White Walls and the Shooting Gallery opened their new space with a bang this last Saturday night. After going through a boarded-up doorway with the names of the galleries and their new address of 868 Geary St tagged on it, you can no longer believe you are in the Tenderloin. 5,000 square feet of pristine gallery space, complete with cathedral ceilings made of reclaimed wood, open up to a truly amazing exhibition space, and it just keeps going. You're now going through White Walls, into the Shooting Gallery, and then into several separate project galleries and the multi-million dollar renovation was definitely spent wisely.
For this show, White Walls opened with the grizzly paintings of Chad Hasegawa. I've been a fan of this local artist since I saw his bear in Clarion alley, and he used this opportunity to bring his bears to the space of fine art, titling them appropriately for the role. Several paintings are titled with the names of modernist masters and their styles are replicated in the bears themselves. While Motherwell has thick, black brushstrokes, Rothko has a washed background and a fluid texture.
Moving further back brought visitors into Charmaine Olivia's Muses. This girl can paint with incredible detail and the works are undeniably beautiful, but this display was repetitive, they all kind of look the same. Her Muses are girly and pretty, which was seen in the audience attending, but they don't leave much room for anything but sexual femininity. But, that's ok. Sold individually, I can see any one of these works hanging in a girl's apartment anywhere in the city and it was great to see so much space devoted to a local artist.
Moving further back brought visitors into two project galleries, one by Sickboy and one by Word to Mother. Sickboy's installation, complete with a working coffin toy train, was my personal favorite of the night. The paintings are colorful and detailed, and I only wish that I would have been able to see them better. Moving around the train, it was really difficult to get to the paintings themselves, and I kind of wish they would have switched his gallery with Word to Mother, because that one is a little bigger. Word to Mother opened Fuck You Pay Me, a Giants-themed installation complete with baseball bats, foam fingers, and astro turf. Since there was only one painting, I popped in and out, but managed to score some cracker jacks and bazooka bubble gum before I left.
Saturday night really was more of an event than an exhibition, this is a new upscale version of the galleries, and I should but an emphasis on the plural, this place just keeps going and going. It was a suit and dress kind of night, fancy for any Tenderloin event, but frankly, the space is fancy and deserves if not your Sunday best, then at least Thursday's finest. These galleries have really transformed themselves in this move and I cannot wait to see what they do next.
Words & Photos: Rachel Ralph - rachel(at)fecalface.com
Chad Hasegawa, Motherwell, House-paint on canvas, 108x72"
Charmaine Olivia, Anya/Queen B, Oil on panel, 30x40"
Friday ENJOYING A QUIET SUNDAY AFTERNOON @Gallery BellJar <-- in the back of this quaint femine victorian inspired little boutique of lovely treasures & handmade frills on 16th in the Mission there's a small gallery space, and they've hosted some good openings over the years. Tonight LA based designer/ illustrator and previous art director of Swindle Magazine, Justin Van Hoy will be showing Works about a place I have grown to miss. On Bell Jar's site it looks like photo transfers on antique paper of people riding motorcycles. Stop through Bell Jar, see the work, and guys pick up something for your mom or girlfriend. They have some really nice (and expensive) things in there. 6-9pm 3187 16th St
Justin Van Hoy @Bell Jar
Black Lab Opening @The Lab --> Inspired by The Black Laboratory of Brooklyn artist Vincent Como, Black Lab investigates the cultural connotations and psychological implications of the darkest color. A nice lineup of some artists Fecal Face enjoys featuring: Vincent Como, Reuben Lorch Miller, Eric Larson, Rachel Dawson, Josh Hagler, Faye Kendall, Erik Madsen, Malcolm Smith, lourdes of the flies, Michael Campbell, Caitlin Denny and Marcella Faustini, Terrance Graven, Ben Venom, Ryan De La Hoz, Kara Joslyn, Group Rhoda, Amir Coyle, Gerritt Wittmer and Paul Knowles, Chris Vamos, Eric Svedas, Eighth Evening, and No Peace at the Gates. 7:00 - 10:00pm 2948 16th st
Cannonball Press Hits 99% Gallery in NYC <-- Neo-Pagan World Kings of scruffy pirate black and white hillbilly printmaking, New York’s legendary Cannonball Press hits Williamsburg's 99% Gallery with a huge new pile of limited-edition prints, two massive Woodcut Collages of sordid debauchery, and huge new 4x8 foot woodcuts on canvas!! 7—10pm 99 N. 10th St. Room 102 - Brooklyn
Saturday FERRIS PLOCK @THE SHOOTING GALLERY <-- Fecal Pal, Ferris Plock, enleashes Rest for the WickedThis new collection embodies the artist's trademark character-based works along with a Ukiyo-e inspired sensibility. The exhibit is the artist's debut show with The Shooting Gallery and will be comprised of 15-20 small to medium pieces composed of a variety of media such as acrylic, gouache, gold leaf, and spray paint on wood panel. 7-11pm 839 Larkin St
SKINNER @WHITE WALLS <-- White Walls Gallery is pleased to present This Fear You May Know, a solo exhibition by Sacramento-based, multi-media artist, Skinner. Blending variant sources of fantasy art accented with nuances of social commentary, Skinner’s works in this exhibit illustrate his observations of a growing obsession with destruction and conflict, and how fear guides the course of social action. 7-11pm 839 Larkin St
GROUP SHOW @GUERRERO GALLERY <-- Looks to be a super good show with a solid lineup of artists featuring Alisha Kerlin, Arien Valizadeh, Brian Belott, Conrad Ruiz, Derek Aylward, Eddie Martinez, Eduardo Recife, Fanny Bostrom, Jamison Brosseau, Jeanette Mundt, John Copeland, Joseph Hart, Kareem Rizk, Karim Hamid, Kristine Moran, Marie Koetje, Paul Brainard, Stephen Smith, and Wes Lang. 7-11pm 2700 19th St
This month the crew of White Walls / Shooting Gallery open the doors to another addition, 941 Geary (which is right around the corner from White Walls), a gallery that is anticipated to show established and international artists alike. Though mums the word on who all the gallery will be lining up, the space itself is beautiful, and impressive (it's also huge, so artists will have an insane amount of space to work with).
Hi guys! ArtBusiness.com dude Alan Bamberger with David Choong Lee (who paints his own hats too).
I don't think at this point it needs to be written since the last update to Fecal Face was a long time ago, but...
I, John Trippe, have put this baby Fecal Face to bed. I'm now focusing my efforts on running ECommerce at DLX which I'm very excited about... I guess you can't take skateboarding out of a skateboarder.
It was a great 15 years, and most of that effort can still be found within the site. Click around. There's a lot of content to explore.
I'm not sure how many people are lucky enough to have The San Francisco Giants 3 World Series trophies put on display at their work for the company's employees to enjoy during their lunch break, but that's what happened the other day at Deluxe. So great.
SF skateboarding icons Jake Phelps, Mickey Reyes, and Tommy Guerrero with the 3 SF Giants World Series Trophies
When works of art become commodities and nothing else, when every endeavor becomes “creative” and everybody “a creative,” then art sinks back to craft and artists back to artisans—a word that, in its adjectival form, at least, is newly popular again. Artisanal pickles, artisanal poems: what’s the difference, after all? So “art” itself may disappear: art as Art, that old high thing. Which—unless, like me, you think we need a vessel for our inner life—is nothing much to mourn.
Hard-working artisan, solitary genius, credentialed professional—the image of the artist has changed radically over the centuries. What if the latest model to emerge means the end of art as we have known it? --continue reading
"Six Degrees" opens tonight, Friday Jan 16th (7-10pm) at FFDG in San Francisco. ~Group show featuring: Brett Amory, John Felix Arnold III, Mario Ayala, Mariel Bayona, Ryan Beavers, Jud Bergeron, Chris Burch, Ryan De La Hoz, Martin Machado, Jess Mudgett, Meryl Pataky, Lucien Shapiro, Mike Shine, Minka Sicklinger, Nicomi Nix Turner, and Alex Ziv.
"[Satire] is important because it brings out the flaws we all have and throws them up on the screen of another person," said Turner. “How they react sort of shows how important that really is.” Later, he added, "Charlie took a hit for everybody." -read on
Jacob Magraw will be showing embroidery pieces on cloth along with painted, gouache works on paper --- Rachell Sumpter paints scenes of colored splendor dropped into scenes of desolate wilderness. ~show details
NYC --- A new graffiti abatement program put forth by the police commissioner has beat cops carrying cans of spray paint to fill in and cover graffiti artists work in an effort to clean up the city --> Many cops are thinking it's a waste of resources, but we're waiting to see someone make a project of it. Maybe instructions for the cops on where to fill-in?
The NYPD is arming its cops with cans of spray paint and giving them art-class-style lessons to tackle the scourge of urban graffiti, The Post has learned.
Shootings are on the rise across the city, but the directive from Police Headquarters is to hunt down street art and cover it with black, red and white spray paint, sources said... READ ON
We haven't been featuring many interviews as of late. Let's change that up as we check in with a few local San Francisco artists like Kevin Earl Taylor here whom we studio visited back in 2009 (PHOTOS & VIDEO). It's been awhile, Kevin...
If you like guns and boobs, head on over to the Shooting Gallery; just don't expect the work to be all cheap ploys and hot chicks. With Make Stuff by Peter Gronquist (Portland) in the main space and Morgan Slade's Snake in the Eagle's Shadow in the project space, there is plenty spectacle to be had, but if you look just beyond it, you might actually get something out of the shows.
Fifty24SF opened Street Anatomy, a new solo show by Austrian artist Nychos a week ago last Friday night. He's been steadily filling our city with murals over the last year, with one downtown on Geary St. last summer, and new ones both in the Haight and in Oakland within the last few weeks, but it was really great to see his work up close and in such detail.
Congrats on our buddies at Needles and Pens on being open and rad for 11 years now. Mission Local did this little short video featuring Breezy giving a little heads up on what Needles and Pens is all about.
Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.
Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.
San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.
Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.
Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.
The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.
With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding
I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle
Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.
Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.
For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.
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