Tuesday, 03 January 2012 16:39 Written by Van Edwards
MCD LAB#3: Fake Sunset Opening Fri, Jan 6th (6-9pm)
@FFDG 2277 Mission St @19th
FFDG is pleased to open the co-curated silk screen print show "MCD LAB#3: Fake Sunset" at its new location in the Mission district (2277 Mission St @19th) on Friday, January 6th (6-9pm).
3 color silk screen by Jeremy Fish
During the summer of 2011 FFDG was asked to select three San Francisco based artists and bring them to Sao Paulo, Brazil to participate in the third edition of the MCD LAB shows co-curated by Brazil's NOZ.ART (Ana Ferraz, Lucas Ribeiro Pexao and Tristan Rault). Featuring hand pulled three color silk screen prints, the show opened on July 25, 2011 at Sao Paulo's LOGO Gallery and featured prints from Jeremy Fish (USA), Matt Furie (USA), Aiyana Udesen (USA), Sesper (Brazil/SP), Lucas Cabu (Brazil/SP), Fabio Bitao (Brazil/SP), Talita Hoffmann (Brazil/Porto Alegre), Anthony Nathan (Brazil/Curitiba), Lucas Torres (Brazil/Belo Horizonte), and Alberto Monteiro (Brazil/Rio de Janeiro).
After traveling throughout Brazil during this past Fall, FFDG will host the only US stop for the exhibition on display for 2 weeks with an opening reception Friday, January 6th (6-9pm). San Francisco based artists Jeremy Fish, Matt Furie, Aiyana Udesen along with Brazilian artists and curators Lucas Torres, Ana Ferraz, Lucas Ribeiro Pexao and Tristan Rault will be present. All 10 prints will be for sale framed and unframed. Tecates shall be served.
MCD LAB # 3: Fake Sunset is an ambitious project of art and music, that throughout 2011 will connect different art galleries, artists and players from the creative scene in Brazil. This year's edition is curated by NOZ.ART (Ana Ferraz, Lucas Ribeiro Pexão and Tristan Rault), and FFDG's John Trippe.
The starting point for this experience is a classic image from California, intentionally used in excess, playing with the irony of this cliché figure which influenced much of the world: the gradient sunset, adorned with the silhouettes of palm trees. Images widely used in t-shirt prints, stickers, skateboard decks and surfboards. An icon of the message that emanated from California for decades, just as, in another moment, the subculture of aggressive surfing, illegal skateboarding and hardcore music was "smuggled" beyond U.S. borders. An imaginary with vibrant colors that arrived in Brazil through movies, magazines, records, video clips and even video games to be reproduced by young people, invading even concrete cities where the skyline (and the sunset) are obstructed by buildings.
Fake Sunset seeks a reflection on the influence of the Californian imaginary on Brazilian subcultures. Californian and Brazilian artists were invited to create new silkscreen prints for a group show. The only rules to create the graphics were: the landscape orientation of the paper, and one gradient on the image. Besides that, each artist was free to address their unique point of view about the influence in question, creating a real bridge through the sunset to finally connect these creative communities. All screen prints were produced in Brazil, by the Fullhouse studio. The series of exhibitions opened on July in Sao Paulo and were showed in another 4 Brazilian capitals. Together with the 10 radiant prints, each city had a site-specific artwork, create by one (or more) of the ten artists invited.
=== About FFDG's new Mission location
Last year at this time FFDG (www.ffdg.net) was located in a small storefront on Gough St at Market St in a slightly desolate location. In March of last year, FFDG moved to a larger space in the heart of the Lower Haight next to Upper Playground and were just getting settled when on Sept 27th a four alarm fire tore through the top floor of the building. Massive amounts of water soaked the entire building ruining everything including FFDG's space. After gathering their damp things, to continue their schedule while searching for a new home, FFDG temporarily located to Clement St in San Francisco's Inner Richmond. After only searching a couple weeks, FFDG found their new 700 square foot home on bustling Mission Street just walking distance to some of the best restaurants and bars in the city. "I love being over here", says owner John Trippe. "It's great to be in the heart of such a dynamic neighborhood. I mean, we're across the street from the 2nd best new restaurant in the US", he says referring to Mission Chinese which was recently voted by Bon Appetit as the US's 2nd best new eatery. "It's one of the best culturally diverse neighborhoods in the city and we're so happy to be here". FFDG opens their first show "MCD LAB#3: Fake Sunset" on Friday, January 6th (6-9pm).
Tuesday, 27 December 2011 11:48 Written by Van Edwards
Douglas Harrison Neill emailed over a few photos from Mr. Brainwash's short run show (through Dec 29th) happening in a 80,000 on La Brea Avenue in Hollywood. We're not fans of his work or the whole goofy thing, but hey, it's the holidays and a slow news day.
Last Thursday I shot Mr Brainwash's preview in LA. Love him or hate him the fact that what he does seems to work (to it's own degree) raises many interesting discussions. -Douglas Harrison Neill
Thursday, 22 December 2011 10:00 Written by Trippe
Japanese based Haroshi makes sculptures out of recycled skate decks, and they're pretty darn snazzy.
HUF x Haroshi x DLX Collaboration - HUF partners up with Tokyo-based artist Haroshi and Bay Area skateboard distributor DLX on a limited edition collaboration. Shot at artist Haroshi's studio in Tokyo by Shinto God, cut by Martin Reigel. Available January 2012.
When works of art become commodities and nothing else, when every endeavor becomes “creative” and everybody “a creative,” then art sinks back to craft and artists back to artisans—a word that, in its adjectival form, at least, is newly popular again. Artisanal pickles, artisanal poems: what’s the difference, after all? So “art” itself may disappear: art as Art, that old high thing. Which—unless, like me, you think we need a vessel for our inner life—is nothing much to mourn.
Hard-working artisan, solitary genius, credentialed professional—the image of the artist has changed radically over the centuries. What if the latest model to emerge means the end of art as we have known it? --continue reading
"Six Degrees" opens tonight, Friday Jan 16th (7-10pm) at FFDG in San Francisco. ~Group show featuring: Brett Amory, John Felix Arnold III, Mario Ayala, Mariel Bayona, Ryan Beavers, Jud Bergeron, Chris Burch, Ryan De La Hoz, Martin Machado, Jess Mudgett, Meryl Pataky, Lucien Shapiro, Mike Shine, Minka Sicklinger, Nicomi Nix Turner, and Alex Ziv.
"[Satire] is important because it brings out the flaws we all have and throws them up on the screen of another person," said Turner. “How they react sort of shows how important that really is.” Later, he added, "Charlie took a hit for everybody." -read on
Jacob Magraw will be showing embroidery pieces on cloth along with painted, gouache works on paper --- Rachell Sumpter paints scenes of colored splendor dropped into scenes of desolate wilderness. ~show details
NYC --- A new graffiti abatement program put forth by the police commissioner has beat cops carrying cans of spray paint to fill in and cover graffiti artists work in an effort to clean up the city --> Many cops are thinking it's a waste of resources, but we're waiting to see someone make a project of it. Maybe instructions for the cops on where to fill-in?
The NYPD is arming its cops with cans of spray paint and giving them art-class-style lessons to tackle the scourge of urban graffiti, The Post has learned.
Shootings are on the rise across the city, but the directive from Police Headquarters is to hunt down street art and cover it with black, red and white spray paint, sources said... READ ON
SAN FRANCISCO --- The Headlands Center for the Arts is preparing for their largest fundraiser of the year set to go down on June 4th at SOMArts here in the city. Art auction, food, drinks, live music, etc and all for helping to support a great institution up in the Marin Headlands. ~details
ABOUT HEADLANDS Headlands Center for the Arts provides an unparalleled environment for the creative process and the development of new work and ideas. Through a range of programs for artists and the public, we offer opportunities for reflection, dialogue, and exchange that build understanding and appreciation for the role of art in society.
Just want to say congrats to Fecal Face's Rachel Ralph for graduating from SFAI with her masters in curatorial studies. Also want to congratulate Alex Ziv who also just got his MFA in painting. Also a high five to the talented Mario Ayala who also just graduated from SFAI as well! --- All super talented artists (thinkers), and we're excited to see what the future holds for them!
We haven't been featuring many interviews as of late. Let's change that up as we check in with a few local San Francisco artists like Kevin Earl Taylor here whom we studio visited back in 2009 (PHOTOS & VIDEO). It's been awhile, Kevin...
If you like guns and boobs, head on over to the Shooting Gallery; just don't expect the work to be all cheap ploys and hot chicks. With Make Stuff by Peter Gronquist (Portland) in the main space and Morgan Slade's Snake in the Eagle's Shadow in the project space, there is plenty spectacle to be had, but if you look just beyond it, you might actually get something out of the shows.
Fifty24SF opened Street Anatomy, a new solo show by Austrian artist Nychos a week ago last Friday night. He's been steadily filling our city with murals over the last year, with one downtown on Geary St. last summer, and new ones both in the Haight and in Oakland within the last few weeks, but it was really great to see his work up close and in such detail.
Congrats on our buddies at Needles and Pens on being open and rad for 11 years now. Mission Local did this little short video featuring Breezy giving a little heads up on what Needles and Pens is all about.
Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.
Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.
San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.
Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.
Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.
The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.
With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding
I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle
Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.
Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.
For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.
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