It's been awhile since I wanted to meet Swoon. Everytime she stopped by Paris (2007 & 2010) I was overseas so I never get the chance to see one of her solo show. I did see some of her pieces in New York, London, Berlin or Sao Paulo but not in Paris or in a gallery.
Last week, Adeline Jeudy owner and curator of Galerie LJ, welcomed myself and a camera to interview Caledonia Curry that everybody knows as Swoon, while she was working setting up her latest solo show "Motherlands".
In the weeks leading up to the temporary closure of SFMOMA's building on June 3, 2013, to allow for construction of its expansion, Jonn Herschend filmed Stories from the Evacuation (2013) on location at the museum. He interviewed staff members about their involvement with the relocation of the art collection, offices, and information server and also about their individual perspectives on the transition. In Herschend's resulting film, his behind-the-scenes examination becomes a departure point for a larger narrative exploring personal risk and change.
Brilliant. Watch the top video and then the one below second.
'Skew' turns the idea of skeuomorphism on it's head: we re-made some well known skeuomorphic interface designs in the materials and objects they were trying to imitate; as well as subtly commenting on the mundane cycle of the digital day-to-day.
Long time Fecal Face London contributor and talented artist David Shillinglaw also participated. He and his friend Arlen Figgis rode triped over to Berlin to install. They also then made their way to Amsterdam to meet with Hyland Mather, Pipsqueak, and the Look for art gallery guys.
Every have one of those mornings where you start following links and the next thing you know you're watching a news reel clip of the Golden Gate International Exposition of 1939 that was held on the brand new man-made Treasure Island?
The fair was intended to celebrate the opening of two bridges, the Golden Gate and the Bay Bridge.
Got an email from Emanuele Pizzolorusso, a Helsinki based industrial designer, yesterday to let us know about his latest project Lucetta: a smart set of two small magnetic bicycle lights. Never seen them in person. Have no idea if they're worth a hoot or not, but the concept is pretty interesting and simple. Looks like a great idea to us.
Ian Strange (Kid Zoom): SUBURBAN premiered in a solo exhibition at the National Gallery of Victoria, Australia in late July 2013
Ian Strange: Suburban is a multifaceted photography, film and installation exhibition created by New York-based Australian artist Ian Strange. Since 2011 Strange has worked with a film crew and volunteers in Ohio, Detroit, Alabama, New Jersey, New York and New Hampshire to create, photograph and film seven site specific interventions incorporating suburban homes. The recording of these interventions through film and photographic documentation forms the basis of this new and groundbreaking exhibition. - David Hurlston - Curator, Australian Art and coordinator NGV studio, National Gallery of Victoria.
Sam Jinks' sculptural work sustains the briefest and often most private moments in time. Emotional vulnerability is both the subject and result of his work and moves audiences in a way not expected from contemporary art. For Jinks, his works are not literal representations, but are based on the combination of different stages of life.
Jinks' work can be found in various public collections that include: McClelland Gallery + Sculpture Park, Victoria, Australia ,Shepparton Art Gallery, Victoria, Australia, The Kiran Nader Museum of Art, Dehli , Indian and the Museo Escultura Figurativa Internacional Contemporaenea (MEFIC), Portugal, in addition to various private collections within Australia and internationally.
Many movies end with hopeless characters turning to crime. No movie ends like "Stroszek." Bruno and Mr. Scheitz take a rifle and go to rob the bank, which is closed, so they rob the barber shop next door of $32 and, leaving their car running, walk directly across the street to a supermarket, where Bruno has time to pick up a frozen turkey before the cops arrest Mr. Scheitz. Bruno then drives to a nearby amusement arcade, where he feeds in quarters to make chickens dance and play the piano. Then he boards a ski lift to go around and around and around.
This last sequence is just about the best he has ever filmed, Herzog says on the commentary track of the DVD. His crew members hated the dancing chicken so much they refused to participate, and he shot the footage himself. The chicken is a "great metaphor," he says--for what, he's not sure. My theory: A force we cannot comprehend puts some money in the slot, and we dance until the money runs out.
Love the video Swampy, and also love your tools of the trade (check photo below)
I haven't been around much but I just put together a collage of video moments I've personally recorded over the past few months. If you're interested in that kind of thing you should check it out when you get a chance. I put it on www.swmpy.com (it's my old art website that I cleared out a few years ago) but it's also hosted at youtube.com/swampysdiary.
The "Battle Station" where the above video was produced.
Back in August 2013, we were fortunate enough to be invited to check out FAILE'S studio and Patrick was kind enough to give us a quick tour and speak about their new art and the preparation for their upcoming show at the Dallas Contemporary thru Dec 22nd.
FAILE is a collaboration between Brooklyn-based artists, Patrick McNeil and Patrick Miller. The two first met 20 years ago and, since 1999, have worked together as FAILE, constructing multimedia installations, large-scale paintings and sculptures that have helped to change the perception of the Street Art genre.
Although FAILE initially operated outside of the mainstream contemporary art world, they quickly garnered awareness on a public level thanks to their ground-breaking use of materials, images and technology. McNeil and Miller’s culture-driven iconography and visual imagery blends high and low culture in a symbiotic way. Their practice continues to be informed by simultaneously creating works in studio and on the street.
The Arbor Collective swung through Dave Kinsey's studio in the Western slopes of the Sierras a few weeks back and put together this great video. Note Dave's epic view from his desk. Wowzas! Nice place to check emails from.
The Arbor Collective visits Dave Kinsey at his home studio in the Western slopes of the Sierras, where he talks about his background, influences, and process in creating current works of art. Named by Complex Magazine in 2012 as one of the 100 most influential artists of the past decade, Kinsey is known around the world for his street art, graphic design, and fine art pursuits. Watch the video to go "Between the Edges" with Arbor Collective artist, Dave Kinsey.
Sometimes the best emails don't make any sense. The more they make sense, the more we tend to tune them out... Happy to present:
Hello, my name is Andrey, I'm an artist. I like when my art makes people smile or surprise, or when they become angry and hate me! I like to cut to the quick. Creation helps me to unload demons from my head. And this time I unloaded them to my new cartoon! It is about the guy, who was living in my imagination for many years and I'm so glad to give him a new kind of being!
When works of art become commodities and nothing else, when every endeavor becomes “creative” and everybody “a creative,” then art sinks back to craft and artists back to artisans—a word that, in its adjectival form, at least, is newly popular again. Artisanal pickles, artisanal poems: what’s the difference, after all? So “art” itself may disappear: art as Art, that old high thing. Which—unless, like me, you think we need a vessel for our inner life—is nothing much to mourn.
Hard-working artisan, solitary genius, credentialed professional—the image of the artist has changed radically over the centuries. What if the latest model to emerge means the end of art as we have known it? --continue reading
"Six Degrees" opens tonight, Friday Jan 16th (7-10pm) at FFDG in San Francisco. ~Group show featuring: Brett Amory, John Felix Arnold III, Mario Ayala, Mariel Bayona, Ryan Beavers, Jud Bergeron, Chris Burch, Ryan De La Hoz, Martin Machado, Jess Mudgett, Meryl Pataky, Lucien Shapiro, Mike Shine, Minka Sicklinger, Nicomi Nix Turner, and Alex Ziv.
"[Satire] is important because it brings out the flaws we all have and throws them up on the screen of another person," said Turner. “How they react sort of shows how important that really is.” Later, he added, "Charlie took a hit for everybody." -read on
Jacob Magraw will be showing embroidery pieces on cloth along with painted, gouache works on paper --- Rachell Sumpter paints scenes of colored splendor dropped into scenes of desolate wilderness. ~show details
NYC --- A new graffiti abatement program put forth by the police commissioner has beat cops carrying cans of spray paint to fill in and cover graffiti artists work in an effort to clean up the city --> Many cops are thinking it's a waste of resources, but we're waiting to see someone make a project of it. Maybe instructions for the cops on where to fill-in?
The NYPD is arming its cops with cans of spray paint and giving them art-class-style lessons to tackle the scourge of urban graffiti, The Post has learned.
Shootings are on the rise across the city, but the directive from Police Headquarters is to hunt down street art and cover it with black, red and white spray paint, sources said... READ ON
SAN FRANCISCO --- The Headlands Center for the Arts is preparing for their largest fundraiser of the year set to go down on June 4th at SOMArts here in the city. Art auction, food, drinks, live music, etc and all for helping to support a great institution up in the Marin Headlands. ~details
ABOUT HEADLANDS Headlands Center for the Arts provides an unparalleled environment for the creative process and the development of new work and ideas. Through a range of programs for artists and the public, we offer opportunities for reflection, dialogue, and exchange that build understanding and appreciation for the role of art in society.
Just want to say congrats to Fecal Face's Rachel Ralph for graduating from SFAI with her masters in curatorial studies. Also want to congratulate Alex Ziv who also just got his MFA in painting. Also a high five to the talented Mario Ayala who also just graduated from SFAI as well! --- All super talented artists (thinkers), and we're excited to see what the future holds for them!
We haven't been featuring many interviews as of late. Let's change that up as we check in with a few local San Francisco artists like Kevin Earl Taylor here whom we studio visited back in 2009 (PHOTOS & VIDEO). It's been awhile, Kevin...
If you like guns and boobs, head on over to the Shooting Gallery; just don't expect the work to be all cheap ploys and hot chicks. With Make Stuff by Peter Gronquist (Portland) in the main space and Morgan Slade's Snake in the Eagle's Shadow in the project space, there is plenty spectacle to be had, but if you look just beyond it, you might actually get something out of the shows.
Fifty24SF opened Street Anatomy, a new solo show by Austrian artist Nychos a week ago last Friday night. He's been steadily filling our city with murals over the last year, with one downtown on Geary St. last summer, and new ones both in the Haight and in Oakland within the last few weeks, but it was really great to see his work up close and in such detail.
Congrats on our buddies at Needles and Pens on being open and rad for 11 years now. Mission Local did this little short video featuring Breezy giving a little heads up on what Needles and Pens is all about.
Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.
Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.
San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.
Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.
Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.
The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.
With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding
I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle
Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.
Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.
For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.
Material published on FECAL FACE DOT COM online service is copyrighted by Fecal Face or its licensors, including the originating wire services. Such material is protected by U.S. and international copyright laws and treaties. All rights reserved.
Users of the Fecal Face online service may not reproduce, republish or redistribute material found on the web site in any form without the express written consent of the copyright holder.