San Francisco artist Brian Barneclo has been working on creating the largest mural here in SF at 7th and Townsend streets "Systems Mural Project" . He's been in the fundraising part of the project for over a year now as he trys to raise the money for the permits, paint, equipment, etc. It's a grassroots campaign, and with the help from businesses and organizations such as the Intersection for the Arts, it's looking like it will be come a reality. Brian has rasied over $30,000 to date but needs a total of $70,000 to begin work. He's created this KickStarter page where you can dontate... and remember that IT'S TAX DUCTABLE since it's being fiscally sponsored by the Intersection for the Arts. Get in there and drop a $20 on a great project. ~on Facebook
Brian Barneclo's work is now on display @The W Hotel through December... Also, a funny thing about the mural is that Brian has the green light to begin today, Otc 18th, but they need $8,000 for insurance. Donate and help make it happen, captain.
Some mural facts: * This will be the largest mural in San Francisco at 600 feet long and 40 feet tall
* SF Mayor Gavin Newsom has given the project a Proclamation declaring September 16th Systems Mural Day in SF
* The "canvas" for the huge painting greets Caltrains passengers as the enter and exit The City near 7th and Townsend
* There is a 30' mini version of the design on display at a new gallery in the Metreon called Brief Space on display through December
The STROKE.ARTFAIR is the worlds first artfair dedicated to the artistic developments of many diverse subcultural influences throughout the last 30 years, such as Streetart, Graffiti, Low-Brow, Illustration, Skateboard Art and many more - subsumed under the term of Urban Art.
Our 10 year anniversary show has just ended, and we have a few works still available like this patchwork painting by Jim Houser below featuring four 3 dimensional overlays. *click image for larger view
-- Jim Houser, In Decline, acrylic on wood panel, 24“x24”
Got this email from Paris based street artist LUDO.
-- Just wanted to share some pics of a little series I'm doing right now. Basically it's called "co-branding" and it's about invading bus shelters spaces with my stuff and brand them to fit in the commercial world. It started with a DelMonte custom can and still going on...
LUDO, thanks for emailing. We like... Is that birth control in the Chanel piece?
MOMO @Anno Domini // the second coming of Art & Design
366 South First Street San Jose, CA
Exhibition Dates: October 1 - November 20, 2010
MOMO is known for thoughtful post- graffiti: tagging his name the width of Manhattan, creating over-sized collage, a fake New Yorker magazine cover, tide powered sculpture, a computer script which makes his art for him, and prints, paintings, and videos that rely on chance for fun and substance... His show in San Jose runs through Nov 20th at Anno Domini. Great work, and have you seen his tagging of Manhatten which is the largest to date- over 8 miles. NYTimes article. ~Show details
This may be one of our favorite items we've posted in some time. Just love it. Enjoy.
About "Lagoi & Lace"
Ralph Lagoi and Kate Lace are the artist duo behind "Lagoi & Lace". While studying art and photography at the Academy of media Arts in Cologne where they graduated with honors in summer 2010, they soon decided to combine their various strengths (photography, design, art direction and styling) to cherish and celebrate the power of beauty and fashion.
About the "Love Land Invaders"
Japan's stunningly decorated love hotel rooms are the impact zone of the "Love Land Invaders". They conquer these quirky and marvelous rooms with their playful visual lust. They strike iconic poses and seem to own a vast collection of unique fashion objects. It appears as if you're observing some intimate moments of energetic superheroes...
In order to find the perfect locations to unleash such concentrated passion we headed out for the most extraordinary love hotel rooms we could find in Osaka and the Kansai area.
The "Love Land Invaders" collection, which we designed and constructed beforehand, consists of masks, glasses, shields, armory, jewelry, customized clothes and ribbons, which are reaching out like demanding tentacles. After putting on these pieces we transformed into "Miss Takehito Quadruple", "Mister Hyde Dobuita Speerträger", "Mr. Seiuchi Sivuch", "Shika Shika Chan" and "Miss Ayanami Oenshi". Each of these characters represents a certain aspect of beauty (the beauty of dark elegance, the beauty of a gentleman, the beauty of play, the beauty of wilderness, the beauty of pink). The "Love Land Invaders" express an idea we call luxurious pop. In this project luxury can be found in the aesthetic quality of the design, for example by using glossy materials, sculptural shapes and vibrant colors. Luxury can also mean giving oneself the freedom to explore your desires and fantasies and creating fitting worlds. For us pop describes the idea of bringing diverse inspirational sources into a fresh mix to create emotionally and visually strong images. The idea of luxurious pop was our guiding light while creating the "Love Land Invaders".
Muralist, RIPO emailed over a couple newer mural works. Love his lettering and these pieces.
Your Name Super Size - Near Basel, Switzerland
Madrid, Spain - An old tobacco factory in Madrid seemed like the perfect place to paint a tribute to the classic Optimo Cigars sign that I grew up seeing all over NYC. And even for those people who won't know the context it's at least an Optimistic word. - RIPO
We wrap up short interviews with artists participating in the show with the mega talented Oliver Vernon who now lives in Northern California.
What were you up to in the year 2000?
My dj friends and I had just built and opened Halcyon in Brooklyn, a dj-lounge/cafe/gallery/mod furnishings shop. I was djing around New York and painting murals in clubs, bars and restaurants. I started doing live paintings at Giant Step parties, which were paid gigs (unheard-of at the time.) Through Halcyon I met a dealer who put me in my first New York group show at the gallery in the Gershwin Hotel as well as the Armory Show.
How has your work changed in the last 10 years?
Painting is a reflection of life, an expression of any given moment in time, it is autobiographical. As times pass and change, so do i and so does the painting. In certain ways I look at what i'm doing now and think that it's basically the same as I was doing 15 years ago, only seasoned and textured with the accumulated experiences of life. The basic principles have remained in tact through the years, but I have pushed evolution in the way I approach and handle the materials, and how the different painting ideas are engaging the surface and each other. I am now much more sensitive to nuance and subtlety, and have a greater consideration for how the different layers are interacting.
We have a few interviews with artists who are in Fecal Face's 10 Year Show (closing show Fri, Oct 8th) that we ran out time to add up on the site. Well, here's one with our good friend, LA based artist and amazing drawer, Travis Millard.
What were you up to in the year 2000?
I was an enthusiastic apple-cheeked young man smoking hay and wandering around Lawrence, Kansas.
How has your work changed in the last 10 years?
I used to mess around with more paint and larger pieces... It was all pretty scattered. I think it's grown over time, and still remains fairly scattered, but maybe it's tightened up and/or evolved a bit more.
What did you think 2010 would be like back then?
It's a lot like I thought it'd be but with less hovering then I predicted.
When you first heard of Fecal Face what did you think about it?
I thought, "this is the site for me"... then saw it and thought, "Oh, art. This is the site for me".
My name is Steven Burke and I wanted to let you know about my paintings that I did where I live, in South West of France last summer. Lots of trees have been cut down here after a big storm... So I decided to paint on those "Poor Little Trees"! Also, I really like Fecal Face and I wish you a long life!
Steven, thanks for emailing these over. They're great... Check out Steven's website for a lot more gems.
Josh Keyes upcoming show Collision opens Nov 5th in Denver @David B Smith Gallery. Keyes then opens up a solo show @Fecal Face April 7th. The response has been pretty incredible with inquires since the show was announced last year. We're excited to see what Josh has planned for both shows.
Needles & Pens just got back from an epic three week stint in Sweden. We were there doing a show called HELLO SWEDEN at our sister gallery KRETS in Malmö. The show featured the likes of, Chris Duncan, Derek Mehaffey (Other), Paul Urich, Jay Howell, Orion Shepperd, Jovi Schnell, Kevin Earl Taylor, Kyle Ranson, Oliver Halsman Rosenberg, Maria Forde, Mat O’Brien, Michael Krueger, Monica Canilao, Nick Mann (Doodles), Pacolli, Rich Jacobs, Tim Kerr, Sara Thustra, Amy Browne, Hardland/Heartland, Matt Furie, Aiyana Udesen, Tara Lisa Foley, Andrew Schoultz, Hilary Pecis, Jay Nelson, and few others. It was an amazing time. Here's a little pictorial bloggings of the experience.
Filmmaker, Director, and One Way or Another documentarian Corey Adams recently paid us a visit for his public and private screening of Machotaildrop, which premiered at the Downtown Independent Theater as a part of the LA Skate Film Festival. Last time we saw him he had accidentally mis-booked his flight and stayed for a week. We were really hoping he would do that again because Rachel really wanted to watch Excalibur with him again.
TRANSFER - is a huge large scale urban art show in São Paulo, Brazil running through Oct 17th... Our friend Tristan Rault was there and documented the setup of the show.
I have finally gotten some time to get my words around and try to explain how awesome this event I was invited to was. They told me I could snap some pics of the process and all around preparation of the show and so did I. This was more than a month ago now though.
Transfer was created by Lucas "Pexão" Ribeiro around 2007, in Porto Alegre, a midsize city in the south of Brazil where the dude's from. With the help of Ana Ferraz, his partner and curator's assistant of the exhibit, this first version went on to become a stepping stone in the oh-so-visited Brazilian underground scene. And I am sure what made such a difference is the element that later on became blatantly clear to me: a dead on serious art curation.
Got to preview Mike Shine's show last night @941 Geary. Games, music, food, drinks, performances. Be sure to get there tonight for the grand opening of Flotsam's Wonder World... Below is a little taste without giving too much away. Saturday, 7-11pm. show details
Ferris Plock, Brixton, and Kelly Tunstall
The parade into the show.
Cheer up, Charlie.
Jessica and Mr Mike Shine... He's the one in the face paint.
A couple days after Micheal Jackson died I headed out to his hometown Gary, Indiana. I spent the day photographing his neighbors and strangers who all came out to pay their respects to the King of Pop. The summer day was humid and sunny. There was a lot of action on Jackson Street. Micheal Jackson's childhood home was decorated in MJ memorabilia, stuffed teddy bears, roses and trinkets. Although Micheal Jackson was dead it seemed as though Jackson street would always remain vivacious in his memory.
In the winter of 2010, exactly six months after his death, I took a trip back out to the Jackson family home. The weather was dreary and cold. His home was bare and a new addition of metal shutters had been applied to every single window. An iron gate had been erected around the property and not a soul was to be found. -Akasha Rabut
I don't think at this point it needs to be written since the last update to Fecal Face was a long time ago, but...
I, John Trippe, have put this baby Fecal Face to bed. I'm now focusing my efforts on running ECommerce at DLX which I'm very excited about... I guess you can't take skateboarding out of a skateboarder.
It was a great 15 years, and most of that effort can still be found within the site. Click around. There's a lot of content to explore.
I'm not sure how many people are lucky enough to have The San Francisco Giants 3 World Series trophies put on display at their work for the company's employees to enjoy during their lunch break, but that's what happened the other day at Deluxe. So great.
SF skateboarding icons Jake Phelps, Mickey Reyes, and Tommy Guerrero with the 3 SF Giants World Series Trophies
When works of art become commodities and nothing else, when every endeavor becomes “creative” and everybody “a creative,” then art sinks back to craft and artists back to artisans—a word that, in its adjectival form, at least, is newly popular again. Artisanal pickles, artisanal poems: what’s the difference, after all? So “art” itself may disappear: art as Art, that old high thing. Which—unless, like me, you think we need a vessel for our inner life—is nothing much to mourn.
Hard-working artisan, solitary genius, credentialed professional—the image of the artist has changed radically over the centuries. What if the latest model to emerge means the end of art as we have known it? --continue reading
"Six Degrees" opens tonight, Friday Jan 16th (7-10pm) at FFDG in San Francisco. ~Group show featuring: Brett Amory, John Felix Arnold III, Mario Ayala, Mariel Bayona, Ryan Beavers, Jud Bergeron, Chris Burch, Ryan De La Hoz, Martin Machado, Jess Mudgett, Meryl Pataky, Lucien Shapiro, Mike Shine, Minka Sicklinger, Nicomi Nix Turner, and Alex Ziv.
"[Satire] is important because it brings out the flaws we all have and throws them up on the screen of another person," said Turner. “How they react sort of shows how important that really is.” Later, he added, "Charlie took a hit for everybody." -read on
Jacob Magraw will be showing embroidery pieces on cloth along with painted, gouache works on paper --- Rachell Sumpter paints scenes of colored splendor dropped into scenes of desolate wilderness. ~show details
NYC --- A new graffiti abatement program put forth by the police commissioner has beat cops carrying cans of spray paint to fill in and cover graffiti artists work in an effort to clean up the city --> Many cops are thinking it's a waste of resources, but we're waiting to see someone make a project of it. Maybe instructions for the cops on where to fill-in?
The NYPD is arming its cops with cans of spray paint and giving them art-class-style lessons to tackle the scourge of urban graffiti, The Post has learned.
Shootings are on the rise across the city, but the directive from Police Headquarters is to hunt down street art and cover it with black, red and white spray paint, sources said... READ ON
We haven't been featuring many interviews as of late. Let's change that up as we check in with a few local San Francisco artists like Kevin Earl Taylor here whom we studio visited back in 2009 (PHOTOS & VIDEO). It's been awhile, Kevin...
If you like guns and boobs, head on over to the Shooting Gallery; just don't expect the work to be all cheap ploys and hot chicks. With Make Stuff by Peter Gronquist (Portland) in the main space and Morgan Slade's Snake in the Eagle's Shadow in the project space, there is plenty spectacle to be had, but if you look just beyond it, you might actually get something out of the shows.
Fifty24SF opened Street Anatomy, a new solo show by Austrian artist Nychos a week ago last Friday night. He's been steadily filling our city with murals over the last year, with one downtown on Geary St. last summer, and new ones both in the Haight and in Oakland within the last few weeks, but it was really great to see his work up close and in such detail.
Congrats on our buddies at Needles and Pens on being open and rad for 11 years now. Mission Local did this little short video featuring Breezy giving a little heads up on what Needles and Pens is all about.
Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.
Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.
San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.
Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.
Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.
The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.
With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding
I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle
Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.
Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.
For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.
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