We caught up with Jeff to ask him about his upcoming show in NYC @Jonathan Levine opening Sat June 26th.
You mention that this show is going to be much different from previous shows by you having had taken a new direction of sorts. Can you elaborate some on this?
In past work I concentrated on Man vs. Nature conflicts, politics, social issues and the worries that my children will be inheriting this mess. But I've been fascinated by the cycle of life lately, I don't know, maybe I feel that I'm getting older and getting closer to death while my kids are just starting out their lives.
This body of work is trying to capture some of those feelings, the idea of living your life, having all sorts of adventures and stories, then aging and the inevitability of death looming on the horizon. It's universal, it is repeated everyday, and if you look at any lifeform, you have birth, life, reproduction, death, then the cycle comes around again, and it's been going on on Earth for billions of years. As humans I think we always believe we're living in such an important time in history. In reality we are just a little speck on the timeline.
I always think that my grandchildren will know me, my great grandchildren might kinda know me, but after that my wife and I and even our kids will start to fade away in people's minds. One thousand years from now (if humans have not destroyed the planet) will our country and our times be remembered at all? Surprisingly, I'm comfortable with all of this. It's just the cycle of life. It fascinates me and I'm working on paintings that relate to it.
How has had being a dad affected your work?
It has been one of the best things in my life, and I cannot imagine how I'd be without them. I don't know exactly how it changed my work, I think having kids has made me understand more of how the world works. I understand nature in ways I didn't before kids. I don't know, I'm sure it's made an impact on my work. Looking back I see a big difference in my art post August 2005, that's for sure.
Alot of artists I know don't want kids, and that's cool, they want to keep their lifestyle the same, have less responsibilities, I respect that. And it is easier for sure. But I DO think any stable couple who is the slightest bit interested in having kids should go for it. And don't wuss out, have two kids if you can!
Besides working on this show, what have you been up to?
Eating more than I should. I tend to snack a lot when I'm working on a show. It is terrible. I am eating Chinese leftovers as I type this.
You mentioned this being one of your last solo shows for awhile. After this show, what you have planned?
I just need to take a break at this point. I'm going to continue painting, I might try out oil painting for a while, but I want to take it slowly and not have the pressure of a show on my shoulders. I have had too many shows in a row the past two years, haven't had a chance to catch my breath. So I don't have anything planned at all. Going to jump into doing more prints, maybe curate some shows and maybe teach a class or two if anyone will hire me. My future is uncertain and it's kinda scary, but I think it's what I need at this point.
Are you excited about the World Cup at all?
No, I don't even know who's playing. I follow baseball, though the past two years I haven't watched much.
What was the major technical shift from previous works if any?
When I started painting at 14 I thought the pinnacle of art making was the ability to paint things as realistically as possible, and that's what I worked on for a few years. As I learned more about art history I realized there was so much more to art than being able to render well.
So I tried a bunch of things over the years, from traditional painting to embarrassingly failed attempts at video installations and performance art pieces! It took a while but I realized my strengths were in making visual art, and more importantly, that's what I had the most passion for. In the last ten years I've concentrated heavily on painting, but felt like being a "painter" was too limiting. I was finding used pieces of wood, scratch into my surface, create texture, add collage elements, spraypaint on it; this time I am keeping the pieces really clean and pristine, making each piece precious in a way. I think for this show I wanted to visit my early roots of trying to render forms realistically. I am realizing I am a painter and for the first time embracing it. Aint nuthin' wrong with being a painter!
What's an average daily routine for you these days?
I am in show mode right now, so my schedule is all fucked up. I have been staying up late to paint in the garage, sleep, and then work all day at my studio which is a few miles from where we live. Usually though I get up with my wife and the kids and help with breakfast and getting everyone ready. Then I work for 8 hours or so and come home- dinner, kids baths, pajamas, etc. Pretty normal "dad" schedule. I actually crave that "dad" schedule part about having weekends off, and I'm going to try to do that when I get back from NYC! Yeah! Gonna take the kidlets to feed the ducks at the park!
Last week we did our first themed Photo of the Day asking you to email in your quintessential San Francisco photos. We got so many great entries and couldn't squeeze them all in. So, here's a bit of overflow from the images emailed in.
Hey there, I just got back from a short residency down in a small town two hours north of Mexico City called Tequisquiapan. I was asked to come down there to meet some of the crew of the Clipperton Project, which basically is going to be a crazy boat trip in March with scientists and artists going out to a very remote atoll in the Pacific called Clipperton Island. Anyways, I thought you might like to see some photos of the town and the graffiti that I was surprised to find there.
We can finally shut up about FFDG's fire, about FFDG's temp space, about all the transitions, because we signed a 2 year lease on a new space in the heart of the Mission District last night!
Real Ethereal embraces our mysterious relationship with life. It blends the physical with the metaphysical on a journey through an ever-transitioning space where common interactions become extraordinary and perception ventures into the otherworldly. Real Ethereal examines possibilities of unseen realities and metaphorically represents the winding path that reveals before us and conceals behind us; the future remains a mystery while the past fades quickly into the recesses of our mind. We are left with the present: the mysterious reality of our existence; the hair of time difficult to grasp.
Recent UC Santa Cruz photography graduate Sean Vranizan emailed over this series of images he creates by using a scanner as a camera, upon which found and collected objects, both two-dimensional and three, were used in collage format.
SF based artists Alex Ziv & Quinn Arneson are in their final year at the San Francisco Art Institute and open the two person show UNIBROW: BRIDGING THE GAP Thursday, Dec 8th at Gallery Heist.
Great new video by Philadelphia based director Tobias Stretch whose videos feature his puppet work - If you have some time, browse his other great bizarre dreamlike videos.
A few November weekends back, I headed down with Travis Millard and Jim Dirschberger for o Breaks, a group show curated by Jay Howell and Louis Schmidt, which opened 11.11.11 at Double Break store and gallery in San Diego, CA.
Before the show it was pretty much just me and Pacolli painting the whole gallery and doing all the instalations and hanging all the work. lots of shit to be done. I also painted the front of Choque the week after the opening. And we had a little concert at Choque in which I played keyboard and two other folks played guitar and sang. Ephameron went there the day before the opening and did a tape installation as well. During the month we also had a zine/print/shirt sale at Choque as well. It all went very well and we had a blast! -Mildred
I am dealing with a new series called "Pseudo-Advertising", where I focus upon the relationship between today’s muralism and the contemporary outdoor advertising.
Last week, after swinging by Rebel 8 clothing's HQ in San Francisco, we swung by the HQ of Strange Bird Distribution distributors of Low Card, Think Skateboards, Hubba Wheels, etc...
Stopped through Rebel 8 clothing HQ last week to see what their up to. We've known Joshy D. 10 plus years back when he was doing the SF graffiti site, HiFiArt.com in the early days of the internet when Fecal Face was just getting its start. Nice to see Mike Giant, whose designs adjorn many of Rebel 8's clothing, and Josh doing so well.
Say hi to Fecal Face & FFDG's new intern, Alexander Uhrich, who's in his last year at SFAI. He has to put in 90 hours of work, so you'll be seeing a lot of him.
Check his site to check his photography... Mucho eye entertainment to be viewed.
Hey, if you're a Tumblr fan, Fecal Face is on there as well. We'll be posting a taste of what you see here on the site... Tumblr was nice enough to give us fecalface.tumblr.com since someone had it but never made a post on it... You know what? Wonder if we claimed it years back and forgot about it. Hum.
Ryan Wallace & Chris Duncan open Transmission Lines in Toronto at Cooper Cole Gallery Friday, Feb 3rd.
Wallace and Duncan's linear variations of shape explore the margins of time and space while echoing the unstable tension between vision, perception, and reflection. Both artists explore a variety of materials to great visual effect. ~complete show details.
Ever Gold in SF opens a month long residency with Josh Short'sBomb Shelter Radio and Tenderloin Self- Defense Club tonight, Thurs (6-10pm). Check the video for a complete picture of what to expect.
Over the course of his residency at Ever Gold Gallery, Josh Short will build "Bomb Shelter Radio" and host several live sonic events that will include experimental noise transmissions, live metal and hardcore bands, and subversive FM radio interventions. This will also be aided by guerrilla public installations of radios installed around the Tenderloin bringing his interventions directly to the street as a form of audio graffiti. During the day the gallery will become the "Tenderloin Self-Defense Club", where Short will offer martial arts instruction to the neighborhood inhabitants, artists, and musicians. ~show details
In the days following the Fukushima nuclear disaster, I was asked to make a poster for the Devo show at the Warfield Theatre in San Francisco. The image was a Japanese girl, wearing a nuclear t shirt, with the kanji character for earth tattooed on her shoulder. She was dead. I called her Sue Nami, and much to my surprise, the band liked it. ~keep reading Zolton's story of Sue.
The rain came down hard on the 20th but people came through to view the massive show featuring works from Albert Reyes, Aiyana Udesen, and Matt Furie. The show runs through Feb 11th.
LA based artist/ designer Tony Larson updates his portfolio site with loads of eye candy... We've known Tony for years. You may know him through the many years he designed boards for Girl Skateboards. --> Want to get to know him? Check this interview for a taste of Tony.
The Eames Office - Producer and Editor Daniel Ostroff, talks about two Girl Skateboard decks in the Collecting Eames.
I designed the Modern Chair Series for Girl in 2001. They have, by far, been the most asked about boards I've ever done. Pretty funny to see how they've survived. -Tony Larson
University of Georgia, Athens teacher and past Headlands Center for the Arts resident, Adriane Colburn, opens Of Darkness (drawings, sculpture, video, photographs and large scale cut paper in an installation) at The Luggage Store on Feb 3rd (6-9pm) here in SF. ~show details
Of Darkness combines drawings, sculpture, video, photographs and large scale cut paper in an installation that looks at the tension and complex beauty born out of the collision of wilderness and human industry.
Last week we did our first themed Photo of the Day asking you to email in your quintessential San Francisco photos. We got so many great entries and couldn't squeeze them all in. So, here's a bit of overflow from the images emailed in.
Hey there, I just got back from a short residency down in a small town two hours north of Mexico City called Tequisquiapan. I was asked to come down there to meet some of the crew of the Clipperton Project, which basically is going to be a crazy boat trip in March with scientists and artists going out to a very remote atoll in the Pacific called Clipperton Island. Anyways, I thought you might like to see some photos of the town and the graffiti that I was surprised to find there.
We can finally shut up about FFDG's fire, about FFDG's temp space, about all the transitions, because we signed a 2 year lease on a new space in the heart of the Mission District last night!
Real Ethereal embraces our mysterious relationship with life. It blends the physical with the metaphysical on a journey through an ever-transitioning space where common interactions become extraordinary and perception ventures into the otherworldly. Real Ethereal examines possibilities of unseen realities and metaphorically represents the winding path that reveals before us and conceals behind us; the future remains a mystery while the past fades quickly into the recesses of our mind. We are left with the present: the mysterious reality of our existence; the hair of time difficult to grasp.
Recent UC Santa Cruz photography graduate Sean Vranizan emailed over this series of images he creates by using a scanner as a camera, upon which found and collected objects, both two-dimensional and three, were used in collage format.
SF based artists Alex Ziv & Quinn Arneson are in their final year at the San Francisco Art Institute and open the two person show UNIBROW: BRIDGING THE GAP Thursday, Dec 8th at Gallery Heist.
Great new video by Philadelphia based director Tobias Stretch whose videos feature his puppet work - If you have some time, browse his other great bizarre dreamlike videos.
A few November weekends back, I headed down with Travis Millard and Jim Dirschberger for o Breaks, a group show curated by Jay Howell and Louis Schmidt, which opened 11.11.11 at Double Break store and gallery in San Diego, CA.
Before the show it was pretty much just me and Pacolli painting the whole gallery and doing all the instalations and hanging all the work. lots of shit to be done. I also painted the front of Choque the week after the opening. And we had a little concert at Choque in which I played keyboard and two other folks played guitar and sang. Ephameron went there the day before the opening and did a tape installation as well. During the month we also had a zine/print/shirt sale at Choque as well. It all went very well and we had a blast! -Mildred
I am dealing with a new series called "Pseudo-Advertising", where I focus upon the relationship between today’s muralism and the contemporary outdoor advertising.
Last week, after swinging by Rebel 8 clothing's HQ in San Francisco, we swung by the HQ of Strange Bird Distribution distributors of Low Card, Think Skateboards, Hubba Wheels, etc...
Stopped through Rebel 8 clothing HQ last week to see what their up to. We've known Joshy D. 10 plus years back when he was doing the SF graffiti site, HiFiArt.com in the early days of the internet when Fecal Face was just getting its start. Nice to see Mike Giant, whose designs adjorn many of Rebel 8's clothing, and Josh doing so well.
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