For the 4th we sailed over to Angel Island, spent a few days enjoying the hot Marin air, BBQing it up w/ friends, and watching the fireworks from it... A warm clear evening and you could view both of San Francisco's fireworks and also Sausalito's as well... That is a damn fine island.
Bay Area photographer shits out another photo of the Golden Gate Bridge.
Two boats are better than one for an overnight.
Walk back to the boats and drink more wine.
Best spot to view San Francisco's duel fireworks show.
Tiffany Bozic's solo show Sense of Wonder is in its final week at San Francisco's FFDG. Before this wonderful show comes to a close, we wanted to ask Bozic about her methodology, lifestyle, influences and generally what makes her tick.
acrylic on maple panel, 2013 -
18" x 24" -
pricing & availability: info(at)ffdg.net
You normally work in a much larger scale. Why did you choose the smaller size for the works?
I decided to make these small paintings for two main reasons. The first reason was to explore things I've always wanted to try but never quite fit into the larger paintings. The second reason was to just sit down and make a painting every 2-3 days of whatever I was interested in at the time. It felt very fun and liberating.
Goldfish & Tadpoles -
acrylic on maple panel, 2013 -
8" x 8"
acrylic on maple panel, 2013 -
20" x 14"
Obviously your work reflects a skewed and creative reflection of the natural world. How do you come up with your creatures and pairings?
I don't really know where the ideas come from. I've always had an immense appetite for exploring and discovering new things to paint. I really try to go back to being a kid with no inhibitions, to be self unaware and happily captivated by whatever I'm doodling.
When I was younger I spent a lot of time alone outdoors constantly turning stones to discover something cool to draw. Later I would bring that critter back to my studio and make a drawing of it. I suppose I am still doing that. I'm still that little kid at the kitchen table with a pad of paper letting the pencil carry me away into another world.
acrylic on maple panel, 2013 -
12" x 16"
acrylic on maple panel, 2013 -
6" x 6"
You recently moved up to Marin with your family. How has the transition been from city to a more relaxed surrounding?
I've always wanted to be able to complain about the deer eating every plant I put in the ground, and now I can finally do that!
We moved into a cottage under the redwood trees at the foot of Mt. Tamalpais. From outside our door there are 5 miles of open space until it drops into the ocean. I feel like I am already becoming part of the land and I enjoy all the diverse organisms living around my house. I notice the grand change of seasons and the tiny changes that silently move along like the banana slugs that I pick up and move off the trail when I go for hikes. For the first time in my life I feel humbled and grateful to have finally found my home.
Thursday, 16 May 2013 12:00 Written by Kristin Bauer
Following his solo exhibition "The Collected" at Gallery Wendi Norris, painter Amir H. Fallah is in the throes of developing more new works for upcoming international exhibits. We spent some time in his studio in Highland Park, Los Angeles recently, discussing his process and inspiration.
Amir H. Fallah admits that he's in the studio seven days a week, which is part of the reason he's chosen to build his studio into his home in Los Angeles. Fallah is an incredibly prolific visual artist showing nationally and internationally, and is also the founder and owner of Beautiful Decay, juggling both with incredible dexterity. On the tail end of his very successful and highly reviewed solo exhibition "The Collected" at Gallery Wendi Norris in San Francisco, immediately followed by the opening of "Desaturated Rainbow," a group exhibition he co-curated which opened in NYC at Field Projects, Fallah is back to work without missing a beat. I visited him at his studio on a beautiful sunny day recently to get a behind the scenes view of his process and inspiration.
Fallah is currently working on a number of pieces for a group exhibition at The Third Line in Dubai and several works on paper for another group exhibit in Rotterdam. The exhibition in Dubai is called Arrangement, and he is developing painted and collaged works on paper-mounted-canvas for it that deconstruct and reconfigure flower arrangement. Fallah found himself making these pieces after creating a painting he titled "The Ultimate Mom Painting" in 2009.
He says, "my mom called me up one day and said, 'Can't you just paint me something pretty? Like some flowers or a pond?' She wanted mom art... I made the 7'x5' painting as a joke and halfway through the painting I realized I liked it."
Seeing his work during its developing stages, the dance between abstraction and realism and the spatial tension that Fallah is playing with become clearer. Balancing references to abstract painting, Persian Miniature paintings, Dutch and Flemish still life and graphic design, the works are multidimensional and increasingly textural the closer one looks. --continuing reading
If you like guns and boobs, head on over to the Shooting Gallery; just don't expect the work to be all cheap ploys and hot chicks. With Make Stuff by Peter Gronquist (Portland) in the main space and Morgan Slade'sSnake in the Eagle's Shadow in the project space, there is plenty spectacle to be had, but if you look just beyond it, you might actually get something out of the shows (PHOTOS).
Gronquist's taxidermied and gilded sculptures, along with some really subtle paintings, filled the space in a uniquely balanced way. If I hadn't met the guy that night, I might not believe that one person made all of this work. I fought through my debilitating fear of butterflies to see that they were meticulously pinned to the sculptures in just the right way. It seems like if there was one more butterfly, it could throw the whole thing off - but it works. It's like a consumer frenzy, complete with luxurious materials, animals, and bugs and then a quiet meditation in Rothko-like stillness.
Slade's hand-altered photographs seem to also encapsulate this balance through more bikini-clad women also with subtle painting aspects. I want to hate these photos but I can't - the way they are painted and drawn on both removes the cheesy allure of the girls and highlights the quality of the photograph. And for goodness sake, it's Riff Raff! This is exactly how photographs of him should look, complete with logos because he "only fucks with hoes who rock Dolce & Gabbana." He's ridiculous and these photos emphasize that, highlighting him as the Neon Icon.
So yes, there are lots of guns and boobs to be had, but it's a lot more than that, go see for yourself.
Words & Photos: Rachel Ralph - rachel(at)fecalface.com
I don't think at this point it needs to be written since the last update to Fecal Face was a long time ago, but...
I, John Trippe, have put this baby Fecal Face to bed. I'm now focusing my efforts on running ECommerce at DLX which I'm very excited about... I guess you can't take skateboarding out of a skateboarder.
It was a great 15 years, and most of that effort can still be found within the site. Click around. There's a lot of content to explore.
Hit me up if you have any ECommerce related questions. - trippe.io
I'm not sure how many people are lucky enough to have The San Francisco Giants 3 World Series trophies put on display at their work for the company's employees to enjoy during their lunch break, but that's what happened the other day at Deluxe. So great.
SF skateboarding icons Jake Phelps, Mickey Reyes, and Tommy Guerrero with the 3 SF Giants World Series Trophies
When works of art become commodities and nothing else, when every endeavor becomes “creative” and everybody “a creative,” then art sinks back to craft and artists back to artisans—a word that, in its adjectival form, at least, is newly popular again. Artisanal pickles, artisanal poems: what’s the difference, after all? So “art” itself may disappear: art as Art, that old high thing. Which—unless, like me, you think we need a vessel for our inner life—is nothing much to mourn.
Hard-working artisan, solitary genius, credentialed professional—the image of the artist has changed radically over the centuries. What if the latest model to emerge means the end of art as we have known it? --continue reading
"Six Degrees" opens tonight, Friday Jan 16th (7-10pm) at FFDG in San Francisco. ~Group show featuring: Brett Amory, John Felix Arnold III, Mario Ayala, Mariel Bayona, Ryan Beavers, Jud Bergeron, Chris Burch, Ryan De La Hoz, Martin Machado, Jess Mudgett, Meryl Pataky, Lucien Shapiro, Mike Shine, Minka Sicklinger, Nicomi Nix Turner, and Alex Ziv.
"[Satire] is important because it brings out the flaws we all have and throws them up on the screen of another person," said Turner. “How they react sort of shows how important that really is.” Later, he added, "Charlie took a hit for everybody." -read on
Jacob Magraw will be showing embroidery pieces on cloth along with painted, gouache works on paper --- Rachell Sumpter paints scenes of colored splendor dropped into scenes of desolate wilderness. ~show details
NYC --- A new graffiti abatement program put forth by the police commissioner has beat cops carrying cans of spray paint to fill in and cover graffiti artists work in an effort to clean up the city --> Many cops are thinking it's a waste of resources, but we're waiting to see someone make a project of it. Maybe instructions for the cops on where to fill-in?
The NYPD is arming its cops with cans of spray paint and giving them art-class-style lessons to tackle the scourge of urban graffiti, The Post has learned.
Shootings are on the rise across the city, but the directive from Police Headquarters is to hunt down street art and cover it with black, red and white spray paint, sources said... READ ON
We haven't been featuring many interviews as of late. Let's change that up as we check in with a few local San Francisco artists like Kevin Earl Taylor here whom we studio visited back in 2009 (PHOTOS & VIDEO). It's been awhile, Kevin...
If you like guns and boobs, head on over to the Shooting Gallery; just don't expect the work to be all cheap ploys and hot chicks. With Make Stuff by Peter Gronquist (Portland) in the main space and Morgan Slade's Snake in the Eagle's Shadow in the project space, there is plenty spectacle to be had, but if you look just beyond it, you might actually get something out of the shows.
Fifty24SF opened Street Anatomy, a new solo show by Austrian artist Nychos a week ago last Friday night. He's been steadily filling our city with murals over the last year, with one downtown on Geary St. last summer, and new ones both in the Haight and in Oakland within the last few weeks, but it was really great to see his work up close and in such detail.
Congrats on our buddies at Needles and Pens on being open and rad for 11 years now. Mission Local did this little short video featuring Breezy giving a little heads up on what Needles and Pens is all about.
Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.
Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.
San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.
Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.
Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.
The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.
With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding
I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle
Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.
Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.
For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.
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