Haven, who keeps us up to date in all that's Copenhagen, emailed over some photos from the Viborg International Billboard Painting Festival that's running throughout June. In this short installment he introduces us to the work of urban/graffiti artist and illustrator NYCHOS.


Kelly Tunstall's A16 Commissions

Kelly Tunstall, who's showing w/ Ferris Plock at FFDG this August 16th, recently finished some commissions for A16 in Oakland. Here's a little taste, and check out her last year's show at FFDG.


Brendan Monroe Sculptures, A How To

Brendan Monroe, whose show Melting Into the Floor runs through June 15th at LA's Richard Heller, creates these great wooden sculptures and featured a bunch in the show... He's often asked how he goes about making them and gives us at Fecal Face a little 'how to' on the process.


Mural by Curiot (+Mexico)

Mexico City based Curiot, whose sold out solo show Age of Omuktlans ran last March at FFDG, just finished this great mural entitled "El Retorno de Akhankutli" in Mexico. He recently completed one in Berlin too which we'll be posting in the coming week. The guy is very very talented in our eyes.


The Pizza Slice(r) by Henry Gunderson

This made our day. Not only do we love pizza but we also love Henry Gunderson... So a board shapped like a hot slice designed by Henry Gunderson for The Good Company, well... this writer needs to go for a slice right now.


Wendell McShine @Fifty24SF

Wendell McShine (lives in Mexico City, from Trinidad) opened his newest show, Raccoon's Law, at Fifty24SF on Saturday night. ARYZ was a tough act to follow, but McShine held his own in the space... With a combination of a mural, a video, and both drawings and mixed-media works on paper, the diversity of this solo show was impressive. The Raccoon drawings were especially attractive as the way he executed them looked like they actually had fur coming off the page, and you can only imagine how soft it would be to touch. I was lucky to see his work in person through this show, and I hope to encounter more in the future.


Honey Boo Boo's Amurrican Starquest

Ingrid Wells just got her MFA from The San Francisco Art Institute and these oil paintings from her Honey Boo Boo's Amurrican Starquest were on display as part of the recent MFA exhibition... Ingrid Wells works and lives in San Francisco.


"Out the Window" at Prohibition Gallery

Henry Gunderson emailed over some photos from his recent group show with Andrew Luck, Jordan Bogash, and Mario Ayala "Out The Window" which ran at the Los Angeles based Prohibition Gallery.


The Tornatos in Moore, OK by Justin Clemons

I got there the day after the tornado came through. It was like nothing I had ever seen before. My mind just could not grasp what my eyes were seeing. It was just too much to take in, too much to process. So, I did what comes naturally and took images. It sort of helped me separate from the chaos and helped me focus.


Hyuro "In/Between" at ArtRebels

Check out this, what could be, one of the longest murals ever created. Hyuro from Valencia, Spain was recently in Copenhagen for the solo show "In/Between" at ArtRebels.


ARYZ's TL Mural and The Apple

Rachel Ralph spotted Barcelona-based ARYZ working on his mural in the TL a couple weeks back, and we forgot to share the pics. His show at Fifty24SF opened back in April.


Oversized Paintings by Jeffrey Cheung

Jeffrey Cheung emailed over some photos from a recent one night show he had at Terra Gallery/ event space. The May 19th show also featured live music by Oakland garage rockers Twin Steps and Coldtergeist.


Alison Blickle at Eleanor Harwood thru June 15th

Great solo show by LA based Alison Blickle (Born 1976) up now at San Francisco's Eleanor Harwood gallery. History of Magic Part 1... The Hermitage runs through June 15th 2013. -- 1295 Alabama St. Hours: Wed thru Sat (11-6pm)


John Felix Arnold III in Japan (Part 4)

Well, it looks like John Felix Arnold rocked Tokyo with his opening with Koutaro Ooyama at Spes Lab a few weeks back. Even a language barrier couldn't prevent the success of their collaboration. They invited everyone they met on trains, in cars, cafes, bars, restaurants, and people responded by attending, and bringing their families and friends as well.


Sanjay & Craig Premiere Party (+LA)

Last Thursday evening, I was lucky enough to get invited to Nickelodeon's premiere party for their newest cartoon, Sanja & Craig, created by three awesome dudes - Andreas Trolf, Jim Dirschberger, and Jay Howell. Hosted at Tony's Salon with pizza provided by Pizzanistas, the premiere party was filled with libations and celebrations, even a break-dance battle broke out. Congrats to everyone who worked on the show, and especially Trolf, Jim, and Jay who all have been working tirelessly on it. Sanja & Craig premiered Saturday 10:30 am 11 am on Nickelodeon. You can watch Sanjay and Craig Episode 1: Brett Venom on hulu. and read about how the guys came up with it in this interview with The LA Times. Now, here's some photos from the premiere.


Travis Millard Was Almost Rusty Millard

Drawing Stories is a new series from our buddy Travis Millard. Grab a cup of hot coco, get your slippers on and enjoy some time with your uncle Millard.


Tofer Chin @Lu Magnus (+NYC)

Los Angeles Christofer Chin (Tofer) emailed over some install shots of his current show Ar running in NYC at Lu Magnus through June 29th. Simple/ clean and continuing his op artstyle Tofer Chin features new paintings, photographs, and sculpture continuing his exploration of geologically and architecturally inspired Minimalist forms.


Sten & Lex for The Katowice Street Art Festival

More great street art by the Italian duo, Sten & Lex, this time in Poland for the Katowice Street Art Festival.


TrustCorp @Lebasse (+Los Angeles)

TrustoCorp's all new work for their exhibition at LeBasse Projects in Culver City, Los Angeles is a perfect continuum from past work that embraces the bipolar "have/have not" socioeconomic identity of Los Angeles, which they recently established their new studio in.


The Sound of Dust

I didn't know if you came across this video yet, but I ran into my friend Brian Hanson yesterday who helped film and edit it. It's a film short documenting the work and philosophy of Huntington Beach surfboard Shaper Tim Stamps. Super rad and really inspiring! Anyhow take a peek.


Murals at Harry Wirtz Elementary

Last year, Eric Caruso a teacher at Harry Wirtz Elementary School (Paramount, CA, near LA) had an idea to invite some artists to paint some murals at the school because there wasn't an arts program for the kids. That brilliant idea resulted in some awesome murals by artists Seitaku Aoyama, Yusuke Hanai, Rich Jacobs, Tim Kerr and Albert Reyes.


Ryan De La Hoz @RVCA through 5/25

Ryan De La Hoz' show in the Upper Haight at RVCA runs through this Saturday... And the next time you're in the Mission, be sure to swing through his new shop on 14th St, Cool Try... We need to get over there soon and do a little photo feature for ya.


Daniel Chen @The Book and Job Gallery (SF)

The Book and Job Gallery (San Francisco) really stepped it up with the opening of Daniel Chen's loveBlast on May 4th. Complete with a doorman, piano player, old fashioneds, and some really nice paintings, I could hardly believe I was at the Book and Job. The paintings varied in size, and the show was balanced nicely between them, the spray-can work on the walls, and the smaller drawings displayed throughout. The kind notes Chen wrote on the walls are certain to brighten your day, and the rest of the work is definitely worth a look. It was a very classy evening and I hope they continue to intersperse shows like these into their schedule in the future





contact FF

Whole Foods Rips Off Corey Arnold?
Tuesday, 18 June 2013 13:57

Tucker Nichols emailed over this Whole Foods poster (below right) which looks a lot like one of Corey Arnold's photos (bottom left). Coincidence? Where they inspired by Corey's photo? Did Corey actually shoot the photo? Who knows and Corey is fishing for salmon right now (like this), so we can't ask him to find out.

Wait, on this Instagram, Corey Arnold writes "Ripped off!", so we guess that's your answer.

Whole Foods highly inspired by a Corey Arnold photo. Ripped off?

 

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Wednesday, 16 June 2010 17:39


Homemade Tattoos (+How To)
Friday, 14 June 2013 10:00

Yeah, bad tattoos are basically a bummer, right? But they're also pretty much a rite of passage for bored and disenfranchised-feeling teenagers the world over. At least it was for about 95% of the people I know. Going to a reputable tattoo shop and getting a wizard or unicorn drilled into your lower back is totally fine, but nothing really takes the place of sitting around with a bunch of friends and some beers, enthusiastically taking turns poking each others' arms full of bad ideas-which actually is fun at any age.

Homemade Tattoos

Andreas Trolf's feature is an olde but goodie

 

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Wednesday, 25 April 2012 11:56

 

Oakland: Organizers Trying to Keep Monthly Street Art Party Alive
Wednesday, 12 June 2013 15:18

OAKLAND -- First Fridays is hoping Oakland hasn't seen the last of the one of a kind event... The street art party is free to attend, but organizers say with police and other costs the price tag to throw the monthly party is $20,000... The City of Oakland has been footing the bill for months and after kicking in $500,000, it's pulling the plug... Organizers are now asking for donations and developing a vendor fee schedule to try and keep the party alive. ~continue reading

From a Fecal Face visit to one in 2008 (pics)

 

June Group Show @Guerrero Gallery Saturday
Thursday, 13 June 2013 09:52

SAN FRANCISCO -- Guerrero Gallery, here in the Mission, opens their summer group show this Saturday, June 15th, featuring works from a steller lineup: Daniel Albrigo, Ryan Travis Christian, Alejandro Diaz-Ayala, Frohawk Two Feathers, Michelle Guintu, Justin Hager, Cody Hudson, Terry Powers, Rye Purvis, Victory Reyes, Jamie Williams, and Yarrow Slaps.

~complete details

Work by Alejandro Diaz-Ayala

 

Austin McManus Photography
Monday, 10 June 2013 14:06

NYC based Austin McManus updates his site with more tasty photography like the below image from his "Partner in Crime" series.

Image from Austin McManus' "Partner in Crime" series

 

SOEX's Monster Drawing Rally
Tuesday, 11 June 2013 12:42

SAN FRANCISCO --- Southern Exposure hosts thier annual Monster Drawing Rally Friday, June 14, 2013 at THE NWBLK, 1999 Bryant Street (at 18th). Tons of great artists auctioning works at a starting price of only $60.

A live drawing and fundraising event with 120 artists working side by side. The event lets spectators to observe artists in the act of creation, providing the opportunity to watch a drawing come to life, and to purchase a work of art minutes after its completion. Drawings are available for purchase immediately for just $60 each.
~complete details

 

Disputed Banksy graffiti art sold for $1.1M in London
Tuesday, 04 June 2013 14:00

Wonder if our old emails with Banksy are worth a few thousand dollars. It seems everything the dude touches is worth a million dollars these days! Nutty and much deserved.

A disputed Banksy graffiti artwork removed from a gritty London neighbourhood has sold for approximately $1.1 million US at auction. The provocative Slave Labour (Bunting Boy) sold at a private auction held by concierge firm The Sincura Group at the London Film Museum on Sunday, according to Bloomberg news service. The spray-painted, stenciled work depicts a child labourer using an antique sewing machine to create a Union Jack bunting.
-Continue reading

 

Deutsche Bahn plans to use drones to catch graffiti artists
Tuesday, 04 June 2013 10:27

Germany's national railway is testing the use of mini-drones to curb damage to its trains from graffiti. Experts call the move pointless and excessive, saying that varnish for trains could solve the problem instead.
~continue reading

 

The Boys From The UK
Monday, 03 June 2013 14:39

Daniel Cronin, who shot The Gathering of the Juggalos Feature (book out now through Random House), swung through FFDG last Friday to check out The Skull & Sword show (running through June 8th) with a couple of English fellas that's he's been traveling with for a feature on The Guardian UK's website.

Daniel Cronin was hired to shoot photos for the ongoing feature series: the Road Trips USA: Pacific Coast... An interesting idea where the trip was live blogged/ tweeted/ Instagramed with people making suggestions for what to check out, and well, into FFDG they stopped.

Look ma, we made The Guardian U.K.

Come on, guys. Don't call San Francisco "San Fran".

 

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Wednesday, 25 August 2010 12:50


+SF

+NYC

+LA

FULL CALENDARS: BAY AREA | NYC | LA

 


 

 

  
 *Tag your Flickr photos: FECALFACE

 

 

 


 

Viborg International Billboard Painting Festival

Henrik Haven, who keeps us up to date in all that's Copenhagen, emailed over some photos from the Viborg International Billboard Painting Festival that's running throughout June. In this short installment he introduces us to the work of urban/graffiti artist and illustrator NYCHOS.


Kelly Tunstall's A16 Commissions

Kelly Tunstall, who's showing w/ Ferris Plock at FFDG this August 16th, recently finished some commissions for A16 in Oakland. Here's a little taste, and check out her last year's show at FFDG.


Brendan Monroe Sculptures, A How To

Brendan Monroe, whose show Melting Into the Floor runs through June 15th at LA's Richard Heller, creates these great wooden sculptures and featured a bunch in the show... He's often asked how he goes about making them and gives us at Fecal Face a little 'how to' on the process.


Mural by Curiot (+Mexico)

Mexico City based Curiot, whose sold out solo show Age of Omuktlans ran last March at FFDG, just finished this great mural entitled "El Retorno de Akhankutli" in Mexico. He recently completed one in Berlin too which we'll be posting in the coming week. The guy is very very talented in our eyes.


The Pizza Slice(r) by Henry Gunderson

This made our day. Not only do we love pizza but we also love Henry Gunderson... So a board shapped like a hot slice designed by Henry Gunderson for The Good Company, well... this writer needs to go for a slice right now.


Wendell McShine @Fifty24SF

Wendell McShine (lives in Mexico City, from Trinidad) opened his newest show, Raccoon's Law, at Fifty24SF on Saturday night. ARYZ was a tough act to follow, but McShine held his own in the space... With a combination of a mural, a video, and both drawings and mixed-media works on paper, the diversity of this solo show was impressive. The Raccoon drawings were especially attractive as the way he executed them looked like they actually had fur coming off the page, and you can only imagine how soft it would be to touch. I was lucky to see his work in person through this show, and I hope to encounter more in the future.


Honey Boo Boo's Amurrican Starquest

Ingrid Wells just got her MFA from The San Francisco Art Institute and these oil paintings from her Honey Boo Boo's Amurrican Starquest were on display as part of the recent MFA exhibition... Ingrid Wells works and lives in San Francisco.


"Out the Window" at Prohibition Gallery

Henry Gunderson emailed over some photos from his recent group show with Andrew Luck, Jordan Bogash, and Mario Ayala "Out The Window" which ran at the Los Angeles based Prohibition Gallery.


The Tornatos in Moore, OK by Justin Clemons

I got there the day after the tornado came through. It was like nothing I had ever seen before. My mind just could not grasp what my eyes were seeing. It was just too much to take in, too much to process. So, I did what comes naturally and took images. It sort of helped me separate from the chaos and helped me focus.


Hyuro "In/Between" at ArtRebels

Check out this, what could be, one of the longest murals ever created. Hyuro from Valencia, Spain was recently in Copenhagen for the solo show "In/Between" at ArtRebels.


ARYZ's TL Mural and The Apple

Rachel Ralph spotted Barcelona-based ARYZ working on his mural in the TL a couple weeks back, and we forgot to share the pics. His show at Fifty24SF opened back in April.


Oversized Paintings by Jeffrey Cheung

Jeffrey Cheung emailed over some photos from a recent one night show he had at Terra Gallery/ event space. The May 19th show also featured live music by Oakland garage rockers Twin Steps and Coldtergeist.


Alison Blickle at Eleanor Harwood thru June 15th

Great solo show by LA based Alison Blickle (Born 1976) up now at San Francisco's Eleanor Harwood gallery. History of Magic Part 1... The Hermitage runs through June 15th 2013. -- 1295 Alabama St. Hours: Wed thru Sat (11-6pm)


John Felix Arnold III in Japan (Part 4)

Well, it looks like John Felix Arnold rocked Tokyo with his opening with Koutaro Ooyama at Spes Lab a few weeks back. Even a language barrier couldn't prevent the success of their collaboration. They invited everyone they met on trains, in cars, cafes, bars, restaurants, and people responded by attending, and bringing their families and friends as well.


Sanjay & Craig Premiere Party (+LA)

Last Thursday evening, I was lucky enough to get invited to Nickelodeon's premiere party for their newest cartoon, Sanja & Craig, created by three awesome dudes - Andreas Trolf, Jim Dirschberger, and Jay Howell. Hosted at Tony's Salon with pizza provided by Pizzanistas, the premiere party was filled with libations and celebrations, even a break-dance battle broke out. Congrats to everyone who worked on the show, and especially Trolf, Jim, and Jay who all have been working tirelessly on it. Sanja & Craig premiered Saturday 10:30 am 11 am on Nickelodeon. You can watch Sanjay and Craig Episode 1: Brett Venom on hulu. and read about how the guys came up with it in this interview with The LA Times. Now, here's some photos from the premiere.


Travis Millard Was Almost Rusty Millard

Drawing Stories is a new series from our buddy Travis Millard. Grab a cup of hot coco, get your slippers on and enjoy some time with your uncle Millard.


Tofer Chin @Lu Magnus (+NYC)

Los Angeles Christofer Chin (Tofer) emailed over some install shots of his current show Ar running in NYC at Lu Magnus through June 29th. Simple/ clean and continuing his op artstyle Tofer Chin features new paintings, photographs, and sculpture continuing his exploration of geologically and architecturally inspired Minimalist forms.


Sten & Lex for The Katowice Street Art Festival

More great street art by the Italian duo, Sten & Lex, this time in Poland for the Katowice Street Art Festival.


TrustCorp @Lebasse (+Los Angeles)

TrustoCorp's all new work for their exhibition at LeBasse Projects in Culver City, Los Angeles is a perfect continuum from past work that embraces the bipolar "have/have not" socioeconomic identity of Los Angeles, which they recently established their new studio in.


The Sound of Dust

I didn't know if you came across this video yet, but I ran into my friend Brian Hanson yesterday who helped film and edit it. It's a film short documenting the work and philosophy of Huntington Beach surfboard Shaper Tim Stamps. Super rad and really inspiring! Anyhow take a peek.


Murals at Harry Wirtz Elementary

Last year, Eric Caruso a teacher at Harry Wirtz Elementary School (Paramount, CA, near LA) had an idea to invite some artists to paint some murals at the school because there wasn't an arts program for the kids. That brilliant idea resulted in some awesome murals by artists Seitaku Aoyama, Yusuke Hanai, Rich Jacobs, Tim Kerr and Albert Reyes.


Ryan De La Hoz @RVCA through 5/25

Ryan De La Hoz' show in the Upper Haight at RVCA runs through this Saturday... And the next time you're in the Mission, be sure to swing through his new shop on 14th St, Cool Try... We need to get over there soon and do a little photo feature for ya.


Daniel Chen @The Book and Job Gallery (SF)

The Book and Job Gallery (San Francisco) really stepped it up with the opening of Daniel Chen's loveBlast on May 4th. Complete with a doorman, piano player, old fashioneds, and some really nice paintings, I could hardly believe I was at the Book and Job. The paintings varied in size, and the show was balanced nicely between them, the spray-can work on the walls, and the smaller drawings displayed throughout. The kind notes Chen wrote on the walls are certain to brighten your day, and the rest of the work is definitely worth a look. It was a very classy evening and I hope they continue to intersperse shows like these into their schedule in the future


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