Matt Moore Gets Earthy During his Residency in Utah

We've featured the works of designer and painter Matt Moore over the years and was pleased to receive his latest email featuring a collection of foraged Andy Goldsworthy-esk geometric mandala grids he created during a recent residency at Summit on Powder Mountain in Eden, Utah.

Moore writes, "I decided it was a good play to take full advantage of the sunshine and wilderness and develop a series that would allow me to explore the beauty of Utah, create work with my hands, and celebrate the native color palette of the landscape."

This series of mosaic mandalas was created entirely with elements foraged on the mountain and in the valley : River pebbles and stones, shale, red rocks from the high elevations, dead branches from aspen trees, bark from evergreens, cattails from the lake’s edge, dried wild grasses from yesteryear, and cut dead branches exposing the rings of the tree’s life.

This series of mosaic mandalas was created entirely with elements foraged on the mountain and in the valley : River pebbles and stones, shale, red rocks from the high elevations, dead branches from aspen trees, bark from evergreens, cattails from the lake’s edge, dried wild grasses from yesteryear, and cut dead branches exposing the rings of the tree’s life.

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At first it felt like playing caveman Tetris, somewhat of a flashback to building block castles I made as a child, but as the configurations evolved to be more complex I very much felt like a graphic artist or bricklayer, every measurement had to be dialed and every pebble or twig needed to be carefully placed.

At first it felt like playing caveman Tetris, somewhat of a flashback to building block castles I made as a child, but as the configurations evolved to be more complex I very much felt like a graphic artist or bricklayer, every measurement had to be dialed and every pebble or twig needed to be carefully placed.